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Paul KatzInterlock #45 (Graphic, Abstract Red, Grey, White & Black Painting on Canvas)2015
2015
About the Item
24 x 24 inches
oil paint and sand on canvas
This contemporary, abstract oil painting in graphic black, white, grey & red was completed by Vermont based artist, Paul Katz, in 2015. Studying line shape, and color, the artist contrasts & interlocks graphic patterns of vivid red, black, grey and white. Irregular puzzle-like shapes are outlined in black ink. Square vignettes of smaller interlocked shapes in red, white, grey & black are detailed on the top and bottom. Sand is mixed in with the oil paint to add an impasto, textured effect which also creates a sturdy, stiff surface. This painting completed on canvas is unframed with clean, painted sides for a sleek presentation. The artist's signature is located on the back along with the date & title.
About the artist & work:
Abstract painter, Paul Katz, reinterprets his signature canvases of interwoven black & white text into bold gridlocked patterns of gray scale tones and accents of vivid red. Working in a square format, Katz designs his compositions like abstract puzzles, molding misshapen forms together with pristine lines and graphic color. Paint is applied in determined strokes with a mixture of sand for a textured impasto effect. Not only is Katz a painter but he also has worked as a staff photographer for the Guggenheim Museum, an art lecturer, gallerist, and curatorial consultant. The artist, who now lives in rural Vermont, grew up in Manhattan and received his graduate degree in Art History from Hunter College.
Paul Katz
Abstract painter, Paul Katz designs his compositions like abstract puzzles, molding misshapen forms together with pristine lines and graphic color. Not only is Katz a painter, but he also has worked as a staff photographer for the Guggenheim Museum, an art lecturer, gallerist and curatorial consultant. The artist, who now lives in rural Vermont, grew up in Manhattan and received his graduate degree in Art History from Hunter College.
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View AllWhat Do I know of This Place 1 (Abstract Expressionist Painting on Canvas)
By Jenny Nelson
Located in Hudson, NY
Vertical, abstract expressionist oil painting on canvas in blue, stone blue, green and midnight blue, with pops of green, peach, and yellow on an off-white background
'What Do I know of This Place (1)' painted by Hudson Valley artist, Jenny Nelson, in 2021
Oil on canvas
20 x 16 x 2 inches, with white painted sides
Excellent condition, ready to hang
Signed, verso
This vertical abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2021. The colorful abstract composition is completed in an expressionist style with loose and gestural brushstrokes in calming tones of stone blue, teal, and midnight blue. The contrasting patches of dusty yellow, peach, and green beautifully pop against the subtle pale beige-grey background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting is unframed, with white painted sides so framing is optional. The artist's signature is located on the back of the painting.
Artist Statement:
My work has always been anchored in drawing. I spent years drawing and painting from life. This instilled a strong sense of space and structure. At some point I became more interested in the negative space surrounding the objects I was observing and modifying the objects themselves. I began to organically develop an abstract language, but the sense of structure and organization remained constant in the painting.
I apply paint in layers using palette knives, brushes and oil sticks. I initially draw loose gestures and a variety of spontaneous marks. Often traces of previous layers remain visible, allowing colors to interact in ways I could not have anticipated. This process leaves me feeling quite lost a lot of the time, and I have had to learn to become comfortable with that feeling. This sometimes builds to frustration, and I will scrape off much of what was applied, but the result of doing this is often something wonderful that moves the painting forward.
I view the painting process as a collaboration between myself and the materials. A conversation starts that has a beginning and an end, but everything in between is unpredictable. It seems at first some exciting things may show up but it’s important to disregard these first, too beautiful bursts, work over them, and develop something deeper from them. As the painting evolves, shapes and lines solidify, and I begin to see how the parts affect the whole.
This way of layering, adding and subtracting, creates a history on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected over and over again have an emotional charge. This process that started as a wild party ends up as a contemplative carefully edited composition, involving precise modifications, while hopefully leaving the life force in tact.
About the artist:
Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally.
