Skip to main content

Wood Panel Abstract Paintings

to
115
294
153
102
107
344
Overall Width
to
Overall Height
to
39
961
4
7
3
1
6
406
45
41
29
9
7
6
6
4
2
1
1
365
338
234
7
6
3
2
2
2
2
2
2
2
1
1
1
1
1
1
1
1
1
1
5,324
34,301
20,891
20,804
15,299
54
33
27
23
21
138
111
658
139
Style: Abstract
Medium: Wood Panel
Our Own Faults, Our Own Failures
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else? Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north. An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made. Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent. Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category

2010s Abstract Wood Panel Abstract Paintings

Materials

Oil, Wood Panel

Where These Ways Crossed One Another
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else? Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north. An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made. Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent. Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper, a rusted stove—is juxtaposed with the soft glow of a yellow circle. This continues Houston’s ongoing use of colour to question the particulars of perception. Heritage of All, White with Greed and Iron, and The Spaces we Breath, Houston’s titles read like lines of a haiku. Composed as prose, they are also confrontational, mapping out the cultural and environmental impacts of the extraction of resources in the Arctic. We witness scenes of violent decay, and yet simply carry on, like Business As Usual. In What Nations Come and Go a pale purple oval nearly fills the frame, revealing only in the very far right a simple cabin in front of a rocky incline. A similar imposing cloud of colour, this time blue, dominates the landscape in Mapped, Claimed, and Evaluated. The north is just as much an idea as it is a place, and is one that looms large in the Canadian imagination. There are few better examples than Glenn Gould...
Category

2010s Abstract Wood Panel Abstract Paintings

Materials

Oil, Wood Panel

Beyond Recall
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else? Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north. An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made. Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent. Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category

2010s Abstract Wood Panel Abstract Paintings

Materials

Oil, Wood Panel

Where These Ways Crossed One Another
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else? Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north. An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made. Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent. Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper, a rusted stove—is juxtaposed with the soft glow of a yellow circle. This continues Houston’s ongoing use of colour to question the particulars of perception. Heritage of All, White with Greed and Iron, and The Spaces we Breath, Houston’s titles read like lines of a haiku. Composed as prose, they are also confrontational, mapping out the cultural and environmental impacts of the extraction of resources in the Arctic. We witness scenes of violent decay, and yet simply carry on, like Business As Usual. In What Nations Come and Go a pale purple oval nearly fills the frame, revealing only in the very far right a simple cabin in front of a rocky incline. A similar imposing cloud of colour, this time blue, dominates the landscape in Mapped, Claimed, and Evaluated. The north is just as much an idea as it is a place, and is one that looms large in the Canadian imagination. There are few better examples than Glenn Gould...
Category

2010s Abstract Wood Panel Abstract Paintings

Materials

Oil, Wood Panel

Break
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else? Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north. An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made. Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent. Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category

2010s Abstract Wood Panel Abstract Paintings

Materials

Oil, Wood Panel

Deep Down
Located in Montreal, Quebec
My painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from ...
Category

2010s Abstract Wood Panel Abstract Paintings

Materials

Oil, Wood Panel

Cosmic - 21st Century, Abstract Art, Cement on Wood, Earth Tones
Located in Barcelona, Catalonia
"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...
Category

21st Century and Contemporary Abstract Geometric Wood Panel Abstract Paintings

Materials

Concrete

Iniciar - 21st Century, Abstract Art, Cement on Wood, Earth Tones
Located in Barcelona, Catalonia
"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...
Category

21st Century and Contemporary Abstract Geometric Wood Panel Abstract Paintings

Materials

Concrete

Temprança - 21st Century, Abstract Art, Cement on Wood, Earth Tones
Located in Barcelona, Catalonia
"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...
Category

21st Century and Contemporary Abstract Geometric Wood Panel Abstract Paintings

Materials

Concrete

Raons - 21st Century, Abstract Art, Cement on Wood, Earth Tones
Located in Barcelona, Catalonia
"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...
Category

21st Century and Contemporary Abstract Geometric Wood Panel Abstract Paintings

Materials

Concrete

Mediacions - 21st Century, Abstract Art, Cement on Wood, Earth Tones
Located in Barcelona, Catalonia
"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...
Category

21st Century and Contemporary Abstract Geometric Wood Panel Abstract Paintings

Materials

Concrete

Untitled
Located in Fairfield, CT
Miesmer began painting in the open air during the summers in Nantucket.  Using a pad of Arches paper as an easel and working out of the back of his pickup truck, the quietude and pea...
Category

21st Century and Contemporary Abstract Expressionist Wood Panel Abstract Paintings

Materials

Acrylic, Wood Panel

Woman on Water
Located in Fairfield, CT
Miesmer began painting in the open air during the summers in Nantucket.  Using a pad of Arches paper as an easel and working out of the back of his pickup truck, the quietude and pea...
Category

