Natalia Roman

Abstract Diptych of Vibrant Yellow Strokes on Violet, Contemporary Painting

2020

"Duo of Colorful Seaweed" is an acrylic painting on high-quality watercolor paper of minimal botanical algae, drawn and painted in the style of Henry Matisse...

This series of hand painted acrylic paintings by Natalia Roman are inspired by the colors and textures of Italian terrazzo tiling. The patterns created combine a variety of vivid col...

"Urban Forms on Pink Sorbet" is an abstract painting diptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined with subtle tones and unique ...

Borneo's pieces are deeply influenced by various creative sources, with a particular focus on the culture of the late '80s and '90s: from high-brow Memphis-inspired design to urban c...

60"x48" abstract composition in golden yellow with lavender, violet and light cream. Large gestural movements overlay one and other on the on canvas. The painting surface incorporates impasto brushwork and poured paint to give an active composition. This painting is signed on reverse by the artist, Debra Drexler. Debra Drexler maintains studios in both New York and Oahu, Hawaii, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

Purple and yellow abstract surface is a contemporary artwork realized by Genny Puccini in 1976. Mixed colored acrylic painting on canvas. Hand signed and dated on the back.

Aron Hill loves playing with colour and form to create fun, contemporary paintings. This is one of a series where Hill uses two shaped panels in white as backdrops to colourful organ...

Purple, yellow, brown and green paint was poured from small buckets to create flowing shapes. A combination of suggested movements and unhindered movements were/were not used to guid...