Maurice Cockrill

Rare Bronze Sculpture Painted Cast Study for Antartica Abstract Expressionist

1994

This vibrant colorful painting is fully hand signed, dated and titled verso. It might be acrylic but it looks like oil or enamel ad I have seen it described thusly. This listing is for 1 painting. the last image shows all 4 that I have hung as grouping. Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. His art has been exhibited in over 70 solo and over 150 group exhibitions throughout North America and Europe and is included in the permanent collections of over 70 museums, including the Metropolitan Museum of Art, National Gallery of Art, and Smithsonian American Art Museum. Clough has received fellowships and grants from the New York State Council on the Arts, National Endowment for the Arts, Adolph Gottlieb Foundation, the Jackson Pollock-Lee Krasner Foundation, and the John Simon Guggenheim Foundation. Charles Clough was born and raised in Buffalo, New York where he attended Hutchinson Central Technical High School. He then attended Pratt Institute in Brooklyn from 1969-1970 where the two-dimensional design teacher Joseph Phillips, introduced Artforum magazine to him. Clough dropped out and on January 5, 1971 decided that he would devote his life to art. He traded his sculptor's assistant services for studio space with artist Larry W. Griffis Jr., at the Ashford Hollow Foundation's 30 Essex Street former ice-house facility. From 1971-1972 he attended the Ontario College of Art and was introduced to the artists and galleries of Toronto, Ontario, Canada. By 1973 many of the University at Buffalo's and Buffalo State's art professors had rented studios at 30 Essex Street. One of these, Joseph Panone, brought his student, Robert Longo and introduced him to Clough, which resulted in the program of exhibitions and artists' visits which became Hallwalls in 1974. Panone and his wife, Cindy Sherman, assisted in presenting, amongst many others, the works of Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian...

This listing is for 1 painting. the last image shows all 4 that I have hung as grouping. Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. His art has been exhibited in over 70 solo and over 150 group exhibitions throughout North America and Europe and is included in the permanent collections of over 70 museums, including the Metropolitan Museum of Art, National Gallery of Art, and Smithsonian American Art Museum. Clough has received fellowships and grants from the New York State Council on the Arts, National Endowment for the Arts, Adolph Gottlieb Foundation, the Jackson Pollock-Lee Krasner Foundation, and the John Simon Guggenheim Foundation. Charles Clough was born and raised in Buffalo, New York where he attended Hutchinson Central Technical High School. He then attended Pratt Institute in Brooklyn from 1969-1970 where the two-dimensional design teacher Joseph Phillips, introduced Artforum magazine to him. Clough dropped out and on January 5, 1971 decided that he would devote his life to art. He traded his sculptor's assistant services for studio space with artist Larry W. Griffis Jr., at the Ashford Hollow Foundation's 30 Essex Street former ice-house facility. From 1971-1972 he attended the Ontario College of Art and was introduced to the artists and galleries of Toronto, Ontario, Canada. By 1973 many of the University at Buffalo's and Buffalo State's art professors had rented studios at 30 Essex Street. One of these, Joseph Panone, brought his student, Robert Longo and introduced him to Clough, which resulted in the program of exhibitions and artists' visits which became Hallwalls in 1974. Panone and his wife, Cindy Sherman, assisted in presenting, amongst many others, the works of Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian...

This vibrant colorful painting is fully hand signed, dated and titled verso. It might be acrylic but it looks like oil or enamel ad I have seen it described thusly. This listing is for 1 painting. the last image shows all 4 that I have hung as grouping. Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. His art has been exhibited in over 70 solo and over 150 group exhibitions throughout North America and Europe and is included in the permanent collections of over 70 museums, including the Metropolitan Museum of Art, National Gallery of Art, and Smithsonian American Art Museum. Clough has received fellowships and grants from the New York State Council on the Arts, National Endowment for the Arts, Adolph Gottlieb Foundation, the Jackson Pollock-Lee Krasner Foundation, and the John Simon Guggenheim Foundation. Charles Clough was born and raised in Buffalo, New York where he attended Hutchinson Central Technical High School. He then attended Pratt Institute in Brooklyn from 1969-1970 where the two-dimensional design teacher Joseph Phillips, introduced Artforum magazine to him. Clough dropped out and on January 5, 1971 decided that he would devote his life to art. He traded his sculptor's assistant services for studio space with artist Larry W. Griffis Jr., at the Ashford Hollow Foundation's 30 Essex Street former ice-house facility. From 1971-1972 he attended the Ontario College of Art and was introduced to the artists and galleries of Toronto, Ontario, Canada. By 1973 many of the University at Buffalo's and Buffalo State's art professors had rented studios at 30 Essex Street. One of these, Joseph Panone, brought his student, Robert Longo and introduced him to Clough, which resulted in the program of exhibitions and artists' visits which became Hallwalls in 1974. Panone and his wife, Cindy Sherman, assisted in presenting, amongst many others, the works of Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian...

