Handmade Paper Abstract Paintings

Pigments on paper Arches with anti-reflective glass metal black frame, 54 x 42 x 3 cm Nicole B. is a Belgian artist born in 1944 who lives & works in Braibant, Ciney in Belgium.

Pigments on paper Arches with anti-reflective glass metal black metal frame, 45 x 45 x 3 cm Nicole B. is a Belgian artist born in 1944 who lives & works in Braibant, Ciney in Belgium.

Pigments on paper Arches with anti-reflective glass metal black frame, 61 x 44 x 3 cm Nicole B. is a Belgian artist born in 1944 who lives & works in Braibant, Ciney in Belgium.

Pigments on paper Arches with anti-reflective glass metal black frame, 50 x 40 x 3 cm Nicole B. is a Belgian artist born in 1944 who lives & works in Braibant, Ciney in Belgium.

Sandy Kinnee is known for paper making, printmaking and collage. This has the artists stamp verso. Sandy Kinnee lives and works in Colorado Springs, CO. Kinnee was born on March, 30, 1947 in Port Huron, MI. He received his BFA from the University of Michigan in 1969 and MFA from Wayne State University in 1976. Kinnee has taught at Colorado College, the University of Colorado, Colorado Springs and the Colorado Springs Fine Art Center. Sandy Kinnee was awarded a Pollack-Krasner Foundation grant. His work bears some surface similarities to Sam Francis and Alan Shields works. This has the feel of the Pattern and Decoration art movement. His print works are represented in numerous public and private collections including The Metropolitan Museum of Art, New York, NY, Brooklyn Museum, Brooklyn, NY, Princeton University Art Museum, Princeton, NJ, University of Michigan Museum of Art, Ann Arbor, MI, New Britain Museum of American Art, New Britain, CT, Swissair, Zurich, CH Suchard Chocolate, Walt Disney World (Michael Graves designed Hotel, at), Westinghouse Art Collection, General Mills Art Collection. Select Solo Exhibitions 2019 Buell Theatre, Denver, CO 2019 McNichol’s Building, Denver, CO 2019 William Havu Gallery, Denver, CO 2017 Special Collections, Tutt Library, Colorado Springs, CO 2002 Visual Arts Gallery, Central Arizona College, Coolidge, AZ 1999 Art Selection, Zurich, Switzerland Select Group Exhibitions 2015 “Director’s Favorites: 1999–2015”, New Britain Museum of American Art, CT. 2008 “The Imbedded Image – Current Work In Hand Papermaking”, St. Louis, MO. 1999 Art Multiple, Dusseldorf, Germany 1999 SAGA/FICA Edition, Paris, France 1996 Kunstmessig, Olso, Norway 1994 Dresden Art Fair, Dresden, Germany 1993 Dusseldorf, Germany 1992 “Four Americans” Art Selection, Zurich, Switzerland 1990 Alumni Exhibition, University of Michigan, Ann Arbor, MI 1989 Virginia Miller Galleries, Coral Gables, FL 1984 “Watercolors”, Cunningham Memorial Art Gallery, Bakersfield, CA 1984 “Paper Transformed: A National Exhibition of Paper Art”, Terre Haute, IN 1984 “Paperworks”, Academy of Art College Gallery, San Francisco, CA 1983 “Fan and Kimono”, Kauffman Galleries, Houston, TX 1980 “In Celebration of Prints”, The Philadelphia Art Alliance, PA 1980 “Selected Prints”, Educational Testing Services, Princeton, NJ 1980 “Ten Western Printmakers”, a Traveling Exhibition, organized by WSAF 1980 “Its Pure Paper”, Lake Placid School of Art, Lake Placid, NY 1980 “Fire and Water”, Rockland Center for the Arts, West Nyack, NY 1979 “Fans”, Philadelphia Museum of Art, Philadelphia, PA 1978 “Paper as Medium”, traveling exhibition, organized by the Smithsonian Institution 1977 “Works on Handmade Paper”, National Collection of Fine Arts, Washington, DC 1977 “Paper Art”, Land Gallery, Scripps College, Claremont, CA 1976 “Works...

David Ambrose’s fascination with paper began as a child as when convalescing from major surgery on his right leg at the age of seven. Paper became the playground for his imagination ...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

