Nino di Salvatore

Spazio Gestaltico Curvo 128

1994

Drawing on paper done in India ink, white lead and gouache; depicting the frescoed vault of the Gallery of the Eagles in the Domus Aurea. The perimeter band is occupied by reserves i...

Collage of felt fragments on panel. On back signed and dated, and serial no. 28/75. Dorazio paints abstract-geometric paintings, with developments over the years of different forms: ...

Oil on Canvas. Northern-Italian school of the 17th-18th centuries. The widely known biblical scene of the quarrel between the two brothers, sons of Adam and Eve, which later results ...

Oil on Canvas. Signed lower right. Antonio Zavaga was an Italian painter at the turn of the 19th and 20th centuries, specializing in painting in the 18th-century style, mainly of gal...

Acrylic on canvas Rita di Benedetto is a French visual artist born in 1952 who lives and works in Toulouse, France. Her painting is intended to be s...

This beautiful abstract painting Untitled was realized by the Italian artist Mauro Bellucci in 2020. Water enamel paint on canvas from the series Industrial Pollution. Hand-signed o...

Bonr on December 18, 1940 in Vestignè (Turin) in Italy, Ferruccio Gard is considered to be a central figure in Programmed Art, Kinetic Art and Constructivism since the 1970s. Gard i...

Acrylic painting on canvas by Alessandro Guerriero for Alchimia in 2019. Signed and original label. Biography: In 1976 Alessandro and Adriana Guerriero established Alchimia, the first example of manufacturing designers in Milan. In 1978 and 1979 they presented the Bau haus and Bau haus II collections. Lamps, armchairs, chairs, tables, cabinets, and so on. Artists involved: Alessandro Mendini, Ettore Sottsass, Bruno and Giorgio Gregori, Michele De Lucchi, Andrea Branzi, UFO, Paola Navone, Daniela Puppa, Franco Raggi. The prevalent decorative material is laminated plastic. Alchimia’s culture, which is against the Italian design (Casabella magazine) changes the base of all previous design theories, resulting in a profound and radical change in the mindset of architects. Visual Alphabets, Redesign, Trivial Design, Cosmetics and Sentimental Robot are the slogans underlying the exuberant and vast production of Alchimia city. In the theoretical manifesto of the group, Alessandro Mendini writes “Alchimia is not interested in disciplines because they are considered to be within their rules. Indeed, it is important to look into the existing large free spaces between them. Alchimia weighs the assumption that conception and confused production methods should coexist where craftsmanship, manufacturing, information technology, techniques and current and obsolete materials can get mixed up. “They are handcrafted objects, recycled, mass, improbable, provocative, Kitsch, all very theory-laden. It operates and experiences in many sectors: the Pensione Ideale (Franco Raggi), the Copertine di Domus (Occhiomagico), the Abito Sonoro and the performance of Persone Dipinte (Anna Gili), the Stilismo della Moda (Cinzia Ruggeri...