21st Century and Contemporary Abstract Wood Panel Abstract Paintings

Materials

Acrylic, Wood Panel

"Yellow Moon"
Located in Scottsdale, AZ
Quim Bové is a Catalan artist known for his symbolic, abstract paintings executed through his dynamic brush strokes that are reflected across his collections. Much of Quim’s early in...
Category

2010s Abstract Wood Panel Abstract Paintings

Materials

Canvas, Resin, Wood Panel, Pigment

"Universal Gravitation"
Located in Scottsdale, AZ
Quim Bové is a Catalan artist known for his symbolic, abstract paintings executed through his dynamic brush strokes that are reflected across his collections. Much of Quim’s early in...
Category

2010s Abstract Wood Panel Abstract Paintings

Materials

Canvas, Resin, Acrylic, Wood Panel, Pigment

"Universal Gravitation II"
Located in Scottsdale, AZ
Quim Bové is a Catalan artist known for his symbolic, abstract paintings executed through his dynamic brush strokes that are reflected across his collections. Much of Quim’s early in...
Category

2010s Abstract Wood Panel Abstract Paintings

Materials

Canvas, Resin, Acrylic, Wood Panel, Pigment

"Pink Endless"
Located in Scottsdale, AZ
Quim Bové is a Catalan artist known for his symbolic, abstract paintings executed through his dynamic brush strokes that are reflected across his collections. Much of Quim’s early in...
Category

2010s Abstract Wood Panel Abstract Paintings

Materials

Canvas, Resin, Acrylic, Wood Panel, Pigment

"Blue Endless"
Located in Scottsdale, AZ
Quim Bové is a Catalan artist known for his symbolic, abstract paintings executed through his dynamic brush strokes that are reflected across his collections. Much of Quim’s early in...
Category

2010s Abstract Wood Panel Abstract Paintings

Materials

Canvas, Resin, Acrylic, Wood Panel, Pigment

Untitled #1473 - Abstract Oil Painting, Gestural Abstraction, Contemporary Art
Located in Houston, TX
This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...
Category

Early 2000s Abstract Expressionist Wood Panel Abstract Paintings

Materials

Canvas, Oil, Wood Panel

Subconscious N0796.17
Located in New York, NY
A black and white painting by ink ad Acrylic on wood panel Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and oil ...
Category

2010s Abstract Wood Panel Abstract Paintings

Materials

Oil, Wood Panel, Ink, Sumi Ink, Acrylic

Subconscious N0507.16
Located in New York, NY
A painting on wood panel, 96x72". Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and...
Category

2010s Abstract Wood Panel Abstract Paintings

Materials

Oil, Wood Panel, Ink, Sumi Ink

Connections IV
Located in Jersey City, NJ
"Connections IV," by Kati Vilim is a blue and yellow - green scale abstract geometric, non-objective, Venetian plaster and acrylic painting on wood panel. ...
Category

2010s Abstract Geometric Wood Panel Abstract Paintings

Materials

Plaster, Acrylic, Wood Panel

Connections I
Located in Jersey City, NJ
"Connections I," by Kati Vilim is a blue and yellow - green scale abstract geometric, non-objective, Venetian plaster and acrylic painting on wood panel. K...
Category

2010s Abstract Geometric Wood Panel Abstract Paintings

Materials

Wood Panel, Plaster, Acrylic

Uniformly Coordinated Tectonic Preferences IV
Located in Jersey City, NJ
"Uniformly Coordinated Tectonic Preferences IV," by Kati Vilim is a blue and magenta scale abstract geometric, non-objective, oil painting on canvas over wo...
Category

2010s Abstract Geometric Wood Panel Abstract Paintings

Materials

Canvas, Oil, Wood Panel

Uniformly Coordinated Tectonic Preferences II
Located in Jersey City, NJ
"Uniformly Coordinated Tectonic Preferences II," by Kati Vilim is a blue and magenta scale abstract geometric, non-objective, oil painting on canvas over wo...
Category

2010s Abstract Geometric Wood Panel Abstract Paintings

Materials

Canvas, Oil, Wood Panel

Abstract Composition from Waves and Rococo Series
Located in Saint Louis, MO
Jerald Ieans Abstract Composition from Waves and Rococo Series, 2009 Oil on canvas mounted to panel 37 x 82 inches (94 x 208.3 cm)
Category

21st Century and Contemporary Abstract Wood Panel Abstract Paintings

Materials

Canvas, Oil, Wood Panel

So Real, abstract geometric red & white large scale painting, oil on canvas 2013
Located in Jersey City, NJ
So Real, 2013, is a large scale oil painting with a bold saturated palette by abstract geometric artist, Kati Vilim. This abstraction is an optical illusio...
Category