Watercolor and india ink on handmade paper dimensions are framed size, frame has 1/4 gold leaf profile with wood sides black red yellow mid century modern Louis Leon Ribak was born in the Lithuanian province of Grodno Gubernia in 1902. When he was ten, he immigrated with his family to New York City. In 1922 he attended the Pennsylvania Academy of Fine Arts, in 1923 studied with John Sloan at the Art Students League and at the Educational Alliance in 1924. Sloan's influence guided Ribak's development. As an editor for the radical periodical, New Masses, Sloan encouraged Ribak to illustrate for the publication. In 1929, Ribak become a founding member of the John Reed Club, a group closely associated with New Masses. Ribak's work during the 1930s and early 1940s is dominated by social realism. His painting Coal Miners is in the permanent collection of the Jewish Museum, and Home Relief Station is in the permanent collection of the Whitney Museum of American Art. In the early 1930s Ribak had several one-man exhibitions at the A.C.A Gallery in New York and regularly exhibited with "An American Group Inc.", a group of socially conscious painters including Stuart Davis, Reginald Marsh, Maurice Sterne, Raphael Soyer, and others. In 1933 he assisted Diego Rivera on the mural for the lobby of Rockefeller Center, and in 1935 worked for the Works Progress Administration (WPA) as a muralist. Ribak participated annually in the Whitney Museum's Exhibition of Contemporary American Art from its inception in 1932 until he left New York in 1944. In 1934 Ribak's work was chosen for the Venice Biennial. Louis Ribak met Beatrice Mandelman at a dance sponsored by the Artists Union and in 1942 they married. That same year, he was drafted for military service, but 2 years later he was released from service due to asthma. In 1944 the couple traveled west to visit John Sloan in Santa Fe and shortly after, moved to Taos. The move was prompted in part by the need for a healthier climate for Ribak but also because they had become dissatisfied with the New York scene due to "dissention between Social Realists and Abstract Expressionists." In New Mexico Ribak's artistic style underwent a transformation from Social Realism towards abstraction. He was captivated by the landscape and the diverse cultures of northern New Mexico. In 1947 Ribak founded the Taos Valley Art School. He offered no ideology to his students, arguing that taking any single approach would lead to academicism. Ribak was an integral force in the development of the Taos Moderns...

Watercolor and india ink on handmade paper black red yellow mid century modern Louis Leon Ribak was born in the Lithuanian province of Grodno Gubernia in 1902. When he was ten, he immigrated with his family to New York City. In 1922 he attended the Pennsylvania Academy of Fine Arts, in 1923 studied with John Sloan at the Art Students League and at the Educational Alliance in 1924. Sloan's influence guided Ribak's development. As an editor for the radical periodical, New Masses, Sloan encouraged Ribak to illustrate for the publication. In 1929, Ribak become a founding member of the John Reed Club, a group closely associated with New Masses. Ribak's work during the 1930s and early 1940s is dominated by social realism. His painting Coal Miners is in the permanent collection of the Jewish Museum, and Home Relief Station is in the permanent collection of the Whitney Museum of American Art. In the early 1930s Ribak had several one-man exhibitions at the A.C.A Gallery in New York and regularly exhibited with "An American Group Inc.", a group of socially conscious painters including Stuart Davis, Reginald Marsh, Maurice Sterne, Raphael Soyer, and others. In 1933 he assisted Diego Rivera on the mural for the lobby of Rockefeller Center, and in 1935 worked for the Works Progress Administration (WPA) as a muralist. Ribak participated annually in the Whitney Museum's Exhibition of Contemporary American Art from its inception in 1932 until he left New York in 1944. In 1934 Ribak's work was chosen for the Venice Biennial. Louis Ribak met Beatrice Mandelman at a dance sponsored by the Artists Union and in 1942 they married. That same year, he was drafted for military service, but 2 years later he was released from service due to asthma. In 1944 the couple traveled west to visit John Sloan in Santa Fe and shortly after, moved to Taos. The move was prompted in part by the need for a healthier climate for Ribak but also because they had become dissatisfied with the New York scene due to "dissention between Social Realists and Abstract Expressionists." In New Mexico Ribak's artistic style underwent a transformation from Social Realism towards abstraction. He was captivated by the landscape and the diverse cultures of northern New Mexico. In 1947 Ribak founded the Taos Valley Art School. He offered no ideology to his students, arguing that taking any single approach would lead to academicism. Ribak was an integral force in the development of the Taos Moderns...

PVB-7600 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has utilized paper adhered by a matte medium to create graphic imagery of text and color blocks on top of a canvas dyed in ink. This painting is gallery wrapped with canvas on top of stretcher bars. Mack's paintings have been described as "intellect on top of emotion". Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. Collections include High Museum Atlanta...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

A beautiful abstract composition, rich in visual texture by using several mediums - watercolor, ink, handmade paper and oil pastel - by Aptos, California artist Diane Pendleton Stein...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, emptiness and form. The imagery in her paintings is often associated with molecular and galactic systems. ...

David Mellen (b. 1970, Chicago, IL, USA) attended the American Academy of Art and exhibited his work in his hometown of Chicago until 1994, when he moved to Europe. Over the next fi...

Santa Barbara California Blue Yellow Green Modern Abstract Landscape Painting Margaret Francis received her Degree in Fine Art from Winchester Art Scho...

MTB-4276 is one of Mack's strongest paintings. This piece part of his ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using...

Handmade abaca paper. Unframed. This subtle piece has been created at Dieu Donné in New York City, a non-profit studio for handmade paper art. DD3.15 is handmade abaca paper, which...

David Ambrose’s fascination with paper began as a child as when convalescing from major surgery on his right leg at the age of seven. Paper became the playground for his imagination ...

One piece made of a folder with 50 acrylic paintings on paper, with measures 29.5 x 20 cm each paper.

