Nicholas Evans

"Dome and Spire" (abstract, architectural, cerebral, white painting on wood)

2016

Bold yet delicately portrayed, "So Plant, So Animal II" is an abstract piece framed to perfection, offering a timeless neutral color palette. The central theme captures the essence o...

Bold yet delicately portrayed, "So Plant, So Animal I" is an abstract piece framed to perfection, offering a timeless neutral color palette. The central theme captures the essence of...

Bold yet delicately portrayed, "So Plant, So Animal III" is an abstract piece framed to perfection, offering a timeless neutral color palette. The central theme captures the essence ...

Embark on an artistic journey with "Oh Etruria," an abstract piece exuding both texture and boldness, elegantly presented within a frame. Drawing inspiration from the ancient region ...

1893 PRAGUE 2020 Paris, France Identifying a hypothetical time and place, ‘1893 Prague’ is inspired by the anticipation of opening a letter from the past. The name of the piece and ...

PIERCED 2021 Paris, France Set of four, abstract, bold paintings framed between glass and wood. Tea-stain has been added to dye on paper, with matte black focal points created using...

Pyre VII 2017 India ink and acrylic paint on charred birch plywood 32" x 24" x 1.25" Pyre VII is part of a series of charred panels Watson completed in 2017 at the Arts, Letters and Numbers Residency in Averill Park, NY. The pieces incorporate local materials, rice, and fire to create charred photographic images on plywood that explore themes related to being, substance and imperceptibility. The imagery references the practice of cremation on a funerary pyre in which the corpse is prepared and burned over a construction of combustible materials. Within the work, rather than destroying the body, the fire produces an afterimage that remains indefinitely. Each day Watson would scavenge the site collecting natural objects, such as sticks, small rocks, and other detritus. He laid these objects on the surface of the plywood with raw rice. The surface was then charred using a propane torch. After the objects and rice were removed an image of them remained, like a photogram. In some panels, He incorporated a homemade black rice ink or various paints to tint the surface before and after burning. Rice is a recurring theme in Watson’s work. It alludes to an uncontained body in the process of decay, returning to the earth to become a source of sustenance for new life. It also imagines the soul extending beyond its fleshly container. The act of burning attempts to capture the space between life, death, and rebirth— freezing it in a state of transformation. The sticks, stones, and rice become remnants of life and markers of space and time. They are more than mere grains and detritus. They become the body as a trace of what was and a reflection of what will be. Michael Watson...

Title - Smashing Pumpkins. Acrylic Painting by Artist Troy Smith. The painting is signed by the artist on the back and comes with a small brass plaq...

Title - Blue Dream. Acrylic Painting by Artist Troy Smith. The painting is signed by the artist on the back and comes with a small brass plaque with the artist's name. Comes with ...

‘PORTAL 4 (COMPASS)’, 2021 by Sarah PICKSTONE - Oil and Acrylic on linen - was exhibited at GALLERY46 show 'KNOCKING IT OUT OF THE PARK' from 5TH NOVEMBER – 12TH DECEMBER 2021 which also included artists JOSHUA ARMITAGE, KLAAS OP DE BEÉCK, YAGE GUO, CHRISTABEL MacGREEVY, ALEXI MARSHALL...

‘PORTAL 1 ( PROSPERO) Abstract Oil and Acrylic on birch ply panel was exhibited at GALLERY46 show 'KNOCKING IT OUT OF THE PARK' - 5TH NOVEMBER – 12TH DECEMBER 2021 Sarah Pickstone's work is in the collections of The Royal Academy of Arts Societe Generale UK Art Collection Saatchi Collection The Walker Art Gallery National Museums of Liverpool The Mercer Art Gallery collection – Yorkshire Museums British School at Rome Teaching is an intrinsic part of Sarah Pickstone's practice and is currently 2019 – Mentor Turps Banana Painting...

Textured mixed media and collage abstract modern painting inspired by nature, questioning reality, playing with inserts of paper to introduce the doubt of something more. In the research of contemporary artist Federica Aiello Pini...