SELECTED EXHIBITIONS:
Solo Shows:
2019 Carrie Haddad Gallery, Hudson, NY
2019 Hidell Brooks Gallery, Charlotte NC
2018 Light Waves, Hidell Brooks Gallery, Charlotte NC
2017 New Works, Carrie Haddad Gallery, Hudson NY
2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC
2013 Traveling Light, Tria Gallery, Manhattan NY
2012 New Work, Smink Modern, Dallas TX
2012 New Work, Carrie Haddad Gallery, Hudson NY
2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY
2010 New Paintings, Chace-Randall Gallery, Andes NY
2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ
2008 The Light Between, Chace-Randall Gallery, Andes NY
2007 New Work, Carrie Haddad Gallery, Hudson NY
2006 Of Line and Light, Chace-Randall Gallery, Andes NY
2006 Abstractions, Gallery 100, Saratoga NY
2005 Spring Collection, Coffey Gallery, Kingston NY
2005 New Work, Carrie Haddad Gallery, Hudson NY
2004 Summer, Omega Institute, Rhinebeck NY
2004 New Work, Carrie Haddad Gallery, Hudson NY
2003 Paintings from Shady, Coffey Gallery, Kingston NY
2001 Fisher Studio Art Gallery, Annandale-on-Hudson
Group Exhibitions:
2018 20th Anniversary Show, Hidell Brooks Gallery, Charlotte, NC
2017 Due East: Woodstock Artists in Nantucket, Nantucket Arts Center, Nantucket, MA
2017 Composition: The Abstract Landscape, Kleinert/James Gallery, Woodstock NY
2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC
2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC
2013 AD Boston Art Fair, Gold Gallery, Boston
2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY
2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA
2012 Tria Gallery Summer Exhibition, Manhattan, NY
2012 AAF NYC, Tria Gallery, Manhattan, NY
2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA
2011 AAF NYC, Tria Gallery, Manhattan, NY
2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY
2010 Art Hamptons, Tria Gallery, Manhattan NY
2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA
2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA
2009 Curators Choice, Chace-Randall Gallery, Andes NY
2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY
2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA
2009 Small Works, Anne Irwin Fine Art, Atlanta GA
2009 Winter White, Tria Gallery, Manhattan NY
2009 Contrasts, Anne Irwin Fine Art, Atlanta GA
2009 AAF NYC Tria Gallery, Manhattan NY
2008 Summer Cocktail, Tria Gallery, Manhattan NY
2008 5"x7" Show, Kleinart-James Gallery, Woodstock NY
2007 Faculty Plus One, Columbia Greene Community College, Hudson NY
2007 Art Basel Miami, Carrie Haddad Gallery, Hudson NY
2007 One New Work, Chace-Randall Gallery, Andes NY
2007 5"x7" Show, Kleinart-James Gallery, Woodstock, NY
2006 Beach, Gallery Yellow, Cross River NY
2006 Flow, Kleinart/James Gallery, Woodstock, NY
2006 Group Exhibition, James Cox Gallery, Woodstock NY
2006 Collectors Choice, Kleinert/James Gallery, Woodstock NY
2005 Group Exhibition, Chace Randall Gallery, Andes NY
2005 Passionate About Art, Kleinert/James Gallery, Woodstock NY
2005 New Talent, Alpha Gallery, Boston MA
2004 Six Women Painters, Albert Shahinian Fine Art, Poughkeepsie NY
2004 New York Underground Art Fair, Pool Art Addict, Four Points Hotel NY
2003 Senate House Show, Kingston NY
2002 Group Exhibition, Carrie Haddad Gallery, Hudson NY
Juried Exhibitions:
2004 Woodstock Artists Association, Woodstock NY
2002 Hudson Valley Artists 2002, Samuel Dorsky Museum, New Paltz NY
Selected Collections:
Warren Bierwirth, Paris, France
Cecilia Greene, New York NY
Helen Chapman, New York NY
Michael & Sheila Faharty, New York NY
Christopher Dlutowski, New York NY
Jim & Dianne Footlicke, New York NY
Laurent Gaudry, New York NY
Nancy Seigal, Boca Raton FL
Holli Gersh, Boca Raton FL
Kenneth & Margaret Uhle, Ridgefield CT
Dr. Lee Sider, Mt. Tremper NY
Friedrike Merck, Woodstock NY
Weston & Julia Blelock, Woodstock NY
Miller Howard Investments, Woodstock NY
Kingston Hospital, Kingston NY
Media:
Jenny Nelson, Accidental Storyteller, Carrie Haddad Gallery, 2017
Jenny Nelson's chaos, Hudson Valley One, 2017
A Conversation with Artist Jenny Nelson,, Blog Talk Radio...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Beneath the Shining Sun (abstracted field of flowers in yellow and pastel)
By Ragellah Rourke
Located in Hudson, NY
Abstract acrylic painting on canvas with a pastel purple, yellow, and green palette
“Beneath the Shining Sun”, painted by Ragellah Rourke in 2022
30 x 30 inches, oil on canvas
Sides are cleanly painted so additional framing is optional
Wire backing for easy hanging
Artist signature located on the back
This contemporary, abstract painting was created by Hudson Valley based artist, Ragellah Rourke in 2022. Her most recent body of work focuses on relationships between color and space. Elements of symbolism, reminiscent of Gustav Klimt, decorate the composition with abstract markings and calligraphic gestural brushwork. Warm yellow and purple tones with hints of green radiate upwards into a background of white, recalling the awaking the nature during the beginning of spring. There is wire installed on the back for easy hanging. The painting’s sides are cleanly painted so additional framing is optional.
Artist Statement:
My paintings are very textural and built up slowly over long periods of time. The surface holds the memory of the painting’s development, all the time looking for clues for what will come next. I look for connections between the forms that develop. They are never something that I logically calculate, but rather a long string of chances, thoughts, and guesses. The appearance and meaning develop throughout the progression of the painting. It is a continuous search for resolution, balance and mystery within the painting.
Artist CV:
1963 Born Albany, NY
1998 BA Painting, The University at Albany, State University of New York
Residing: East Berne, NY
SOLO EXHIBITIONS:
2012 Carrie Haddad Gallery...
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Oil on canvas, 26 x 26 inches unframed, raw canvas sides
Wire backing, ready to hang
Signed verso
James O’Shea’s deeply pigmented abstractions are grounded in the landscape. Taking his cues from the bare winter months in the Northeast when the horizon is stripped of its foliage, he suggests that “So much of life’s structure reveals itself when it goes into hibernation”. The architecture in O’Shea’s compositions takes form with expressive gestures using...
Category
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Gestural, abstract expressionist oil painting on canvas in earth tones of blue and orche, with pops of green and red
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Located in Hudson, NY
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Oil, copper leaf, and pencil on board
10 x 10 inches unframed, 12 x 12 x 2 inches in an off-white painted wood floater frame
Wire backing, ready to hang
Excellent condition
James O’Shea’s deeply pigmented abstractions are grounded in the landscape. Taking his cues from the bare winter months in the Northeast when the horizon is stripped of its foliage, he suggests that “So much of life’s structure reveals itself when it goes into hibernation”. The architecture in O’Shea’s compositions takes form with expressive gestures using...
Category
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