Pigment Abstract Paintings

Rosso, Vibrazioni positive Pino Manos (Sassari 1930 - Milano 2020) è un artista, un ricercatore, un uomo libero di grande sensibilità, la cui attività si muove in molteplici dimensi...

Traces Mineral Oxide on Paper ( Fabriano Paper) 70x100 cm 2023 Original Art Authenticity certificate frame options one of a kind, non-reproducible Marilina Marchica orients her ...

Don Giffin (American, 1948-2003) Phone in the Desert, 1999 Mixed media painting Hand signed Don Giffin, titled and dated (verso) 76 x 52 inches. (including ...

"PRSNT" Mixed media painting 40" x 30" inch by Ben Cope 2022 Photo on deconstructed paper with oils and paint pigments Mixed media oil on wood Ben Cope is a Georgia native graduat...

"PST" Mixed media painting 36" x 24" inch by Ben Cope 2022 Photo on deconstructed paper with oils and paint pigments Mixed media oil on wood Ben Cope is...

Don Giffin (American, 1948-2003) Skin Deep, 2001 Mixed media on canvas Hand signed Don Giffin, titled and dated (verso) 68 x 53 inches. Provenance: from the Art Collection of the InterContinental Buckhead Atlanta Framed dimensions: 74 1/4 x 59 inches. Don Giffin, Born in Chicago in 1948, Giffin earned his bachelor’s and master’s degree at what is now Cal State Northridge. An abstract painter who expanded the Southern California modes of “color and light” and “finish fetish” art, melding impressions of photography, printmaking and painting into a single work. Giffin, a master printmaker as well as a painter. In 1995 he mounted the first of his five solo exhibitions at the Christopher Grimes Gallery in Santa Monica. David Pagel described the artist’s work in a Los Angeles Times review as perfectly smooth, glass-like surfaces when viewed from afar that seemed to decay as one approached. They make pain palpable and evoke mortality’s inevitability, Pagel wrote of Giffin’s creations, which used layers of paint, gesso and tar that he pulled apart as they dried. “His corporeal abstractions bypass your mind to hit you in the stomach.” Giffin was one of 10 Los Angeles, California artists whose work was featured in the 1997 Biennial of the Orange County Museum of Art. (including Robert Blanchon, Jessica Bronson, Julia Couzens, Terri Friedman, Don Giffin, Dennis Hollingsworth, Carlos Mollura, Carter Potter, Monique Prieto, and Chris Wilder.) In reviewing that exhibition for The Times, Cathy Curtis wrote: Don Giffin reinvents stain painting by layering color in such a way that it emits an inner radiance verging on iridescence. The artist continued to push boundaries, and when he displayed his 6 X 5-foot acrylics at the Grimes Gallery in 2000, Pagel described them as mesmerizing works. The cross-fertilization between painting and photography that has been cropping up in some of the most intriguing works being made today takes breathless shape in Don Giffin’s physically resplendent paintings,” the critic wrote. “When I work,” he once said, “it’s like I’m doing a dance with the painting, and I’m not always leading. When the imagery is mysterious, the surface is perfectly smooth and the color contrast is just right with that glow of pale color coming through it’s sheer delight. Finish Fetish denotes a style of art related to the LA Look, pop art, minimalism, and light and space originating in southern California in the 1960s. Artwork of this type often has a glossy and slick finish and features an abstract design on a two-or three-dimensional surface made from fiberglass or resins. The style is similar to the simplicity and abstraction of minimalism and the bright colors and reference to commercial products found in pop art. To the world of postwar art it was a substantive addition. Artists included Peter Alexander, Larry Bell, Billy Al Bengston, Judy Chicago, Joe Goode, Robert Irwin, Craig Kauffman, John McCracken, Kenneth Price, DeWain Valentine...

"PST" Mixed media painting 36" x 24" inch by Ben Cope 2022 Photo on deconstructed paper with oils and paint pigments Mixed media oil on wood Ready to hang ...

Atardecer, by Fanny Finkelman Szyller Polished metal, and oxides on wood Dimensions:  21 H x 33.5 W x 2 D cm. Weight: 1 lb 2021 ______ Fanny Finkelman's sculptures are the result o...

Paisaje Invernal, by Fanny Finkelman Szyller Metal, oxides, and pigments Dimensions:  24.5 H x 25.5 W x 1.5 D cm. Weight: 4 lbs 2021 ______ Fanny Finkelman's sculptures are the resu...

