Paulo Canilhas

Time #02

2021

I am fascinated by the individual’s relationship within society. It is in this context that I exist. Along the beaten path, I allow myself to observe from a multitude of vantage points; towards the recent past or a future yet to occur. This is what inspires me- the creative moment yet to happen, laden with limitless possibilities. When I take a look at the past, I identify social and personal nuances and their direct influence on my work, and then with excitement look for what comes next. In this process I take distance from myself and view with a critical eye. Ever evolving, I search for more. I am neither a painter nor sculptor, much less a photographer or director, but I am a little bit of everything. I don’t feel bound to one specialized art form, and this allows me to navigate free and unencumbered by norms and expectations. My goal is not to achieve perfection in any one area, but rather to explore all disciplines- joyfully challenging myself, provoking and exploring beyond any pre-conceived limits. In my work I try to establish a connection between my reality and the reality of those who dedicate a few minutes of observation. I’m constantly searching for the vanishing point that gives diverse expression to my artistic production. This is the creative fuel that drives me ever forward. Paulo Canilhas...

I am fascinated by the individual’s relationship within society. It is in this context that I exist. Along the beaten path, I allow myself to observe from a multitude of vantage points; towards the recent past or a future yet to occur. This is what inspires me- the creative moment yet to happen, laden with limitless possibilities. When I take a look at the past, I identify social and personal nuances and their direct influence on my work, and then with excitement look for what comes next. In this process I take distance from myself and view with a critical eye. Ever evolving, I search for more. I am neither a painter nor sculptor, much less a photographer or director, but I am a little bit of everything. I don’t feel bound to one specialized art form, and this allows me to navigate free and unencumbered by norms and expectations. My goal is not to achieve perfection in any one area, but rather to explore all disciplines- joyfully challenging myself, provoking and exploring beyond any pre-conceived limits. In my work I try to establish a connection between my reality and the reality of those who dedicate a few minutes of observation. I’m constantly searching for the vanishing point that gives diverse expression to my artistic production. This is the creative fuel that drives me ever forward. Paulo Canilhas...

From the collection "Quantas formas tens para contar o tempo" - Acrylic and charcoal on canvas.

I am fascinated by the individual’s relationship within society. It is in this context that I exist. Along the beaten path, I allow myself to observe from a multitude of vantage points; towards the recent past or a future yet to occur. This is what inspires me- the creative moment yet to happen, laden with limitless possibilities. When I take a look at the past, I identify social and personal nuances and their direct influence on my work, and then with excitement look for what comes next. In this process I take distance from myself and view with a critical eye. Ever evolving, I search for more. I am neither a painter nor sculptor, much less a photographer or director, but I am a little bit of everything. I don’t feel bound to one specialized art form, and this allows me to navigate free and unencumbered by norms and expectations. My goal is not to achieve perfection in any one area, but rather to explore all disciplines- joyfully challenging myself, provoking and exploring beyond any pre-conceived limits. In my work I try to establish a connection between my reality and the reality of those who dedicate a few minutes of observation. I’m constantly searching for the vanishing point that gives diverse expression to my artistic production. This is the creative fuel that drives me ever forward. Paulo Canilhas...

Artwork sold with American box in white color Danielle Maillet-Vila is a French artist born in 1945 who lives and works in Barbizon, France. She first moved into fashion industry an...

In creating this piece, I delved into the raw emotions of chaos and tranquility. Using acrylics, I layered sweeping gestures and bold splatters over serene whites and deep blacks, cr...

Carlos J. Tirado (born on April 3, 1964 in Caracas, Venezuela) is an artist, painter and sculptor who has developed a very personal and precise line of work linked to Neo-Pop art. With plenty of personal art exhibitions, Tirado has participated in numerous collective exhibitions, receiving different awards such as “III Premio de Escultura” del Certamen Aires de Córdoba in 2004 and other recognitions, among them, at the Venezuelan Embassy in DC (2005), and the X Latin Art Festival of Atlanta (2005). Childhood Tirado grew up in an upper-middle-class family environment. His inclination for the arts started from an early age. At 8 years old, he was already experimenting with tridimensional forms, creating molds out of cast lead from pieces previously gathered on the streets. These first artistic experiences led by his inquisitive nature, provided the ground to continue exploring the possibilities with different materials like wood, waste and plaster. His childhood games were centered around painting and sculpting, which played an important role that ranged from recreational to aesthetics. When Tirado turned 12 years of age, his parents agreed for him to attend private art classes with professor Javier Hernandez in Caracas. Later on, he realized that Art was a profession that required investment in materials, reason that led him to work at a furniture store painting landscapes and figurative art to decorate the exhibit room. He created numerous paintings of Caracas’ famous mountain: El Avila, and other art pieces that not only served as a source of income, but more importantly, led him to deepen his figurative expression. In 1985, he started drawing comic sets for a renowned newspaper El Diario de Caracas, alongside Jorge Blanco...

"Few More" Oil on Canvas with broad range of blues and sienna accented foreground. Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptor...