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Micah Crandall-BearATR (Above the Rain) Circle 12024
2024
About the Item
Micah Crandall-Bear's abstract landscape paintings examine the enigmatic dance between light and shadow in the natural world. Linear layers cascade from atmospheric to subterranean, mirroring the complexities of human experience. Panoramic details hint at daily and seasonal shifts in light, evoking a sense of evolution and balance.
The paintings are nuanced and compelling - Crandall-Bear builds layer upon layer of texture and color with a balance and refinement that is meditative and transfixing. While referencing a horizon line, sunset sky, or landscape/seascape, the paintings shine in their abstraction and ‘more-than’ color palette. While rooted in the natural world, Crandall-Bear is pushing the saturation and range of colors he can coax from his palette while still creating compositions that read as landscapes. The subtle tonal changes and mark-making unify these linear compositions. Intriguing from far away and intense upon close inspection, the paintings seem to glow with an internal light. Through the interplay of vibrant hues and muted tones, Crandall-Bear’s canvases are often an introspective reminder of the delicate balance between melancholy and joy.
MICAH CRANDALL-BEAR (b. 1980) is represented by galleries in the United States, Asia, and Europe and his work is in permanent collections including the Chan Zuckerberg Initiative, the Resnick Foundation, and the Crocker Art Museum, and as well as numerous private collections around the world. He recently completed a large-scale painting at Google's Googleplex headquarters in Mountain View, CA as well as a large mural at Warner Media in Culver City, CA. Crandall-Bear lives and works in Sacramento, California.
- Creator:Micah Crandall-Bear (1980, American)
- Creation Year:2024
- Dimensions:Height: 21 in (53.34 cm)Width: 17 in (43.18 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Fairfield, CT
- Reference Number:1stDibs: LU183214342312
Micah Crandall-Bear
Micah Crandall-Bear’s abstract landscape paintings examine Earth’s intrinsic resources and our disposition toward their accelerated transformation. His concept is infused with linear layers that cascade from atmospheric to subterranean. Landscape details hint at daily and seasonal shifts in light, evoking a sense of evolution and balance. In an ever-increasing technological world, his work reminds us to pause and admire our wild and natural surroundings. He presents abstractions that inspire a deep and effusive connection to nature. Crandall-Bear achieves longitudinal depth by exacting precisely rendered lines and seamless expanses of color. This explicitly composed depth communicates a sense of contingency and locality. Micah’s construction of space is enhanced by his painting method. His ‘wet-on-wet’ method is a contemporary application of ‘alla prima,’ a traditional technique used mostly in oil painting, where layers of wet paint are applied to previous layers of wet paint. No matter how precise or general the area, Micah’s layered brushstrokes are decisive, but also gestural, often spanning the entire surface of the canvas from left to right. This highly active method of painting is sometimes tempered through rapid buffing and blending. The outcome is a smooth, boundless, and energetic surface.
As a Northern California native, Crandall-Bear established his artistic roots locally and continues to promote the growth of his community. His reputation brings him consistent national and international attraction from both private and public collectors. Micah’s work now adorns the walls of prominent corporations throughout the country, university hospitals, Facebook data centers in Malaysia, Sweden, and more. His work has been featured in ArtSlant, American Art Collector Magazine, Forbes, and PBS.
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