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Style: Abstract
Medium: Masonite
Systema Solar, Large Abstract Painting by Leonardo Nierman
Located in Long Island City, NY
Large early oil painting by noted Mexican abstract artist Leonardo Nierman (1932 - ), signed lower right.
Systema Solar
Leonardo Nierman, Me...
Category
1980s Abstract Masonite Abstract Paintings
Materials
Masonite, Oil
White Landscape, Abstract Expressiont Collage by Keith Morrow Martin 1959
Located in Long Island City, NY
An abstract collage on wood by Kenneth Morrow Martin, American (1911-1983). Exhibited: 1st Knoxville Art Center National Exhibtion, 1961
White Landscape by Keith Morrow Martin, Amer...
Category
1950s Abstract Expressionist Masonite Abstract Paintings
Materials
Masonite, Varnish, Magazine Paper
'Abstract Landscape', California College of Arts and Crafts, Oakland, Thiebaud
By Don Clausen
Located in Santa Cruz, CA
Signed lower left, 'Clausen' for Don Clausen (American, 1930-2020) and dated 1974.
A self-proclaimed "sculptor of paint," Donald Clausen used tools of his own invention to create co...
Category
1970s Abstract Masonite Abstract Paintings
Materials
Masonite, Oil
'City Lights' San Francisco Beat Generation, Woman Artist, Bay Area Abstraction
By Joan Savo
Located in Santa Cruz, CA
Signed lower right, 'Savo' for Joan Savo (American, 1918-1992) and dated 1960. Additionally signed, verso, on old label and titled, 'City Lights'. Accompanied by a letter from the ar...
Category
1960s Abstract Expressionist Masonite Abstract Paintings
Materials
Oil, Masonite
'Large Abstract', San Francisco Bay Area, North Beach, Beat, Beatnik, Big Sur
Located in Santa Cruz, CA
Signed lower right, 'K. Sanzenbach' for Keith Sanzenbach (American, 1931-1964) and dated 1956. Additionally signed, verso, and with the artist's Lagunitas, California address.
The ...
Category
1950s Abstract Expressionist Masonite Abstract Paintings
Materials
Masonite, Oil, Gouache
Mid-Century Paleolithic Hunt Scene
By Nan Street Fowler
Located in Soquel, CA
A wonderful mid-century interpretation of prehistoric, Paleolithic cave paintings; done in reddish earth tones and rich in visual texture by Sausalito, California artist Nan Street F...
Category
1950s Abstract Expressionist Masonite Abstract Paintings
Materials
Masonite, Oil
Sail Boat Races Sausalito, Mid Century Modern Abstract Geometric Seascape
By Ray Mathewson
Located in Soquel, CA
Mid-Century Modern abstract geometric composition of pastel colored sailboats on a black background, with beautiful abstracted colorful reflections, gathering in Bay Area Sausalito Harbor by Ray Mathewson (American, d. 1968). Signed "Mathewson" in the lower right corner. Titled "The Meet" on verso. Unframed. Image: 24"H x 30"W.
Ray Mathewson (American, d. 1968) was an artist and draftsman. He was married to Ruth Parker (American, b. 1930), also an accomplished artist. He died unexpectedly of a stroke in 1968.
Exhibited, Toumala Arts, Fort Bragg...
Category
1960s Abstract Geometric Masonite Abstract Paintings
Materials
Masonite, Oil
Landscape with Orange Sky
Located in Wilton Manors, FL
James Earl Ray (1928-1998). Landscape with Orange Sky. ca. 1975. Oil on masonite panel measures 6.5 x 8.5 inches, 10.5 x 12.5 inches framed. Signed lowe...
Category
Mid-20th Century Abstract Masonite Abstract Paintings
Materials
Masonite, Oil
"Room Interior" abstract cubist cubism dark colorful pop mellow 60's signed
Located in Milwaukee, WI
"Room Interior" is an original acrylic painting on masonite by David Barnett. The artist used bright, non-mimetic colors to create an abstracted interior scene. Artist signed piece o...
Category
1960s Abstract Masonite Abstract Paintings
Materials
Masonite, Acrylic
Fiesta abstract with Yellow
Located in Greenwich, CT
A beautiful abstraction from the 1970's by an American artist working in California but with ties to Hawaii. He melds collage with paint and creates a surface which is exquisite, la...
Category
1970s Abstract Masonite Abstract Paintings
Materials
Masonite, Dye, Acrylic, Rice Paper
Large Geometric Abstract Oil Painting on Masonite
Located in San Francisco, CA
Large Geometric Abstract Oil Painting on Masonite
No visible signature
36 x 48 unframed, 37.5 x 49.5 framed
Category
Mid-20th Century Abstract Masonite Abstract Paintings
Materials
Masonite, Oil
Series 67 No.4 abstract oil painting by Jack Wolsky
Located in Hudson, NY
Series 67, No. 4 (1955)
Oil on masonite
48" x 24 ½"
49" x 25 ¼" x 1 ¾" framed
About this artist: Jack Wolsky was born in 1930 in Rochester, New York.
He taught in the Department o...
Category
1950s Abstract Masonite Abstract Paintings
Materials
Masonite, Oil
AFTER THE STORM 1969 Abstract Large Encaustic/Oil 60x48 Female Surrealist Artist
Located in Rancho Santa Fe, CA
Born in 1934, the work of Suzanne Bloomfield represents the life force which binds us all -- a universal symbol for the soul's transformation.
