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Michelle MarraBloom Bomb, Deeper Still and Jubilation, floral art, abstract art2019/20
2019/20
About the Item
'Bloom Bomb, Deeper Still and Jubilation' all incorporate Michelle Marra's swaths of colour, texture and light. She is inspired by the lyrical movement and biomorphic forms in luscious, impasto paint while creating a joyous, spirited feeling. This allows for a totally free and intuitive process.
Michelle Marra, artist, abstract paintings are for sale online and in our contemporary art gallery. "I see in swaths of colour, texture and light. I am inspired by the lyrical movement and biomorphic forms in luscious, impasto paint while creating a joyous, spirited feeling. Oftentimes I start a painting with just a few premises, such as colour and mark making, to drive where I am to focus next. This allows for a totally free and intuitive process. I took up my brush in earnest in 2010 while spending more time in Florida. I worked in oils and realism but knew I was missing something. Acrylic and abstract painting allow me to give a visual voice to my inner world and creating has become an important part of my life. I count myself extremely lucky to be able to paint daily."
Bloom Bomb, Deeper Still and Jubilation by Michelle Marra [2019/20]
original
Acrylic on Canvas
Image size: H:91 cm, 51 cm, 51 cm x W:91cm, 51cm, 51 cm
Complete Size of Unframed Work: H:91cm, 51cm, 51 cm x W:91cm, 51cm, 51 cm x D:4cm
Sold Unframed
Please note that insitu images are purely an indication of how a piece may look.
- Creator:Michelle Marra (1960, American)
- Creation Year:2019/20
- Dimensions:Height: 35.83 in (91 cm)Width: 20.08 in (51 cm)Depth: 1.58 in (4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:1stDibs: LU632312220772
Michelle Marra
Describing herself as a spirited colorist, Michelle Marra is an American abstract painter who imbues a high level of emotion, energy, and luminosity into her works. Inspired by the great Abstract Expressionists from the late ’40s and early ’50s (Willem de Kooning, Joan Mitchell, and Lee Krasner, to name a few), her “art is about taking color and creating a joyous feeling.” At first, Marra was working in oils and realism, always feeling something was missing. Switching to acrylics and abstraction provided a visual voice to her inner world. She shares her time between her studios in Delray Beach, Florida, Asheville, North Carolina, and Mystic, Connecticut.
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