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Melisa Taylor MetzgerVestiges spectrales I (texture, organic, biophilic, sand, pastels, mix-media)2025
2025
$4,000
£3,027.57
€3,486.20
CA$5,690.42
A$6,164.13
CHF 3,245.66
MX$74,819.79
NOK 40,477.52
SEK 38,270.54
DKK 26,025.50
About the Item
Vestiges spectrales I is a large-scale mixed-media painting on canvas that conjures a ghostly seascape where traces of time and matter converge. Using collage, impasto, and embedded natural fragments—sand, shells, and other found elements—the work transforms the canvas into a tactile terrain between artifact and apparition. Its iridescent pastel palette shimmers with nacre, misty blues, mauve violets, and pearly pinks, shifting with the angle of light to suggest tidal flows and atmospheric change.
The layered relief evokes eroded shorelines and spectral impressions of marine fossil beds, as though sediments and memories have crystallized into luminous strata. Both ethereal and corporeal, Vestiges spectrales I offers a meditation on impermanence and renewal, inviting viewers into a liminal encounter with nature’s vestiges and the oceanic sublime.
Ready-to-hang, signed at the back with clean light-blue colored painted edges.
- Creator:Melisa Taylor Metzger (1977, Canadian)
- Creation Year:2025
- Dimensions:Height: 30 in (76.2 cm)Width: 48 in (121.92 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Quebec, CA
- Reference Number:1stDibs: LU907117001212
Melisa Taylor Metzger
In Melisa Taylor’s work, the natural world acts as blueprint while ideas are sourced from historical art and contemporary culture. She pursued studies in Marine Biology before training in classical art of the Old Masters. She grew fascinated by the works of Flemish painters Vermeer and Rembrandt whose symbolic use of light influences her practice up to this day. Melisa explores the notion of the sublime through blur and precision. She develops an aesthetic of duality by hybridizing divergent approaches to art. Her studio practice is labor-intensive; various instruments and electric tools are used out-of-context to inject unpredictability in the painting gesture. She has assimilated in her practice an eclectic multilayering process combining pyrography, sanding and detailed stencil compositions on wood. Wabi-sabi -embracing chance- is a central idea in her work, equally so is meticulous control. This results in a subterranean tension that jeopardizes the ethereal appearance of her pieces; arbitrariness and mechanical execution fuse to create what she calls "systèmes faillibles" where spectral motifs seek to emerge out of obscuring lattices. Her work has been exhibited internationally and acquired in private and corporate collections across North America and abroad.
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