Bloomfield believes that painting is t...
Category
1960s Abstract Masonite Abstract Paintings
Materials
Masonite, Encaustic, Oil
'Abstract Landscape', by Katherine Westphal, Oil on Board
Located in Oklahoma City, OK
Katherine Westphal's oil on board painting titled 'Abstract Landscape' embodies the stylistic qualities of abstract painting. Using a diverse color palette of orange, red, yellow, bl...
Category
Mid-20th Century Abstract Masonite Abstract Paintings
Materials
Masonite, Oil
Vintage Vertical Abstract #5
Located in Soquel, CA
Colorful vintage abstract expressionist painting by Les (Leslie Luverne) Anderson (American, 1928-2009), circa 1970. From the e...
Category
1970s Abstract Expressionist Masonite Abstract Paintings
Materials
Masonite, Oil
Rock Candy Mountain (unique, signed Abstract Expressionist painting)
By Ben Wilson
Located in New York, NY
Ben Wilson
Rock Candy Mountain, ca. 1970
Oil on masonite board (Hand Signed, titled and dated)
Hand signed, titled and dated by Ben Wilson on the back
Frame Included: held in artist's original vintage 1970 wood frame
This stunning painting with candy colors is done by the second generation Abstract Expressionist artist Ben Wilson - one of the youngest artists to be given a show at prestigious ACA Gallery in 1940.
In 2017, he was the subject of a career retrospective at the George Segal Gallery at Montclair State University from September 6 to November 4 and it was accompanied by a catalogue.
Measurements:
Frame:
23.5 x 47.5 x 1 inch
Artwork:
25 x 49 inches
About Ben Wilson:
Ben Wilson was born in Philadelphia in 1913 to Jewish parents who had emigrated from Kiev and settled in New York City. He was educated in Manhattan public schools and graduated from City College in 1935. To gain exposure to a wider range of styles, he also studied at the National Academy of Design and at the Educational Alliance.
Admired by critics throughout his long career, Wilson was singled out as a “discovery” by the New York Times art critic Edward Alden Jewel even before his first one-man show at the Galerie Neuf in 1946. His paintings of the ’30s and ’40s were expressionistically rendered, often Biblical parables, filled with what he called “the grief of the intolerable” and reflecting an acute awareness of the agony of the time, from the Holocaust to the Spanish Civil War. A WPA artist who identified strongly with the plight of the Jews in Europe, he relentlessly explored themes of war, torment, and futility in his early decades of painting.
When times changed and social pressures subsided, Wilson’s mood lifted. He spent 1952-54 in Paris working at the Academie Julien. During the ’50s his involvement with specific imagery persisted but became more psychological and mythic in orientation. Influenced by Cubism, he created a vocabulary of interlocking shapes and bold, sweeping gestures that served as a transition between his early figurative expressionism and his later abstract constructivist concerns. Towards the end of the decade Wilson reached a crossroads, moving towards abstraction and searching for what he called “a scaffolding under the externals.”
By 1960, influenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstraction. Reexamining the basic elements of painting, he evolved his own personal vocabulary and structure, fusing the cerebral and the emotive. He became increasingly experimental, using house paint, sand, and other unorthodox materials in paintings that he worked from all directions, dripping, spraying, stenciling, and collaging. He employed elements of disjunction, repetitions of geometric motifs, linear networks, and complex overlays to create the transparent, multi-layer development of space that characterizes his later paintings. A consummate draftsman, Wilson filled notebook after notebook with drawings that he amplified in his paintings.
Eschewing popular movements, Wilson was always one to pursue a personal aesthetic. Despite more than 30 one-man shows and 50 years of teaching, he increasingly withdrew from the gallery scene but continued to paint daily until his death at age 88 in 2001 in Blairstown, New Jersey, where he and his sculptor wife Evelyn Wilson...
Category
1970s Abstract Expressionist Masonite Abstract Paintings
Materials
Masonite, Oil
Ozymandias (unique, signed Abstract Expressionist painting by renowned painter)
By Ben Wilson
Located in New York, NY
Ben Wilson
Ozymandias, 1989
Oil on masonite board
Boldly signed by Ben Wilson on the back
36 × 48 inches
Unframed
Provenance: acquired from the Estate of Ben Wilson
This work is titled "Ozymandias" after the famous sonnet written by Percy Bysshe Shelley (1792-1822). Shelley's poem is one of the most poignant meditations on the fleeting nature of human power and the inevitability of decline. The poem serves as a reminder that time erodes even the most imposing empires and leaders and that the pursuit of lasting fame and control is ultimately futile.
Depending on how one views Ben Wilson's Abstract Expressionist painting of "Ozymandias" -- some of the imagery might reveal the head of an angry king and a sickle.
Shelley's poem Ozymandias reads:
I met a traveler from an antique land...
Category
1980s Abstract Expressionist Masonite Abstract Paintings
Materials
Masonite, Oil
Concert (unique, signed Abstract Expressionist painting by celebrated artist)
By Ben Wilson
Located in New York, NY
Ben Wilson
Concert, ca. 1989
Oil on masonite board (Hand Signed by the artist; also bears the Estate Stamp)
Boldly signed front and back, titled and dated on the back by Ben Wilson and also stamped on the back by the estate of Ben Wilson
42 × 48 inches
Unframed
This stunning painting is done by the second generation Abstract Expressionist artist Ben Wilson - one of the youngest artists to be given a show at prestigious ACA Gallery in 1940. This work "Concert" - depicting instruments, in a light, lyrically abstract painting. Exquisite colors and subtle imagery.
