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Paula Evers
Dutch Landscape Blue

2019

$6,614.08List Price

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Tingari
By Ronnie Tjampitjinpa
Located in Miami, FL
Ronnie Tjampitjinpa was born around 1943 at Tjiturrunya, about 100km west of the Kintore ranges in Western Australia. Following an extended drought in the 1950s, Ronnie's family move...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Cotton Canvas, Acrylic

Medicine leaves
By Gloria Petyarre
Located in Miami, FL
Gloria Petyarre, sometimes referred to as Gloria Pitjara, was one of Australia's most successful and significant female artists. Her depiction of the K...
Category

2010s Abstract Abstract Paintings

Materials

Cotton Canvas, Acrylic

Tingari
By Warlimpirrnga Tjapaltjarri
Located in Miami, FL
Warlimpirrnga Tjapaltjarri was the son of Papalya Nangala and Waku Tjungurrayi, an old man who had three wives (Papalya and two of her siste...
Category

2010s Abstract Abstract Paintings

Materials

Cotton Canvas, Acrylic

My Grandmother's Country
Located in Miami, FL
Maureen Baker lives in Warakurna, an Indigenous community nestled in the Rawlinson Ranges, approximately 330km west of Uluru. Maureen is a creative and...
Category

2010s Contemporary Abstract Paintings

Materials

Linen, Cotton Canvas, Acrylic

Minyma Malilu
Located in Miami, FL
Carolanne Ken was born in 1971 and resides in Kaltjiti, formerly Fregon, located in the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands. Carloanne went to school in Kaltjiti as a y...
Category

2010s Contemporary Abstract Paintings

Materials

Linen, Cotton Canvas, Acrylic

Pikarli - My Country
By Yannima Tommy Watson
Located in Miami, FL
Yannima Tommy Watson is a Pitjantjatjara artist born around the 1930s, in the bush some 44km west of the small isolated community of Irrunytju. Not yet very well known to the French public, despite his participation in the architectural project of the Musée du Quai Branly, Tommy Watson is nevertheless often considered the greatest living Aboriginal artist. Like many aborigines of his generation, he lived a traditional, nomadic or semi-nomadic life before his contact with Western civilization; then he will occupy the only jobs that the Aborigines find: herdsmen (until Yuendumu), laborers for the construction of infrastructures in the desert. Throughout this period he became familiar with his "country", a harsh region, and deepened his knowledge, both profane and sacred, relating to Dreams and Dreamtimes, to the connections between sacred sites and the Ancestors. He will even work in Papunya, where the artistic movement started. But the Pijantjarra are intransigent with tradition…no question at this time of revealing the motives and the secret stories. The North of South Australia, the region where he is from, was touched by the pictorial movement only at the very beginning of the 2000s. In 2001, Tommy began his career as an artist in Irrunytju (Wingellina). He is a young artist… He learns by observing other painters and draws on the experiences of a long life and on the exceptional knowledge he has stored up. But quickly he will find his way, a radically new style where color plays a major role. Very quickly, the iconography now well known by the artists of Yuendumu, or the Western Desert, Balgo or Lajamanu disappeared. The symbols are no longer there. As Rover Thomas, Emily Kame or Paddy Bedford had done before him, this is a real artistic revolution. For Tommy, it is not a question of describing his Dream (Caterpillar), the routes taken by the Ancestors. He concentrates on a site, a story, sometimes very profane, the memory of a meeting, of a hunting party, tries to condense his memories, the information of which he is the depositary, to add a poetic touch to it, sometimes melancholy, and this gives a painting with a very abstract aspect. It is a painting where the emotion is very present, undoubtedly less cerebral than the art of the neighbors of the north the Pintupi, like Ronnie Tjampitjinpa, George...
Category

2010s Contemporary Abstract Paintings

Materials

Cotton Canvas, Acrylic, Linen

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