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Nancy GravesFracture V1982
1982
About the Item
This vibrant painting exemplifies Nancy Graves' innovative early-1980s abstract style, characterized by dynamic layering, energetic forms, and vivid Fauvist-inspired colors. Graves masterfully integrates abstract and scientific imagery, reflecting her enduring fascination with nature, maps, and microscopic patterns. The canvas features bold blocks of color, intricate squiggles, rhythmic dashes, and dense patterns that interplay to create depth and visual excitement.
In 1969, at the age of 29, Graves became the youngest artist to be featured in a solo exhibition at the Whitney Museum of American Art, where she debuted her renowned wax, polyurethane, and fur Camels installation. She is a significant figure in post-war American art, renowned for her multidisciplinary approach and pioneering role as a celebrated female artist. Works from this period are critically acclaimed and held in major museum collections worldwide.
Condition: Very Good. Colors remain bright, and the canvas is well-maintained.
- Creator:Nancy Graves (1940-1995, American)
- Creation Year:1982
- Dimensions:Height: 36.5 in (92.71 cm)Width: 20.5 in (52.07 cm)Depth: 2.5 in (6.35 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Brooklyn, NY
- Reference Number:1stDibs: LU2874216367962
Nancy Graves
A sculptor of animals and American Indian shamanistic objects, filmmaker, and painter, Nancy Graves had a highly successful and varied career, primarily in New York City. In her abstract work, she united her interest in anthropology, totemic objects, cartography, and biomorphic shapes. She was born in Pittsfield, Massachusetts, and became a graduate of Vassar College in 1961 and then Yale University's School of Art and Architecture. Graves won a Fulbright-Hayes Fellowship for painting, allowing her to spend a year in Paris in 1964-65. In the next few years, she traveled in North Africa and the Near East and lived and worked in Florence, Italy where she did her first signature work, which was sculptures of life-size Bactrian camels.
In 1966, she moved to New York City and further experimented with ways to produced these sculptures by building wood and steel armatures, covering them with skins of animal embryos, stuffing the skins with polyurethane to form humps, and tinting the skins with oil paints.
In 1968, she had her first New York one-woman show at the Graham Gallery followed by her second one-woman show at the Whitney Museum in 1969. Both exhibitions featured her camels.
In 1972 at the Philadelphia Institute of Contemporary Art, she made sculpture suggestive of Indian objects such as bones, skins, and feathers and added also steel rods to this motif for other exhibitions.
As a filmmaker, she has had showings in film festivals in London, New York, and Boston. Source: Charlotte Rubinstein, "American Women Artists"
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