In 2017, he was the subject of a retrospective at the George Segal Gallery at Montclair State University from September 6 to November 4 and it was accompanied by a catalogue.
About Ben Wilson:
Ben Wilson was born in Philadelphia in 1913 to Jewish parents who had emigrated from Kiev and settled in New York City. He was educated in Manhattan public schools and graduated from City College in 1935. To gain exposure to a wider range of styles, he also studied at the National Academy of Design and at the Educational Alliance.
Admired by critics throughout his long career, Wilson was singled out as a “discovery” by the New York Times art critic Edward Alden Jewel even before his first one-man show at the Galerie Neuf in 1946. His paintings of the ’30s and ’40s were expressionistically rendered, often Biblical parables, filled with what he called “the grief of the intolerable” and reflecting an acute awareness of the agony of the time, from the Holocaust to the Spanish Civil War. A WPA artist who identified strongly with the plight of the Jews in Europe, he relentlessly explored themes of war, torment, and futility in his early decades of painting.
When times changed and social pressures subsided, Wilson’s mood lifted. He spent 1952-54 in Paris working at the Academie Julien. During the ’50s his involvement with specific imagery persisted but became more psychological and mythic in orientation. Influenced by Cubism, he created a vocabulary of interlocking shapes and bold, sweeping gestures that served as a transition between his early figurative expressionism and his later abstract constructivist concerns. Towards the end of the decade Wilson reached a crossroads, moving towards abstraction and searching for what he called “a scaffolding under the externals.”
By 1960, influenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstraction. Reexamining the basic elements of painting, he evolved his own personal vocabulary and structure, fusing the cerebral and the emotive. He became increasingly experimental, using house paint, sand, and other unorthodox materials in paintings that he worked from all directions, dripping, spraying, stenciling, and collaging. He employed elements of disjunction, repetitions of geometric motifs, linear networks, and complex overlays to create the transparent, multi-layer development of space that characterizes his later paintings. A consummate draftsman, Wilson filled notebook after notebook with drawings that he amplified in his paintings.
Eschewing popular movements, Wilson was always one to pursue a personal aesthetic. Despite more than 30 one-man shows and 50 years of teaching, he increasingly withdrew from the gallery scene but continued to paint daily until his death at age 88 in 2001 in Blairstown, New Jersey, where he and his sculptor wife Evelyn Wilson...
Category
1980s Abstract Expressionist Masonite Abstract Paintings
Materials
Masonite, Oil
Untitled 1963 Abstract Oil Painting by Jimmy Ernst
By Jimmy Ernst
Located in Hudson, NY
This abstract is signed and dated "Jimmy Ernst 63" on the lower right. Measurement of artwork is 8 ½" x 8 ¼" and framed measures 15 ½" x 15" x 1 ¼" in a painted frame.
Provenance: Gift from the artist to his personal friend architect John Johansen...
Category
1960s Abstract Expressionist Masonite Abstract Paintings
Materials
Masonite, Oil
Bold German American Abstract Expressionist Color Field Oil Painting Carl Holty
By Carl Holty
Located in Surfside, FL
Carl Robert Holty (American 1900-1973)
Abstract Expressionism Oil on Masonite board.
Abstract with greens blues and red,
Dimensions 12 x 9-1/2 inches. Framed 17 X 14 inches
Hand...
Category
20th Century Abstract Expressionist Masonite Abstract Paintings
Materials
Masonite, Oil
Colorful Portrait Painting on Board by Peter Keil
By Peter Keil
Located in Hudson, NY
This modern abstract painting by Peter Keil is on a smooth masonite board with a painted grey background, black abstract portrait with many colors. Here you certainly see the Picasso...
Category
Late 20th Century Abstract Masonite Abstract Paintings
Materials
Masonite, Acrylic, Board
Colorful Portrait Painting on Board by Peter Keil w Tiffany Blue Background
By Peter Keil
Located in Hudson, NY
This modern abstract painting by Peter Keil is on a smooth masonite board with a painted Tiffany Blue background, black abstract portrait. Here you ...
Category
Late 20th Century Abstract Masonite Abstract Paintings
Materials
Masonite, Acrylic, Board
Colorful Portrait Painting on Board by Peter Keil
By Peter Keil
Located in Hudson, NY
This modern abstract painting by Peter Keil is on a smooth masonite board with a painted grey background, black abstract portrait with many colors. Here you certainly see the Picasso...
Category
Late 20th Century Abstract Masonite Abstract Paintings
Materials
Masonite, Acrylic, Board
Colorful Portrait Painting on Board by Peter Keil
By Peter Keil
Located in Hudson, NY
This modern abstract painting by Peter Keil is on a smooth masonite board with a painted Tiffany Blue background, black abstract portrait with many ...
Category
Late 20th Century Abstract Masonite Abstract Paintings
Materials
Masonite, Acrylic, Board
Mother and Child
Located in Wilton Manors, FL
Bruno Lucchesi (b.1926). Mother and Child, ca. 1960. Oil and charcoal on sized paper mounted to masonite, measuring 11 x 21 inches; 15.5 x 25.5 inches in original gold leaf frame. Si...
