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Melissa McGill
Satellite no2, Painting, Acrylic on Paper

2019

$545
£407.09
€471.95
CA$756.72
A$848.18
CHF 441.62
MX$10,356.69
NOK 5,607.03
SEK 5,314.96
DKK 3,521.29
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About the Item

Modern abstract monotype with deep red and blue acrylic paint on printmaking paper. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signature Location: On Back :: Paper :: Portrait :: Original :: Framed: No
  • Creator:
    Melissa McGill (American)
  • Creation Year:
    2019
  • Dimensions:
    Height: 20 in (50.8 cm)Width: 18 in (45.72 cm)Depth: 0.1 in (2.54 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Yardley, PA
  • Reference Number:
    Seller: 1110811stDibs: LU80216766632

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Satellite, Painting, Acrylic on Paper
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Enough, Painting, Acrylic on Paper
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Minimal, abstract, organic shapes on BFK Rives printmaking paper. "I have learned that to be with those I like is enough." Walt Whitman :: Painting :: Abstract :: This piece come...
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Points In Space No 2, Painting, Acrylic on Paper
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Mid Century Modern inspired monotype on BFK Rives paper. The Connected series explores our links to one another in both digital and physical space. How we’re all connected and h...
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21st Century and Contemporary Abstract Abstract Paintings

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Looking For Spring no 2, Painting, Acrylic on Paper
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Located in Yardley, PA
Maps Of Unusual Landscapes are inspired by my late night and early morning walks since the beginning of the pandemic. I'd often find myself switching direction or turning around in a...
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2010s Abstract Abstract Paintings

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Rainshadow No 7, Painting, Oil on Paper
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The Mojave desert, where I live, is in the Rain Shadow of the Sierra Nevada and Tehachapi Mountains to the northwest and the San Gabriel and San Bernardino Mountains to the south o...
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Some Missing Piece, Painting, Acrylic on Canvas
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Painting: Acrylic on Canvas. Large format watery deep blue layers on raw canvas with a monotype printed graphic line floating through the field. "You can't really know the pers...
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