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Melisa Taylor MetzgerMångata X horizontal (sky blue grid wood patterns Brown yellow nature)2025
2025
$5,000
£3,776.94
€4,365.07
CA$7,026.35
A$7,812.08
CHF 4,113.53
MX$94,784.01
NOK 52,079.34
SEK 48,681.49
DKK 32,574.68
About the Item
Mangata X continues Melisa Taylor Metzger’s exploration of light, structure, and materiality through her signature fusion of pyrography and airbrushed pigment. The work evokes the elusive Nordic term “mångata”—the shimmering path of moonlight reflected on water. Vertical stenciled lines act as a veil, rhythmically dissecting a cloudlike field of pale blues, amber, and smoke tones. At its center, a narrow vertical band appears as a portal or spine, suggesting both solidity and dissolve. Metzger’s meticulous grid construction—built through hand-cut stencils and a labor-intensive process—contrasts with the organic softness of the layered pigments. This tension between control and impermanence is central to her “fallible systems,” where calculated forms risk distortion through a final, intuitive intervention. Mangata X invites a quiet, perceptual unfolding, where atmosphere, reflection, and depth flicker just beneath the surface, echoing the visual noise and contemplative stillness of contemporary screen life.
*This piece comes ready to hang with natural wood edges.
keywords; wood, Patterns, Geometric Abstraction, Contemporary gestural abstraction, intentionally exposed wood, Abstract Art, Striped, maximalisme, Abstract Painting, Pixelated, Repetition, Linear Forms, curvilinear, grid, linear grid, dynamism, pyrography, materiality, soft, blurred, complex, hard-edged, line, form and color, multilayered, geometry, atmospheric, optical, distressed surfaces, wood, Minimalism and Contemporary Minimalist, Abstract, Modern, Abstract Expressionism, Spray Paint, Acrylic, stencil, optical, visual perception, stripes, painting, chance, gradients, ombre, process-oriented, female painters, 21st century, woman artists, rectangular
About artist:
In Melisa Taylor’s work, the natural world acts as blueprint while ideas are sourced from historical art and contemporary culture. She pursued studies in Marine Biology before training in classical art of the Old Masters. She grew fascinated by the works of Flemish painters Vermeer and Rembrandt whose symbolic use of light influences her practice up to this day. Melisa explores the notion of the sublime through blur and precision. She develops an aesthetic of duality by hybridizing divergent approaches to art. Her studio practice is labor-intensive; various instruments and electric tools are used out-of-context to inject unpredictability in the painting gesture. She has assimilated to her visual language an eclectic multilayering process combining pyrography, sanding and detailed stencil compositions on wood. Embracing chance is a central idea in her work, equally so is meticulous control. This results in a subterranean tension that jeopardizes the ethereal appearance of her pieces; arbitrariness and mechanical execution fuse to create what she calls "systèmes faillibles" where spectral motifs seek to emerge out of obscuring lattices. Her work has been exhibited internationally and acquired in private and corporate collections across North America, Europe and Asia.
- Creator:Melisa Taylor Metzger (1977, Canadian)
- Creation Year:2025
- Dimensions:Height: 40 in (101.6 cm)Width: 60 in (152.4 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Quebec, CA
- Reference Number:1stDibs: LU907116557232
Melisa Taylor Metzger
In Melisa Taylor’s work, the natural world acts as blueprint while ideas are sourced from historical art and contemporary culture. She pursued studies in Marine Biology before training in classical art of the Old Masters. She grew fascinated by the works of Flemish painters Vermeer and Rembrandt whose symbolic use of light influences her practice up to this day. Melisa explores the notion of the sublime through blur and precision. She develops an aesthetic of duality by hybridizing divergent approaches to art. Her studio practice is labor-intensive; various instruments and electric tools are used out-of-context to inject unpredictability in the painting gesture. She has assimilated in her practice an eclectic multilayering process combining pyrography, sanding and detailed stencil compositions on wood. Wabi-sabi -embracing chance- is a central idea in her work, equally so is meticulous control. This results in a subterranean tension that jeopardizes the ethereal appearance of her pieces; arbitrariness and mechanical execution fuse to create what she calls "systèmes faillibles" where spectral motifs seek to emerge out of obscuring lattices. Her work has been exhibited internationally and acquired in private and corporate collections across North America and abroad.
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