Category
Mid-20th Century Abstract Masonite Abstract Paintings
Materials
Masonite, Oil, Paper
1950s "Abstract #6" Abstract Oil Painting
By Victor Thall
Located in Arp, TX
Victor Thall
"Abstract #6"
c. 1950s
Oil on Masonite
40"x48" unframed
Signed in paint lower left
Victor Thall was born in New York in 1902. At the age of eleven, he studied under Art...
Category
Mid-20th Century Abstract Expressionist Masonite Abstract Paintings
Materials
Masonite, Oil
1980s Large Format Abstract Oil Painting by Mark Travis, Blue Black Purple
Located in Denver, CO
Vintage 1980s original abstract painting by Denver, Colorado artist, Mark Travis. Large format artwork painted with oil on masonite board. Abstract compos...
Category
1980s Abstract Masonite Abstract Paintings
Materials
Masonite, Oil
Mid Century "#2 Abstraction" AbEx Acrylic Painting
Located in Arp, TX
Mildred Baron
#2 Abstraction"
c. 1950s
Oil on masonite
40"x30" unframed
Signed in paint lower left
Category
Mid-20th Century Abstract Expressionist Masonite Abstract Paintings
Materials
Masonite, Acrylic
Byzantium
By Ben Wilson
Located in New York, NY
Ben Wilson
Byzantium, 1975
Oil on Masonite painting
Hand signed reverse, Titled, "Byzantium", dated 1975 by the artist and also with estate stamp - in addition to Ben Wilson's hand signature
Frame included: elegantly framed in a handmade white wood frame with UV plexiglass
This painting is done by the second generation Abstract Expressionist artist Ben Wilson - one of the youngest artists to be given a show at ACA Gallery in 1940. The work is signed by the artist on the back and also signed with the Estate Stamp and signature on the back.
Ben Wilson was born in Philadelphia in 1913 to Jewish parents who had emigrated from Kiev and settled in New York City. He was educated in Manhattan public schools and graduated from City College in 1935. To gain exposure to a wider range of styles, he also studied at the National Academy of Design and at the Educational Alliance.
Admired by critics throughout his long career, Wilson was singled out as a “discovery” by the New York Times art critic Edward Alden Jewel even before his first one-man show at the Galerie Neuf in 1946. His paintings of the ’30s and ’40s were expressionistically rendered, often Biblical parables, filled with what he called “the grief of the intolerable” and reflecting an acute awareness of the agony of the time, from the Holocaust to the Spanish Civil War. A WPA artist who identified strongly with the plight of the Jews in Europe, he relentlessly explored themes of war, torment, and futility in his early decades of painting.
When times changed and social pressures subsided, Wilson’s mood lifted. He spent 1952-54 in Paris working at the Academie Julien. During the ’50s his involvement with specific imagery persisted but became more psychological and mythic in orientation. Influenced by Cubism, he created a vocabulary of interlocking shapes and bold, sweeping gestures that served as a transition between his early figurative expressionism and his later abstract constructivist concerns. Towards the end of the decade Wilson reached a crossroads, moving towards abstraction and searching for what he called “a scaffolding under the externals.”
By 1960, influenced by the Russian Constructivists, Mondrian, and Abstract Expressionism, Wilson turned to abstraction. Reexamining the basic elements of painting, he evolved his own personal vocabulary and structure, fusing the cerebral and the emotive. He became increasingly experimental, using house paint, sand, and other unorthodox materials in paintings that he worked from all directions, dripping, spraying, stenciling, and collaging. He employed elements of disjunction, repetitions of geometric motifs, linear networks, and complex overlays to create the transparent, multi-layer development of space that characterizes his later paintings. A consummate draftsman, Wilson filled notebook after notebook with drawings that he amplified in his paintings.
Eschewing popular movements, Wilson was always one to pursue a personal aesthetic. Despite more than 30 one-man shows and 50 years of teaching, he increasingly withdrew from the gallery scene but continued to paint daily until his death at age 88 in 2001 in Blairstown, New Jersey, where he and his sculptor wife Evelyn Wilson...
Category
1970s Abstract Expressionist Masonite Abstract Paintings
Materials
Masonite, Oil
Impressionism painting 4 Oil on panel by Pierre Vlerick (1923 - 1999)
Located in Gent, VOV
This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career.
Pierre Vlerick’s work shows...
Category
1960s Abstract Impressionist Masonite Abstract Paintings
Materials
Masonite, Oil
Impressionism painting No nightshade Oil on panel by Pierre Vlerick
Located in Gent, VOV
This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career.
Geen nachtschade (No Nightshade), 1962
Oil on Masonite board
121 x 61 cm (without frame) 136 x 75 cm (framed)
Signed and dated bottom left ‘P. Vlerick 1962’&
with title, signature place and date at the back
Pierre Vlerick...
Category
1960s Abstract Impressionist Masonite Abstract Paintings
Materials
Masonite, Oil
Impressionism painting 21 Oil On Panels by Pierre Vlerick (1923 - 1999)
Located in Gent, VOV
This painting is a perfect example of lyrical abstraction and a choice painting out of the best period of Vlerick's career.
Pierre Vlerick’s work shows...