Black and white abstract cast paper, ink, Size: 48x38, framed under plexiglass 51x41x2 Pencil signed, Artist Proof. Richard Royce was born in New York on August 18, 1941. After getting his BA and MA in fine art at the University of Wisconsin, Richard went to France to study with Stanley W. Hayter, (the father of modern printmaking). On returning to the US he opened a studio where he produced etchings, cast paper, paintings and sculptural commissions of his own work while at the same time helping other artists including Roy Lichtenstein, Larry Rivers, Marisol, George Segal, Raphael Soyer, Francoise Gilot and Jim Rosenquist to realize works in various media. COLLECTIONS Bibliotheque Nationale, Paris, France State Historical Society of Wisconsin Portland Art Museum, Oregon Fine Arts Museum of Long Island, New York International Paper Corporation, New York Isla Center, University of Guam, Micronesia Byer Museum of the Arts, Evanston, Illinois Musee du Petite Format, Couvin, Belgique Yasuda Life Insurance Company, Japan SOLO EXHIBITIONS 1991 Prestige Gallery, Danvers, MA 1989 Watermark/Cargo Gallery.. Kingston, NY 1986 ARRAS Gallery, NYC, NY 1985 The Tremellen Gallery, Lancaster, PA 1982 Linden Gallery, New York, NY 1979 Contemporary Crafts Gallery, Portland, OR Keller Gallery, Salem, OR The Tremellen Gallery, Lancaster, PA 1970 Ventura College, Ventura, CO University of Wisconsin, Madison, WI 1969 Comsky Gallery, Boston, MA Ohio University, OH 1968 Thompson Gallery, Boston, MA The Galor Hagen Gallery, Dallas, TX University of Southern California Gallery SELECTED GROUP EXHIBITIONS 2004 Living Space Gallery, Cornville, AZ 2001 Rodman Gallery, Stockbridge, MA 1997 Dalton Fine Art, Boston, MA Boston Corporate Art, Boston, MA Prestige Gallery, Atelier Royce Group Show, Danvers, MA 1996 Copley Society Gallery, Group Sculpture Show, Boston, MA 1995 Barbara’s Hang Up Gallery, Group Show, Beverly, MA 1991 Creative Framing Gallery, Boston, MA 1989 5e Exposition International "Petit Format de Papier" Cul-Des-Arts (Couvin), Belgique 1988 Premiere Triennale Mondiale D'Estampes Petit Format (Traveling show to museums throughout France) 1987 "Eight Upstate Sculptors", Woodstock Artist Assn., NY 1986 First International Biennial of Paper Art, Leopold-Hoesch Museum, Dueren, Germany 1985 '85 Mini-Exhibition, Isla Center, University of Guam, Micronesia 1984 Paperworks: A National Invitational, Chevey Cowles Memorial Museum, Spokane, WA Paper, Canvas & Glass, Gallery Mack, Seattle, WA Atelier Royce Group Show, Eclipse Gallery, New York Contemporary Paperworks, Hurlbutt Gallery, Greenwich, CT 1983 Paper As Images - Traveling exhibition: Six galleries throughout England 1982 Papermaking USA, American Crafts Museum, New York Atelier Royce Group Show, State University, Purchase, NY New American Graphics 2, Art Museum Association of San Francisco Traveling...

David Ambrose’s fascination with paper began as a child as when convalescing from major surgery on his right leg at the age of seven. Paper became the playground for his imagination ...

Bai Ming, is a famous contemporary ceramic artist and painter born in September 1965 in Yugan, Jiangxi Province of China. •Director of the Department of Ceramic Art in the Academy...

Bai Ming, is a famous contemporary ceramic artist and painter born in September 1965 in Yugan, Jiangxi Province of China. •Director of the Department of Ceramic Art in the Academy...

David Ambrose’s fascination with paper began as a child as when convalescing from major surgery on his right leg at the age of seven. Paper became the playground for his imagination ...

David Ambrose’s fascination with paper began as a child as when convalescing from major surgery on his right leg at the age of seven. Paper became the playground for his imagination ...

David Ambrose’s fascination with paper began as a child as when convalescing from major surgery on his right leg at the age of seven. Paper became the playground for his imagination ...

acrylic and rice paper on panel This original mixed-media abstract painting by Laura Fayer features various shades of lavender, ecru, and white. Fayer's mixed media paintings evoke...

acrylic and rice paper on panel This original mixed-media abstract painting by Laura Fayer features various shades of deep turquoise, gray, and white. Fayer's mixed media paintings...

Vintage Original Abstracted Landscape Silk Screen on Rice Paper Dramatic non-objective and abstracted landscape silkscreen in black india ink and neutral Casein paint tones. Unsigne...

Pau Escat is an asbtract artist originating from Barcelona, Spain, born in 1984. His passion for art has led him to develop a prominent career in the field of contemporary art. His a...

Named "Uniqueness & Infinity", this freehand-style landscape by Annie Tremsal was created with ink, ocher, and other mediums on Chinese paper mounted on ...

LEAH DURNER Billiard Green 2, 2011 Gouache on billiard Fabriano Tiziano colored paper 39 x 27.5 inches

Tiefeng Jiang Title: The Stone Forest Edition: 9/20 Super Low Edition! Medium: Serigraph on hand-made paper Measurement...