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Matthew LangleyThe Great Dominions2012
2012
$814.53
£600
€703.39
CA$1,121.62
A$1,255.30
CHF 657.10
MX$15,249.58
NOK 8,343.54
SEK 7,873.55
DKK 5,248.50
About the Item
Acrylic on paper mounted on wood panel. Unframed.
This artwork comes from a series of divergent strategies. One of building and extending - the other of reducing and minimizing.
These disparate approaches are not a way to impose meanings on the work, but can be viewed as a metaphoric crossroads.
This crossroads is about extending the relationship of these different approaches, while at the same time allowing the viewer the liberty of time for further reading of the work.
The image making that comes from this strategic foundation will be clear, concise and rational, while at the same time allowing for a sense of community and/or contemplation to develop in and around the artworks.
Matthew Langley is an abstract American artist. He is interested in a balance of color and process, mark making and field, scale and relationship, planning and improvisation. He lives and works in New York City.
- Creator:Matthew Langley (1963, American)
- Creation Year:2012
- Dimensions:Height: 15.99 in (40.6 cm)Width: 12.01 in (30.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:First hand item, delivered directly from the artist's studio.
- Gallery Location:London, GB
- Reference Number:1stDibs: LU65932717423
Matthew Langley
Matthew Langley is an abstract American artist. He is interested in a balance of color and process, mark making and field, scale and relationship, planning and improvisation. He lives and works in New York City. The artist studied at Virginia Commonwealth University and graduated from the Corcoran School of Art in 1986. Langley's work is featured in various corporate as well as public collections, including MacAndrews & Forbes and the Doris Patz Collection (University of Maryland University College). The NYC-based artist has widely exhibited in solo and group exhibitions in the United States, mainly on the East Coast. His recent one-man shows include The New Paintings at Blank Space, New York, NY in 2015, and Looking In: New Painting at Axom, Rochester, NY in 2014. Langley's work has been covered in publications such as Art in America and The Washington Post. Matthew's technique in creating the artworks come from building and extending as well as reducing and minimizing the painted surface. He believes that this is not counter-productive, that often the way forward is to build, rebuild and start again. Often this will employ semi-transparent layers of paint combining the under surface of the artwork to achieve the artist's intent.
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