Category
1960s Abstract Impressionist Masonite Abstract Paintings
Materials
Masonite, Oil
"Harmony" Diptych
By Richard W. Dempsey
Located in Washington, DC
A pair of abstract modern paintings by Richard W. Dempsey (1909 - 1987). Paintings are oil on masonite and signed "Dempsey" front bottom corner. On the back of each painting on tape is written "Harmony".
Richard Dempsey was born in Ogden, Utah, on September 14, 1909. His youth was spent in Oakland, CA, where he attended Sacramento Junior College (1929-31) as an art major. He then studied at The California School of Arts and Crafts (1932-34) and the Students Art Center (1935-40), where he was taught by the sculptor Sargent Johnson. In 1941, he moved to Washington, DC and studied at Howard University...
Category
1950s Abstract Masonite Abstract Paintings
Materials
Masonite, Oil
Burning Woods
By Louis Ribak
Located in Austin, TX
Oil on masonite. Signed lower right and on verso.
30 x 24 in.
31 x 25 in. (framed)
Custom framed in maple.
Louis Leon Ribak was born in the Russian empirical governorate of Grodno in 1902. A long-disputed region that is ethnically Lithuanian, at present day, Grodno is located in the western reaches of the Republic of Belarus, near the borders with Poland and Lithuania.
At the age of ten, Ribak and his family immigrated to New York City. In 1922, he attended the Pennsylvania Academy of Fine Arts, followed by studies at the Art Students League (1923) and the Educational Alliance (1924).
Ribak’s oeuvre can be largely delineated between two stylistic phases: social realism and abstraction, the former taking hold during the 1930s and 40s. During that period, he had several solo exhibitions at the A.C.A. Gallery in New York, while also regularly exhibiting with “An American Group Inc.” - a cohort of socially-conscious painters that included Stuart Davis, Reginald Marsh, Maurice Sterne, and Raphael Soyer. In 1933, Ribak assisted Diego Rivera on the mural for the lobby of Rockefeller Center, while also being employed by the Works Progress Administration (WPA) as a muralist.
Louis Ribak met fellow artist Beatrice Mandelman at a dance sponsored by the Artists Union in New York. They were married in 1942, and shortly thereafter, he was drafted for military service in World War II.
After his discharge from the service in 1942 due to difficulties with asthma, Mandelman and Ribak traveled west to visit his former mentor John Sloan in Santa Fe, NM. By this time, the couple had become disenchanted with the art scene in New York, and in light of the need to find a healthier climate for Ribak’s asthma - as well as reputed FBI surveillance based on political affiliations with Communist sympathizers - they decided to permanently relocate to the emerging artists’ colony of Taos, NM in 1944. This change of scenery ushered in the second phase of Ribak’s stylistic career, with his work shifting from social realism toward abstraction. He was captivated by the landscape and the diverse cultures of northern New Mexico, the influences of which began to appear in his work.
Ribak founded the Taos Valley Art School in 1947, offering no ideology to his students; instead arguing that the adoption of a single approach would lead to academicism. Ribak was an integral force in the development of the Taos Moderns...
Category
1960s Abstract Masonite Abstract Paintings
Materials
Masonite, Oil, Board
Edge
Located in Austin, TX
Oil on board. Signed and dated lower right and verso, titled verso.
36.25 x 48 in.
40.5 x 52.25 in. (framed)
Framed in contemporary silver, tiered floater frame.
Dennis Eugene Norman Burton was a Canadian modernist who was born in Lethbridge, Ontario. He attended the Ontario College of Art from 1952 to 1956, and worked for the Canadian Broadcasting Corporation (CBC) as a graphic designer until 1960.
Inspired by a 1955 exhibition of the “Painters Eleven” at Toronto’s Hart House, as well as American Abstract Expressionist artists such as Robert Motherwell, Jack Tworkov, and Willem de Kooning, Burton shifted his focus toward abstraction in the mid-1950s.
Burton showed with the famed Isaacs Gallery in Toronto, becoming one of the youngest members on the gallery’s roster. A talented musician, he also played saxophone in the Artist’s Jazz Band in Toronto - a pioneering Canadian free-jazz group...
Category
1950s Abstract Expressionist Masonite Abstract Paintings
Materials
Masonite, Oil, Board
Portrait of an African-American Man
Located in Wilton Manors, FL
Edwin Kosarek (b.1929). Portrait, 1951. Oil on masonite panel, 20 x 24 inches; 25 x 29 inches in period frame. Signed and dated on verso.
Edwin Kosarek...
Category
Mid-20th Century Abstract Masonite Abstract Paintings
Materials
Masonite, Oil
Abstract Geometric Composition with Biomorphic Object - Acrylic on Canvas
Located in Soquel, CA
Bold abstract composition by RH Barnard (American, 20th Century). The backdrop of this piece is composed of rectangular sections of brown, red, blue, and tan. In the center of the composition, there is a black object...
Category
Late 20th Century Abstract Geometric Masonite Abstract Paintings
Materials
Canvas, Masonite, Acrylic
Reclining Nude
Located in Wilton Manors, FL
Edwin Kosarek (b.1929). Reclining Nude, 1952. Oil on wood panel, 17 x 48 inches. Signed and dated on verso.
Edwin Kosarek
Born: 1929
Studied: The Cit...