This vibrant colorful painting is fully hand signed, dated and titled verso. It might be acrylic but it looks like oil or enamel ad I have seen it described thusly. This listing is for 1 painting. the last image shows all 4 that I have hung as grouping. Charles Sidney Clough (born February 2, 1951, in Buffalo, New York) is an American painter. His art has been exhibited in over 70 solo and over 150 group exhibitions throughout North America and Europe and is included in the permanent collections of over 70 museums, including the Metropolitan Museum of Art, National Gallery of Art, and Smithsonian American Art Museum. Clough has received fellowships and grants from the New York State Council on the Arts, National Endowment for the Arts, Adolph Gottlieb Foundation, the Jackson Pollock-Lee Krasner Foundation, and the John Simon Guggenheim Foundation. Charles Clough was born and raised in Buffalo, New York where he attended Hutchinson Central Technical High School. He then attended Pratt Institute in Brooklyn from 1969-1970 where the two-dimensional design teacher Joseph Phillips, introduced Artforum magazine to him. Clough dropped out and on January 5, 1971 decided that he would devote his life to art. He traded his sculptor's assistant services for studio space with artist Larry W. Griffis Jr., at the Ashford Hollow Foundation's 30 Essex Street former ice-house facility. From 1971-1972 he attended the Ontario College of Art and was introduced to the artists and galleries of Toronto, Ontario, Canada. By 1973 many of the University at Buffalo's and Buffalo State's art professors had rented studios at 30 Essex Street. One of these, Joseph Panone, brought his student, Robert Longo and introduced him to Clough, which resulted in the program of exhibitions and artists' visits which became Hallwalls in 1974. Panone and his wife, Cindy Sherman, assisted in presenting, amongst many others, the works of Vito Acconci, Kathy Acker, Laurie Anderson, Lynda Benglis, Ross Bleckner, Barbara Bloom, Eric Bogosian...

Flowers in a Vase, intensely and seductively colored: almost in a Japonaise style. Swooning purples and reds, ecstatic lemon yellows, Jostling shapes, lyrical and soft-edged, refuse ...

Lou Fink The Patriot Oil on canvas, 1970 (mixed media with iron lock) Provenance: Collection of The Southampton Hospital Association, Southampton, New York. This abstract expressionist painting entitled "the Patriot" is done in patriotic shades of red, white and blue in a color field pattern reminiscent of Mark Rothko. It has an assemblage, collage, lock installed at its center, with great color and texture. This piece has a sculpture quality to it. Louis R. Fink (1925 - 1980) American modernist artist. He lived in Staten Island, New York. Lou Fink is known for abstract painting, collage and assemblage Education Art Students League (studied with Harry Sternberg, Louis Bosa, and John C. McPherson) Solo Exhibitions: 1955 Wagner College Studio-Gallery, Staten Island 1960-1980 Environment Gallery, N.Y., seven one-man shows 1981 Elaine Benson Gallery, Bridgehampton, N.Y., Memorial Exhibition Group Exhibitions: 1949 Art Students League (works by disabled GI Bill students) 1952-54 Art Institute of Chicago, International Exhibition of Contemporary Drawing (traveling exhibition) 1955 Pennsylvania Academy of the Fine Arts, Annual Exhibition 1956 National Academy of Design, 131st Annual Exhibition 1956 Museum of Modern Art, "Recent Drawings— U.S.A." (along with Andy Warhol, Josef Albers, Louis Schanker, Larry Rivers, John Levee...

"JUST RELAXING NOW" Mixed Media Painting 79" x 39" inch by Masha Iv Medium: Mixed Media. Canvas, acrylic, ceramic paint, liquid bronzes ABOUT: Masha Iv i...

"PEACE & LOVE" Mixed Media Painting 42.5" x 76" inch by Masha Iv Medium: Mixed Media. Canvas, acrylic, ceramic paint, liquid bronzes ABOUT: Masha Iv is a...

