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Melisa Taylor MetzgerHUBLOT CARIBBEAN BLUE (thick paint round biophilic textured painting sand shell)2025
2025
About the Item
HUBLOT CARIBBEAN BLUE is a small-scale, mixed-media assemblage on wood that captures the raw materiality and ephemeral beauty of the natural world. Created following a trip to the Caribbean, it integrates found objects—shells, sand, and organic fragments—into an impasto surface that evokes a marine fossilscape. Through collage, sedimentation, and relief, the work suggests an archaeological discovery, unearthing remnants of an oceanic ecosystem crystallized in time. These embedded forms blur the line between artifact and abstraction, engaging with themes of erosion, renewal, and cyclical rhythms.
The palette shimmers between nacreous white opalescence, muted sandy tones, and oceanic blue, shifting with the light to enhance its drift and luster. The circular format reinforces the sensation of peering through a porthole to the deep, immersing the viewer in littoral alchemy, where land and sea converge. The layering of textures and organic matter creates a tactile interplay between painting and sculpture, recalling Matter Painting and Art Informel, where surface becomes terrain.
Situated within Eco-Art, Organic Abstraction, and Mixed-Media Assemblage, HUBLOT CARIBBEAN BLUE aligns with Biophilic Art, drawing viewers into an intuitive connection with natural cycles. It also explores time, transformation, and nature’s imprint, capturing fleeting echoes of the littoral world. Like the ebb and flow of tides, the piece meditates on the tension between permanence and impermanence, the seen and unseen.
- Creator:Melisa Taylor Metzger (1977, Canadian)
- Creation Year:2025
- Dimensions:Height: 2 in (5.08 cm)Diameter: 12 in (30.48 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Quebec, CA
- Reference Number:1stDibs: LU907116029002
Melisa Taylor Metzger
In Melisa Taylor’s work, the natural world acts as blueprint while ideas are sourced from historical art and contemporary culture. She pursued studies in Marine Biology before training in classical art of the Old Masters. She grew fascinated by the works of Flemish painters Vermeer and Rembrandt whose symbolic use of light influences her practice up to this day. Melisa explores the notion of the sublime through blur and precision. She develops an aesthetic of duality by hybridizing divergent approaches to art. Her studio practice is labor-intensive; various instruments and electric tools are used out-of-context to inject unpredictability in the painting gesture. She has assimilated in her practice an eclectic multilayering process combining pyrography, sanding and detailed stencil compositions on wood. Wabi-sabi -embracing chance- is a central idea in her work, equally so is meticulous control. This results in a subterranean tension that jeopardizes the ethereal appearance of her pieces; arbitrariness and mechanical execution fuse to create what she calls "systèmes faillibles" where spectral motifs seek to emerge out of obscuring lattices. Her work has been exhibited internationally and acquired in private and corporate collections across North America and abroad.
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• 2018: Group show,Gallerie Sonia Monti, Paris, France.
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• 2017: ZeeArts, M gallery, The Retreat Hotel Palm Jumeirah. Dubai, UAE.
• 2017: Group show, Magnetikzone International Art Project, Polo Museale “A.Cordici” Italy.
• 2017: New media group show, Korean culture centre New Delhi, India.
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• 2017: New media group show, Schema Art Museum Cheongju, South Korea.
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