Norman Bluhm

Untitled

1972

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed, titled, and dated on verso. 34.25 x 87.5 in. 36 x 89.5 in. (framed) Custom framed in in a natural cherry floater. Provenance Dunkelman Gallery, Toronto Born Josef Drapell in German-occupied territory near Prague in the present-day Czech Republic, his interest in art was piqued as a young boy growing up in a country that traded one occupier for the next. Czechoslovakia - under communist Soviet control following the war - would never allow Drapell to enjoy true freedom of artistic expression. He eventually fled his homeland, first stopping in Vienna, before ultimately settling in Canada in 1966. After a brief spell at the venerable Cranbrook Academy of Art in Bloomfield Hills, MI, Drapell returned to Canada in 1970, settling in Toronto - though he frequently traveled between the two countries in pursuit of exhibition opportunities in both Toronto and New York. Those opportunities arrived almost immediately, as he enjoyed solo exhibitions with both Robert Elkon Gallery in New York, and Dunkelman Gallery back home in Toronto. Drapell splits time between his homes in Toronto and Georgian Bay on Lake Huron...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed and dated lower left. 36.25 x 30.25 in. 38.5 x 32.5 in. (framed) Custom hardwood frame with dark stain. FredEric’s Frame Studio, Chicago. Provenance McCormick Gallery, Chicago Born in Alabama, John Little attended the Buffalo (NY) Fine Arts Academy as a teenager, until 1927. Soon after, he moved to New York where he began operatic vocal training and opened what would become a very successful textile business designing fabric and wallpaper. In 1933, he enrolled at the Art Students League under the tutelage of George Grosz. Little’s early work consisted predominantly of landscapes, until 1937, when he began studying under Hans Hofmann and his work naturally shifted toward abstraction. During his time with Hofmann, he with artists such as Lee Krasner, George McNeil, Gerome Kamrowski, Giorgio Cavallon...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed verso. Some scratched out, illegible writing in paint and graphite verso, which may ha...

Robert Motherwell Elegy to the Spanish Republic No. 110C 1968 Acrylic and graphite on paper 15.2 x 20.3 cms (6 x 8 ins) Robert Motherwell's Elegies series represent one of the iconic motifs of Abstract Expressionism.  Based on a 1948 ink illustration the artist executed accompanying a Harold Rosenberg poem, “A Bird for every bird,” the drawing shows the hypnotically repetitive patterning of ovoids and vertical beams.  The stark contrast of the black ink on white paper references the symbolic use of the color black by artists such as Goya, Manet and Matisse to convey death, loss, and tragedy.  Motherwell was quite affected by the turbulence of the Spanish Civil War and alludes to the Spanish republic in his Elegies. Motherwell’s plumbing the depths of poetry, history, and primordial art in the Elegies is considered a hallmark of nascent Abstract Expressionist painting in its desire to "excavate" essential imagery of mankind. Motherwell, who originally trained as a philosophy scholar and later became of the great editors of 20th century art documents, grasped very early on the crucial importance that in order to contribute meaningfully to the canon of modern art, one must create a principle of aesthetics. Through the surrealist concept of automatism, the artist finally found the creative principle that eventually governed his extraordinary artistic output and produced the Elegies, one of the most salient, immediate painterly images of 20th century abstract painting. In fact, he has alluded to the fact that each one of his Elegies begins as an automatic drawing, and certain shapes are then blocked to create the signature armature of the vertical bars and ovals. The Elegies seem to possess the power of an archetypal image, an image the mind already grasps on a subconscious level. Motherwell's play of dualities of black and white as well as other dichotomies—the geometric versus the organic, chaos versus order, death versus life—was a condition of living through a tumultuous period in American history. During an interview, he vividly recalled the 1940s as the time when society was ordered by a set of contradictions.  In Motherwell's Elegies, he not only discovered an incredibly elastic pictorial language that would communicate on multiple levels but also acknowledged these contradictions in a manner that would resonate in abstract form.  The present work served as a model for a painting, Spanish Elegy...

Signed verso, 'Kevin Keaney' (American, born 1962) and painted circa 1995. This San Francisco Bay area artist studied with Jerry Morgan at the San Francisco Art Institute and has ex...

Dramatic abstract expressionist landscape with vibrant hues of green and blue like feathers by unknown artist Gottlieb (American,20th Century) c.1965. S...

This is an Abstract Expressionist torn and folded paper painted collage. The paper is metallicized through some process. they are very luminous and beautiful. it is mounted on heav...