ORBE N°1, by Fanny Finkelman Szyller Metal Intervened with pigments on wood. Dimensions:  44 H x 44 W x 4.5 D cm. Weight: 7 lbs 2021 ______ Fanny Finkelman's sculptures are the resu...

ORBE N°2, by Fanny Finkelman Szyller Intervened steel with pigments, oxides, and gold laminate on wood Dimensions:  46 H x 46 W x 4.8 D cm. Weight: 8 lbs 2021 ______ Fanny Finkelman...

TATACOA, by Fanny Finkelman Szyller From the series Paintings Polished metal, rust, and pigments Dimensions:  21 H x 33.5 W x 2 D cm. Weight: 1 lb 2021 ______ Fanny Finkelman's scu...

ATACAMA, by Fanny Finkelman Szyller Polished metal, oxides, and pigments on wood Dimensions:  28 H x 28 W x 4 D cm. Weight: 3 lbs 2021 ______ Fanny Finkelman's sculptures are the re...

Linear momentum (Abstract painting) Pigmented beeswax, oil and Collage on wood panel. Unframed. This work was created and exhibited at the same time as the series (r) evolution, and was conceived using a similar process: many layers of encaustic are applied, then hand cut squares of Japanese paper which have been dipped in encaustic are mounted on the panel. Finally, each square is covered with clear encaustic medium, then painted with oil to create spatial depth. It was inspired by the artist’s ongoing interest in music and music theory. It is about pattern, rhythm, and intervals of notes as exemplified by the choice and placement of color. Adams has been intrigued by math and serial systems since her days of graduate school at New England Conservatory (Boston, Massachusetts) when John Cage was composer in residence at Harvard University. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Z (Abstract Painting) Pigmented cement on foam panel. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in the construction...

Linear momentum (Abstract painting) Pigmented beeswax, oil and Collage on wood panel. Unframed. This work was created and exhibited at the same time as the series (r) evolution, and was conceived using a similar process: many layers of encaustic are applied, then hand cut squares of Japanese paper which have been dipped in encaustic are mounted on the panel. Finally, each square is covered with clear encaustic medium, then painted with oil to create spatial depth. It was inspired by the artist’s ongoing interest in music and music theory. It is about pattern, rhythm, and intervals of notes as exemplified by the choice and placement of color. Adams has been intrigued by math and serial systems since her days of graduate school at New England Conservatory (Boston, Massachusetts) when John Cage was composer in residence at Harvard University. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Linear momentum (Abstract painting) Pigmented beeswax, oil and Collage on wood panel. Unframed. This work was created and exhibited at the same time as the series (r) evolution, and was conceived using a similar process: many layers of encaustic are applied, then hand cut squares of Japanese paper which have been dipped in encaustic are mounted on the panel. Finally, each square is covered with clear encaustic medium, then painted with oil to create spatial depth. It was inspired by the artist’s ongoing interest in music and music theory. It is about pattern, rhythm, and intervals of notes as exemplified by the choice and placement of color. Adams has been intrigued by math and serial systems since her days of graduate school at New England Conservatory (Boston, Massachusetts) when John Cage was composer in residence at Harvard University. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Z (Abstract Painting) Pigmented cement on foam panel. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in the construction...

Seeking the Sound of Cobalt Blue is a series of paintings on large sheets of rag paper that have been created since January of 2014. Using domestic construction materials from her ...

pigment on linen signature, title, year, artist reg#: PR5 on back Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically...

pigment on linen signature, title, year, "Linder Blue" on back Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically sh...

pigment on linen signature, title, year, artist reg#:PY37 on back Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically...

Seeking the Sound of Cobalt Blue is a series of larger paintings on 8 ply museum board and large sheets of rag paper that have been created since the winter of 2016. Using domestic...

Seeking the Sound of Cobalt Blue is a series of larger paintings on 8 ply museum board and large sheets of rag paper that have been created since the winter of 2016. Using domestic...

Seeking the Sound of Cobalt Blue is a series of larger paintings on 8 ply museum board and large sheets of rag paper that have been created since the winter of 2016. Using domestic...

Edge 4_10 by artist Jeff Kellar is a contemporary grey and white contemporary abstract clay resin and pigment that measures 24 x 25 and is priced at $3,500. Jeff Kellar known mostl...