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Melisa Taylor MetzgerVestiges spectrales II (texture, organic, biophilic, sand, pastels, mix-media)2025
2025
$3,200
$4,00020% Off
£2,422.06
£3,027.5720% Off
€2,788.96
€3,486.2020% Off
CA$4,552.33
CA$5,690.4220% Off
A$4,931.30
A$6,164.1320% Off
CHF 2,596.53
CHF 3,245.6620% Off
MX$59,855.84
MX$74,819.7920% Off
NOK 32,382.01
NOK 40,477.5220% Off
SEK 30,616.43
SEK 38,270.5420% Off
DKK 20,820.40
DKK 26,025.5020% Off
About the Item
Vestiges spectrales II is a large-scale mixed-media painting on canvas that transforms the surface into a textured terrain where the visible and invisible intermingle. Built from layers of acrylic medium, impasto, and collaged fragments—sand, shells, and found organic matter—the work oscillates between painting and low-relief sculpture. Its pastel iridescent palette, shifting between nacreous whites, seafoam greens, pale lilacs, and opaline pinks, captures the fleeting luminosity of coastal horizons and tidal memory.
The embedded materials evoke sedimentary traces, as if remnants of an aqueous ecosystem have surfaced after centuries of erosion. Simultaneously delicate and tactile, the work suggests both fragility and endurance, permanence and impermanence. Vestiges spectrales II becomes a portal into the ghostly presence of nature’s cycles, a meditation on vestiges, traces, and the sublime resonance of the oceanic world.
Ready-to-hang, signed at the back with clean light-blue colored painted edges.
- Creator:Melisa Taylor Metzger (1977, Canadian)
- Creation Year:2025
- Dimensions:Height: 30 in (76.2 cm)Width: 48 in (121.92 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Quebec, CA
- Reference Number:1stDibs: LU907117018302
Melisa Taylor Metzger
In Melisa Taylor’s work, the natural world acts as blueprint while ideas are sourced from historical art and contemporary culture. She pursued studies in Marine Biology before training in classical art of the Old Masters. She grew fascinated by the works of Flemish painters Vermeer and Rembrandt whose symbolic use of light influences her practice up to this day. Melisa explores the notion of the sublime through blur and precision. She develops an aesthetic of duality by hybridizing divergent approaches to art. Her studio practice is labor-intensive; various instruments and electric tools are used out-of-context to inject unpredictability in the painting gesture. She has assimilated in her practice an eclectic multilayering process combining pyrography, sanding and detailed stencil compositions on wood. Wabi-sabi -embracing chance- is a central idea in her work, equally so is meticulous control. This results in a subterranean tension that jeopardizes the ethereal appearance of her pieces; arbitrariness and mechanical execution fuse to create what she calls "systèmes faillibles" where spectral motifs seek to emerge out of obscuring lattices. Her work has been exhibited internationally and acquired in private and corporate collections across North America and abroad.
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