"WATERFALL" Mixed Media Painting 31.5" x 47" inch by Masha Iv Medium: Mixed Media. Canvas, acrylic, ceramic paint, liquid bronzes ABOUT: Masha Iv is a Russian artist, performer and fashion designer who works in various techniques (painting, graphics, collage, installation, etc.). Masha Iv was born on May 23, 1986. In 2006, she graduated from the Carl Faberge College of Arts and Crafts (Moscow), in 2007 - from the school "Free Workshops" at the Moscow Museum of Modern Art. In 2010, she received an additional education at the Russian Correspondence Institute of Textile and Light Industry. Since 2007, Masha Iv has actively participated in group exhibitions and realized a large number of art projects in Russia and abroad, including such major events as the Moscow Biennial of Young Art (2008) and the Moscow Biennial of Contemporary Art (2009, 2011 and 2013). Cooperates with the State Tretyakov Gallery, the Moscow Museum of Modern Art, the State Darwin Museum. In 2013, Masha Iv creates a special project "Malevich Space" for the "Night of Museums" campaign at the State Tretyakov Gallery, and in the fall of 2014, she works in collaboration with the Tretyakov Gallery on an interactive installation "From Grief to Happiness" based on the works of artist Dmitry Prigov (shown as part of the "Night of Art" campaign). In 2015, Masha took part in large group exhibitions in Moscow: Workshop'15 "SUB OBSERVATIONEM" at the Moscow Museum of Modern Art and the Bartenev Factory project within the exhibition "Say: I love you", also at MMOMA. In February 2017, the artist's first solo exhibition "Mountains: Colorful Music" was held at the A.N. Scriabin House Museum. Among Masha Iv's foreign projects and exhibitions are the performance "Cyclicity", shown at the Women in Paradise festival in Amsterdam, Netherlands (2015), the creation of costumes for the theatrical production "Iphis and Ianthe", shown in Paris, France (2015). In May 2017, Masha Iv's solo exhibition "Adventures in the Mountains" was held in Paris. Since 2012, Masha Iv is a member of the Union of Artists of Russia. Artists statement: The key themes of my works are the study of the natural landscape of our planet, drawing attention to environmental issues and the harmonious coexistence of man and nature. I work in mixed techniques, as I like to experiment with paints on different bases and observe how they interact with each other. Such experiments often lead me to surprising results. I most often find the phrases and captions integrated into my works in in-flight magazines, glossies, advertising campaigns and other print media. More precisely, the right phrases find me on their own at the right time when I'm working on a particular painting. Glimpsed phrases are often stored in our subconscious and sometimes serve as a trigger or set a vector of movement. Motivational phrases in paintings are like beacons that point in the right direction so as not to veer off course. Education 1993-2003 Art school 2003-2006 College of Art and Crafts of the Carl Faberge 2006-2010 Russian Correspondence Institute of Textile and Light Industry 2007 "Free Workshops" at the Moscow Museum of Modern Art Group Exhibitions 2023 «Gift under the tree» «Zdes na Taganke». Moscow. Russia 2022 «Starfall» Gallery «Zdes na Taganke». Moscow. Russia 2021 « House inside out» Rakov Gallery. Saint Petersburg. Russia 2021 «Observers of earthlings» Gallery «Zdes na Taganke». Moscow. Russia 2021 «Mask mode». Gallery «Our artists». Moscow. Russia 2017 «HaHaHa Moscow». Museum Art 4. Moscow. Russia 2017 «START in Art».Gallery K-35. Moscow. Russia 2016 «Legs in water, head's in the clouds» Gallery «Zdes na Taganke».Moscow. 2015 Project « Bartenev's factory» during the exhibition « Say: I love you» Moscow Museum of Modern Art. Moscow, Russia 2015 Workshop’15«SUB OBSERVATIONEM».Moscow Museum of Modern Art. Moscow, 2014 Project «Zu-Zu». State Darwin Museum. 2013 5 Moscow Biennale of contemporary art. Special project “ Book-Art- Botany” 2012 «Original fake...

"What inspired the creation of this landscape abstraction: The wonderful golden light of sunset in combination with the blue sea. Dimensions in inches: 26 x 33 Details: - Materials u...

Mars Base, 2020 Signed, titled and dated 2020 Bishkek, Kyrgyzstan Acrylic oil enamel and oil on linen 52 x 52 in

Encaustic, oil paint, carving and 21k moon gold leaf on wood panel Lisa Ostapinski is a painter and art educator based in Oakland, CA.  She works with unusual materials and processes including metal leaf gilding, encaustic painting (beeswax), sgraffito and oil paint marbling.  Her work juxtaposes archaic media with modern forms producing a fresh, contemporary take on these art historical techniques.  Lisa’s imagery pulls from a diverse array of sources including textile and jewelry design, architecture, modern painting, the natural world, scientific illustration...