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Maryanne PollockMaryanne Pollock2017
2017
$2,800
£2,133.17
€2,459.63
CA$3,918.54
A$4,378.32
CHF 2,290.35
MX$53,692.23
NOK 29,266.28
SEK 27,752.19
DKK 18,357.56
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About the Item
Painting by Maryanne Pollock titled "Totem". Work is signed and dated 2018 on reverse.
Maryanne Pollock received her BFA from Tyler School of Art in Philadelphia and Rome, Italy. She continued studying at the Pennsylvania Academy of Fine Arts, the Corcoran College of Art and Design and American University.
Maryanne Pollock represented the United States in a contextual exhibition at the 54th Venice Biennale, at the Arts Embassies Program in Egypt, and had solo exhibitions in Paris, Glasgow, Basel, and Cairo. Publications include Home and Design, Luxe, Traditional Home, Professional Artist (cover), and the Washington Post. Sizable collections of her work include Marriott Marquis DC, Gibson, Dunn & Crutcher, Qatar Foundation and the DC Commission on the Arts and Humanities.
Two paintings were selected for Paper 2019, a National competition curated by Jennifer Farrell of the Metropolitan Museum of Art at Silvermine.
Recent exhibitions include solos at Delaware Contemporary Museum and the McLean Project for the Arts.
- Creator:Maryanne Pollock
- Creation Year:2017
- Dimensions:Height: 30 in (76.2 cm)Width: 22 in (55.88 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Washington, DC
- Reference Number:1stDibs: LU133726813342
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"The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available."
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