Category
Mid-20th Century Abstract Masonite Abstract Paintings
Materials
Masonite, Oil
Untitled
Located in Irvine, CA
"Untitled" by Don Totten is an abstract oil painting circa 1960 on canvas and measures 16 in x 20 in. It is in excellent condition.
Donald C. Totten (1903...
Category
1960s Abstract Masonite Abstract Paintings
Materials
Masonite, Oil
Landscape
By Andre Elbaz
Located in Wilton Manors, FL
Andre Elbaz (b.1934). Landscape, ca. 1980 . Oil on card panel, image measures 14 x 20 inches; 18.5 x 24.5 inches framed. Signed lower right. Excellent condition.
André Elbaz (born April 26, 1934, El Jadida, Morocco) is a famous Moroccan painter and filmmaker.
Elbaz studied art and theatre in Rabat and Paris from 1950 to 1961. He started painting only at the age of 21, until which age he had been interested mainly in theatre. A few years later, he managed to combine his two passions into a new approach in art-therapy, inventing together with his wife, a psychiatrist, the Pictodrame, which brought him world recognition.
His first exhibition, which was very successful, took place in Casablanca in 1961 and earned him an appointment as Professor at the Beaux-Arts school in Casablanca. Years later, in 1976, he exhibited his paintings at the Tel-Aviv Museum.
In parallel to his career as a painter, Elbaz is also known as a filmmaker. He produced several short films in France, Canada and the United States. One of them, La nuit n'est jamais complète (The night is never complete), won a prize at the "5th Biennale de Paris in 1967" .[citation needed] Among the themes chosen for the many films he produced, there was a short one about the Warsaw Ghetto uprising, as well as a series of drawings entitled Seuls (Alone), with texts written by both Elie Wiesel...
Category
1970s Abstract Masonite Abstract Paintings
Materials
Masonite, Oil
Signals, Orange/Black, 1960s Abstract Geometric Oil Painting, Broadmoor Academy
Located in Denver, CO
"Signals, Orange/Black" is an oil on masonite painting by Bernard Arnest (1917-1986) from 1962. Signed by the artist in the lower center of the piece and titled verso. Presented in the original artist frame measuring 36 ½ x 27 ½ inches, image size is 36 x 27 inches. Featuring an abstract geometric design made up of orange, black, red, yellow, and green.
Orange/Black is from Arnest's Signals Series and was part of the artists solo exhibition at Kraushaar Galleries in October 1962.
About the Arist:
A Denver native, Arnest studied with Helen Perry at East High School who is accredited to having identified many of Colorado’s talented artists. At Perry’s recommendation Arnest benefited from supplemental instruction at the newly founded Kirkland School of Art and at the School of Fine Art and Design operated by Colorado artist Frank Mechau.
Following graduation from East, Arnest enrolled at the Broadmoor Art Academy in Colorado Springs, where he studied with Boardman Robinson and Henry Varnum Poor.
In 1940 Arnest was awarded the Guggenheim Fellowship in painting which he spent in San Francisco. That same year San Francisco Museum of Art had a one-man show for Arnest, the first of many in his professional career. Other exhibitions included the Whitney Museum, Corcoran Gallery of Art, National Academy of Design, Carnegie Museum of Art and the Minneapolis Institute of Art.
After the war he worked for two years in New York City and began a thirty-nine-year affiliation with Kraushaar Galleries who also showed the likes of George Luks, John Sloan, Maurice Prendergast...
Category
1960s Abstract Masonite Abstract Paintings
Materials
Masonite, Oil
Nocturnal Train In The City Abstract Expressionism
By Tom Hamil
Located in Soquel, CA
Bright, small abstract expressionist painting of train and town at night by Tom Hamil (American, b. 1928). Signed upper left corner "Hamil". Condition: Excellent. Presented in rustic wooden shadow box frame. Image size: 8"H x 6"W.
Tom Hamil, was born in New York in 1928 and raised primarily in California. After attending the US Naval Academy in Annapolis, he returned to California to begin his formal art training at the California School of Fine Arts in San Francisco (now known as the San Francisco Art Institute). He completed his education at the University of Washington with a Master’s Degrees and Doctorate in Fine Arts and Education. His first solo exhibition was held in 1956. Since then, he has participated in numerous one man shows, group shows, and has been represented in galleries in the US and Mexico.
In addition to his painting, Hamil has authored and illustrated a number of books. While at the Naval Academy, he received recognition for his paintings, drawings, and illustrations. Listed among Hamil’s many awards and honors are a Ford Foundation Fellowship and an Award of Excellence from the American Graphics Society.
Currently, he lives in Zirahuen, Michoacan, Mexico and Truth or Consequences, New Mexico. Hamil’s statement: “I am a man...
Category
1960s Abstract Expressionist Masonite Abstract Paintings
Materials
Masonite, Oil
Mid Century Abstract Expressionist Cityscape
Located in Soquel, CA
Wonderful mid century abstract expressionist landscape of bridge over water cityscape, circa 1960. Illegible signature lower left ("Aioli"?). Conditi...
Category
1960s Abstract Expressionist Masonite Abstract Paintings
Materials
Masonite, Oil
Untitled
By Richard Pousette-Dart
Located in Miami, FL
Acrylic on masonite. This is a pivotal work in deep and radiant cobalt blue from 1950. It dipicts calligraphic and hieroglyph structures over a grid and pyramidal base by the first generation abstract expressionist.
