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Melisa Taylor MetzgerRift Valley, sonde IV (texture abstract painting canvas bronze Earthy organic )2014
2014
About the Item
“Rift Valley, Sonde IV” is an evocative mixed-media composition that captures the raw essence of nature through its textured, multilayered surface. The earthy palette—browns, ochres, muted greens, rust-like reds, and soft grays—blends seamlessly with luminous gradients, creating an atmosphere that feels both grounded and otherworldly. Scattered, rock-like forms and impasto-relief elements evoke a sense of geological transformation, as though the piece itself has emerged from the earth’s shifting layers.
The bas-relief texture is enriched by the use of studio artifacts and waste, as well as beachcombed materials like shells and sand, grounding the work in the physicality of the natural world. Rooted in the materiality of Art Informel and the organic sensibilities of Earth Art, the composition invites a tactile and emotional response. Its dynamic presence transports the viewer to an imagined terrain where light, texture, and form converge in harmony, blending the natural and the human-made into a cohesive dreamscape.
This piece comes ready to hang.
- Creator:Melisa Taylor Metzger (1977, Canadian)
- Creation Year:2014
- Dimensions:Height: 60 in (152.4 cm)Width: 30 in (76.2 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Quebec, CA
- Reference Number:1stDibs: LU907115672012
Melisa Taylor Metzger
In Melisa Taylor’s work, the natural world acts as blueprint while ideas are sourced from historical art and contemporary culture. She pursued studies in Marine Biology before training in classical art of the Old Masters. She grew fascinated by the works of Flemish painters Vermeer and Rembrandt whose symbolic use of light influences her practice up to this day. Melisa explores the notion of the sublime through blur and precision. She develops an aesthetic of duality by hybridizing divergent approaches to art. Her studio practice is labor-intensive; various instruments and electric tools are used out-of-context to inject unpredictability in the painting gesture. She has assimilated in her practice an eclectic multilayering process combining pyrography, sanding and detailed stencil compositions on wood. Wabi-sabi -embracing chance- is a central idea in her work, equally so is meticulous control. This results in a subterranean tension that jeopardizes the ethereal appearance of her pieces; arbitrariness and mechanical execution fuse to create what she calls "systèmes faillibles" where spectral motifs seek to emerge out of obscuring lattices. Her work has been exhibited internationally and acquired in private and corporate collections across North America and abroad.
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