2010s Abstract Geometric Wood Panel Abstract Paintings

Materials

Canvas, Oil, Wood Panel

Rosebud, 2013, abstract geometric, large scale canvas painting, oil, red, white
Located in Jersey City, NJ
Rosebud, 2013, is a large scale oil painting by abstract geometric artist, Kati Vilim. This abstraction is an optical illusion, with cascading cubical forms in a series of red hues ...
Category

2010s Abstract Geometric Wood Panel Abstract Paintings

Materials

Canvas, Oil, Wood Panel

Balancing III, 2019, Abstract geometry, non-objective, plaster, black, white
Located in Jersey City, NJ
Balancing III, 2019, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, black and white.
Category

2010s Abstract Geometric Wood Panel Abstract Paintings

Materials

Plaster, Acrylic, Wood Panel

Balancing II, 2019, Abstract geometry, non-objective, plaster, black, white gray
Located in Jersey City, NJ
Balancing II, 2019, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, black and white.
Category

2010s Abstract Geometric Wood Panel Abstract Paintings

Materials

Plaster, Acrylic, Wood Panel

Balancing IV, 2019, Abstract geometry, non-objective, plaster, black, white gray
Located in Jersey City, NJ
Balancing IV, 2019, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, black and white.
Category

2010s Abstract Geometric Wood Panel Abstract Paintings

Materials

Plaster, Acrylic, Wood Panel

Balancing I, 2019, Abstract geometry, non-objective, plaster, black, white gray
Located in Jersey City, NJ
Balancing I, 2019, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, black and white.
Category

2010s Abstract Geometric Wood Panel Abstract Paintings

Materials

Plaster, Acrylic, Wood Panel

Options IX, 2020, Abstract geometry, non-objective, plaster, gray, green, white
Located in Jersey City, NJ
Options IX, 2020, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, green and white.
Category

2010s Abstract Geometric Wood Panel Abstract Paintings

Materials

Plaster, Acrylic, Wood Panel

Options VIII, 2020, Abstract geometry, non-objective, plaster, gray, blue, white
Located in Jersey City, NJ
Options VIII, 2020, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, blue and white.
Category

2010s Abstract Geometric Wood Panel Abstract Paintings

Materials

Plaster, Acrylic, Wood Panel

Options VI, 2020, Abstract geometry, non-objective, plaster, gray, blue, white
Located in Jersey City, NJ
Options VI, 2020, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, blue and white.
Category

2010s Abstract Geometric Wood Panel Abstract Paintings

Materials

Plaster, Acrylic, Wood Panel

Options IV, 2020, Abstract geometry, non-objective, plaster, gray
Located in Jersey City, NJ
Options IV, 2020, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, pink and white.
Category

2010s Abstract Geometric Wood Panel Abstract Paintings

Materials

Plaster, Acrylic, Wood Panel

Options V, 2020, Abstract geometry, non-objective, plaster, gray
Located in Jersey City, NJ
Options V, 2020, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, pink and white.
Category

2010s Abstract Geometric Wood Panel Abstract Paintings

Materials

Plaster, Acrylic, Wood Panel

Habitat Fragmentation I, 2020, Abstract geometry, non-objective, plaster, gray
Located in Jersey City, NJ
Habitat Fragmentation I, 2020, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, blue and green.
Category

2010s Abstract Geometric Wood Panel Abstract Paintings

Materials

Plaster, Acrylic, Wood Panel

A FEW WERE QUITE LOUD
Located in New York, NY
abstract watercolor painting of intertwined tubular forms on a wood panel, varnished.
Category

2010s Abstract Wood Panel Abstract Paintings

Materials

Gesso, Varnish, Watercolor, Wood Panel

Vectorscape I
Located in New York, NY
Vectorscape I, 2015 oil, oil enamel and acrylic enamel on wood panels 10 x 20 feet (in 12 parts) Rafael Vargas-Suarez (born 1972), more commonly known as Vargas-Suarez Universal, is a contemporary artist living and working in Brooklyn, New York. Born in Mexico City, Vargas-Suarez was raised in the Houston suburb of Clear Lake City, adjacent to the Johnson Space Center. From 1991 to 1996 he studied astronomy and art history at the University of Texas at Austin[citation needed] and moved to New York City in 1997. He is primarily known for large-scale wall drawings, paintings, drawings, and photographs that draw inspiration from architecture, astronomy, biology, and medicine. His work has been or is currently featured in numerous exhibits, such as the Hudson River Museum in Yonkers, New York, the Jersey City Museum in Jersey City, New Jersey, the Thomas Erben Gallery in New York City, the Galeria Ramis...
Category

21st Century and Contemporary Abstract Geometric Wood Panel Abstract Paintings

Materials

Enamel

Wood Panel abstract paintings for sale on 1stDibs.

Find a wide variety of authentic Wood Panel abstract paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Melisa Taylor Metzger, Ricky Hunt, Hunt Slonem, and Denise Driscoll. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Wood Panel abstract paintings, so small editions measuring 0.1 inches across are also available

Recently Viewed

View All