Provenance: Skinner: November 13, 1992 [Lot 00219}, The entry in the Skinner catalog indicates that the painting came directly from the artist to the family of the consignor to Skinner. Kaminsky Auctions. There is an unbroken paper trail that traces the ownership of the painting from the current owner, through two auction houses to the artist. Perfect unbroken provenance.
Pousette-Dart was among the most inventive of the Abstract Expressionist generation, His uncanny talent was to expand the nature of abstraction and still make each mark each element very much his own; a reflection of what he called "the concealed power of the spirit," he said, “not of the brute physical form." His was not aiming for a singular, realized aesthetic formula but to expand the possibilities of painting; the transcendental in painting. Typical of such invention and exploration is this painting Untitled 1950 when the artist was only 34 years old and represented by one of the champions of the new American painting, Betty Parsons.
A banner year for Pousette-Dart, the Museum of Modern Art acquired their first painting by the Minnesota born artist. He worked on easel size works such as this painting an oil on masonite. At the same time Pousette-Dart was also working on larger scale works such as Path of the Hero, running over ten feet in length now in the collection of the Metropolitan Museum of Art. Both contain fields of color articulated by a highly sophisticated white hieroglyphic vocabulary. Rather than demonstrate an expressionist sensibility, Pousette-Dart harnesses his more cerebral ideas transforming thick areas of paint into a more refined composition of geometric forms akin to the pattern and forms of say a stained glass window. In a way he is looking back at Fugue, 1940 a black and white composition which makes use of a similar format of painting albeit smaller. Color and form are minimal, but what Pousette-Dart has maximized is the rhythmic and syncopated character of painting casting his ideas into purely symbolic terms that one might link to the pictograms of Adolph Gottlieb. Nonetheless, nature is always at the core of Pousette-Dart’s thinking and dreaming. Here he has transformed the local Ramapo Mountains—where he will eventually move with his family to live and work— into a complex series of articulated fragments linked by style, scale and color. The painting’s imagery built on two large triangles and reduced to just two colors, cobalt blue and white all outlined in black. Pousette-Dart symbols stacked in horizontal and vertical rows: blue is ground, white is language, symbolic of light, consciousness and awareness . The painting maintains a mystical character images compounded that formulate a secret code and linked to the series of white paintings Pousette-Dart authored in the first half of the 1950s. Get up close to the picture and you discover images within images a kind of picture puzzle...
Category
1950s Abstract Expressionist Masonite Abstract Paintings
Materials
Masonite, Acrylic
Untitled
Located in Irvine, CA
"Untitled" by Don Totten is an abstract oil painting on masonite circa 1960 and measures 20 in x 16 in. The painting is in good condition.
Donald C. Totten (1903-1964) was a member...
Category
1960s Abstract Masonite Abstract Paintings
Materials
Masonite, Oil
Passage
Located in Irvine, CA
"Passage" by Don Totten is an abstract oil painting on masonite circa 1960 and measures 24 in x 24.5 in. There are faint spots on the upper right corner of the painting but otherwise...
Category
1960s Abstract Masonite Abstract Paintings
Materials
Masonite, Oil
Lyric
Located in Irvine, CA
"Lyric" by Don Totten circa 1960, oil on masonite and measures 18 in x 32 in. This piece is in excellent condition.
Donald C. Totten (1903-1964) was a mem...
Category
1960s Abstract Masonite Abstract Paintings
Materials
Masonite, Oil
Large Scale Mid 20th Century Acrylic Painting by Vanguard Studios by Van Gaard
Located in San Francisco, CA
Large Scale Mid 20th Century Acrylic Painting by Vanguard Studios Signed Van Gaard
Classic 1950s to 1960s acrylic painting of a guitar against a colorful ab...
Category
Mid-20th Century Abstract Expressionist Masonite Abstract Paintings
Materials
Masonite, Acrylic
Composition
Located in Irvine, CA
"Composition" by Don Totten is an abstract oil painting on masonite circa 1950 and measures 28 in x 32 in. The painting is in good condition.
Donald C. To...
Category
1950s Abstract Masonite Abstract Paintings
Materials
Masonite, Oil
'Abstract Landscape, Chestnut and Coral', Venice Biennale, Michetti Prize Winner
By Gianni Pisani
Located in Santa Cruz, CA
Signed lower right 'G. Pisani', (Italian, born 1935), titled verso 'Paesaggio con Valigia' (Landscape with Luggage) and dated 1963.
Provenance: Galleria El Centro, Naples, Italy 1963. (from original label, copied verso).
A very substantial, mid-century abstracted landscape comprising an assembled group of Fendi shopping bags in the fashion designer's signature tones of cream, bistre and scarlet, shown contrasted against a lyrical, sunset-coral background. This powerful and lyrical oil was awarded the 1963 Michetti Painting Prize.
Gianni Pisani studied at the Accademia de Bella Arti in Naples under Emilio Notte. Much of his career in the 1960s and 70s involved reinvigorating the Neapolitan art scene with assemblages, ‘object art’ and performance art, an approach that was critically described and acclaimed by poet and writer, Edoardo Sanguineti.
