Mary Potter

Reflections II (Light Through Leaves), Oil on Canvas Painting, 1965-69 circa

1965-69 circa

Painting, November, Oil on Board Painting by Robert Sadler, 1957 Additional information: Medium: Oil on board 48 x 61 in 121.9 x 154.9 cm Signed; titled on support bars (William) Robert Sadler produced abstract works in varying sizes with a spare poise and strong use of colour. The son of a noted racehorse trainer, Sadler was born at Falmouth House (now demolished) at the northern edge of Newmarket, Suffolk. By the age of fourteen he was drawing and painting aeroplanes, horses, houses and landscapes. After studying at Eastbourne College and Sidney Sussex College, Cambridge, where he read Mechanical Engineering, in 1930 he joined the Royal Air Force as a pilot. In 1942, whilst posted to the Air Ministry as Director of Plans, he attended art school in London and spent the following year in Turkey on special duties where he lectured at the Turkish Air Staff College and painted and rode race horses. At the end of the war he returned to the UK and took up the post of Station Commander at RAF Binbrook in Lincolnshire. In 1947 he moved to Denmark as Air Attache to the British Embassy in Copenhagen where he attended art school and two years later, whilst Vice-President of the RAF Officers' Selection Board, set-up a studio in Stockbridge whilst attending art school in Winchester. In 1953 he moved to the USA to take up the post as representative on the NATO Joint Chiefs of Staff Intelligence Committee during which period he attended the Corcoran School of Art in Washington DC where he first encountered the work of the American Abstract Expressionists. Returning to the UK in 1955 he moved back to Newmarket, having retired from the RAF 'to devote the rest of my life to painting.' He attended Heatherley's School of Fine Art in London, Cambridge Technical College and became a member of the Winchester Art Society and the Cambridge Society of Painters & Sculptors. His first one-man show was at Swaffham Prior, Cambridge and from then until 1963 he lived and painted in a largely abstract expressionist style influenced by the Ecole de Paris Tachisme of Poliakoff and de Stael and by the contemporary British work of Peter Lanyon, William Scott, Bryan Wynter...

Untitled, Oil on Canvas by Douglas Swan, 1963 Circa Additional information: Medium: Oil on Canvas 60 x 25 1/2 in 152.4 x 64.8 cm Signed and inscribed ve...

Composition in Taupe, Oil on Board Painting by Mary Potter, 1979 Additional information: Medium: Oil on board 122 x 152.5 cm 48 x 60 in Signed, titled and dated Mary Potter was a p...

Alms Houses, Oil on Canvas Painting by Mary Potter, 1966 Additional information: Medium: Oil on canvas 33 x 66 cm 13 x 26 in Mary Potter was a painter of still lifes and landscapes...

Title: 1960's British Surrealist Oil Painting - 'Foliage' Abstract Study Medium: Oil on board, unframed Size: 4 height x 3.5 width Condition: Good Provenance: all the paintings we h...

Title: 1960's British Surrealist Oil Painting - Nature Study with Leaves Abstract Artist: Elvic Steele Medium: Oil on board, unframed Size: 4.5 height x 5 width Condition: Good Prov...

Abstract composition is a contemporary artwork realized by Leo Guida in 1970s Mixed colored oil on canvas. Leo Guida (1992 - 2017). Sensitive to current issues, artistic movements...

This abstract acrylic painting inspired by nature was created by Otto Rogers. Renowned internationally as a masterful abstract artist, Otto Rogers distinctive aesthetic often combin...