The recipient of numerous medals, prizes and juried awards, including the Prize City Cesenatico (1955). Pisani exhibited widely and with success from the early 1950's including at the 8th Biennale of San Benedetto del Tronto (1969), Palazzo Dugnani (1983) and at the Non-Existent Gallery. Other solo and group exhibitions include a three-time participation in the National Quadrennial Art Shows (VIII, Rome, 1960; IX, Palazzo dei Esposizione, 1965/66; XI, Palazzo dei Congressi, 1986) and the 1995 Venice Biennale.
An ardent exponent, and influential teacher, of Modernism, Pisani taught at the Academy of Fine Arts of Brera in Milan and, for many years, at the Academy of Fine Arts in Naples, of which he was later appointed director. Gianni Pisani’s works are held in the permanent collections of numerous museums including the Museum of Capodimonte, the Museum of Contemporary Art Donna Regina (MADRE), Museum of Contemporary Religious Art...
Category
1960s Abstract Masonite Abstract Paintings
Materials
Masonite, Canvas, Oil
Cyan & Orange Seascape at Sunset by Victor Papkov
Located in Soquel, CA
Expressive and colorful seascape by Vasil (Victor) Papkov (20th Century). The vivid cyan blue churning waves mirror the sky above, with a glowing orange sunset splitting the canvas o...
Category
1980s Abstract Impressionist Masonite Abstract Paintings
Materials
Masonite, Oil
"Quickening" Abstract Surrealist Composition 1970 Red, Black & White Large #9891
Located in Rancho Santa Fe, CA
Born in 1934, the work of Suzanne Bloomfield represents the life force which binds us all -- a universal symbol for the soul's transformation.
Bloomfield believes that painting is t...
Category
1970s Abstract Masonite Abstract Paintings
Materials
Masonite, Encaustic, Oil
Abstract Portrait Painting by Peter Keil - Black & Tan
By Peter Keil
Located in Hudson, NY
A beautiful Peter Keil original painting. Keil's signature style is shown in these Picasso inspired portraits. These portraits are characteristic of Keil's work in the 1980s when the...
Category
Late 20th Century Abstract Masonite Abstract Paintings
Materials
Masonite, Acrylic, Board
1970 Large Abstract Surrealist Composition - Red Black & White - Encaustic & Oil
Located in Rancho Santa Fe, CA
“Untitled” 1970
Abstract Surrealist Composition
Encaustic & oil paint on Masonite
60 x 48 inches
Not framed
Born in 1934, the work of Suzanne Bloomfield represents the life force wh...
Category
1970s Abstract Masonite Abstract Paintings
Materials
Masonite, Encaustic, Oil
Out of the Blue, Miniature Red & Blue Abstract
By Tom Hamil
Located in Soquel, CA
Bright, small abstract expressionist painting of red, white and blue hues by California artist Tom Hamil (American, b. 1928). Signed upper left corner "Hamil". Condition: Excellent. Presented in rustic wooden shadow box frame. Image size: 2.75"H x 6.75"W.
Tom Hamil, was born in New York in 1928 and raised primarily in California. After attending the US Naval Academy in Annapolis, he returned to California to begin his formal art training at the California School of Fine Arts in San Francisco (now known as the San Francisco Art Institute). He completed his education at the University of Washington with a Master’s Degrees and Doctorate in Fine Arts and Education. His first solo exhibition was held in 1956. Since then, he has participated in numerous one man shows, group shows, and has been represented in galleries in the US and Mexico.
In addition to his painting, Hamil has authored and illustrated a number of books. While at the Naval Academy, he received recognition for his paintings, drawings, and illustrations. Listed among Hamil’s many awards and honors are a Ford Foundation Fellowship and an Award of Excellence from the American Graphics Society.
Currently, he lives in Zirahuen, Michoacan, Mexico and Truth or Consequences, New Mexico. Hamil’s statement: “I am a man...
Category
Mid-20th Century Abstract Expressionist Masonite Abstract Paintings
Materials
Masonite, Oil
"Tucson Sunrise In July" Abstract Composition in Orange & Yellow #9893
Located in Rancho Santa Fe, CA
Born in 1934, the work of Suzanne Bloomfield represents the life force which binds us all -- a universal symbol for the soul's transformation.
Bloomfield believes that painting is t...
Category
1970s Abstract Masonite Abstract Paintings
Materials
Masonite, Encaustic, Oil
Genesis - he Rested, Original Abstract Resin Painting, 2018
Located in Boston, MA
Genesis - he Rested, Original Abstract Resin Painting, 2018
Artist Commentary:
My Genesis collection ends with Genesis 2 when God rested. This is my depiction.
Keywords: celestial,...
Category
21st Century and Contemporary Abstract Masonite Abstract Paintings
Materials
Resin, Masonite, Board
Genesis - Light from Dark, Original Abstract Resin Painting, 2018
Located in Boston, MA
Genesis - Light from Dark, Original Abstract Resin Painting, 2018
Artist Commentary:
My depiction of the verse in Genesis where light and dark wer...
Category
21st Century and Contemporary Abstract Masonite Abstract Paintings
Materials
Resin, Masonite, Board
Masonite abstract paintings for sale on 1stDibs.
Find a wide variety of authentic Masonite abstract paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 20th Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Enzio Wenk, Ben Wilson, Leslie Luverne Anderson, and Peter Keil. Frequently made by artists working in the Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Masonite abstract paintings, so small editions measuring 32 inches across are also available Prices for abstract paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,480 and tops out at $2,240, while the average work can sell for $1,870.