Items Similar to 'Abstract in Coral and Turquoise', Woman Artist, Pasadena
Want more images or videos?
Request additional images or videos from the seller
1 of 14
Pearl Took'Abstract in Coral and Turquoise', Woman Artist, Pasadena 1968
1968
About the Item
Oil abstract comprising interconnected organic shapes in variegated shades of turquoise, vermilion, coral, and lime, outlined in deep ebony.
Signed with monogram lower right, 'P.T.'. Additionally signed verso, 'Pearl Took' and dated November 1968.
Born in England, Pearl Took first studied at the Skipton Art School (1943-7) and, subsequently, at Sir John Cass College (1947-9). After immigrating to California in 1957, Took commenced her active career as a fine artist, also becoming an art teacher at Pasadena City College and a freelance illustrator with the Pasadena City News. As her painting style matured and evolved, she continued to further her studies, including at such prestigious institutions as the California State College, the Art Center of Design, the Otis Art Institute and the Parsons School of Design, among others. Over the course of a long career, Pearl Took was the recipient of numerous prizes and awards and exhibited with success, both at one-woman and group shows.
CREDENTIALS and PROFESSIONAL DEVELOPMENT COURSES
California State University, Humboldt, Set Design, Summer 1988
Otis Art Institute of Parsons School of Design, Fashion and commercial art courses, 1981
Art Center College of Design, Commercial art courses, 1980
California Community College Life Credential in Fine and Applied Arts, 1980
California Standard Designated Subjects Life Credential in Art, 1966
California State College, Los Angeles, educational theory courses,1966
SOLO EXHIBITIONS
Pasadena Municipal Court, 1978
National Society of Arts and Letters, Pasadena Chapter, 1977
Pasadena Star News,1977
Glendale YWCA
Altadena Public Library, for opening of new library building, April 1975
Paul Metcalf Gallery, Pasadena, 1971
Brand Library, Glendale, 1970
Pasadena Schools Federal Credit Union, 1969
Pasadena Public Library, 1968
Glendale College Library, 1968
Glendale Main Library, February 1967
Allegra Gallery, Los Angeles, 1966
Gallery 8, Pasadena, 1965
GROUP EXHIBITIONS
Chalk on the Walk, Pasadena City Hall, 1994
Glendale College Library, 1970
Pasadena City College
Natural Selection, Los Angeles
Pasadena Artists Association, Pasadena Public Library (in 1960s)
Pan Pacific Auditorium, Invitational Decorators and Home Furnishings Show, L. A., 1963
ARTS RELATED EMPLOYMENT
1963-2003 Pearl Took Studio. Several series of group and private classes.
1964-1982 Free-lance Illustrator. Clients included courtroom Illustrations for the Pasadena Star News and illustrations for The Gambling Times magazine and others.
1964-1980 Art Instructor, Pasadena City College. Taught Portraiture, Figure Study, Landscape, Drawing Fundamentals, Color Theory, Two Dimensional Design and related subjects using varied techniques and media. Initiated several innovative concepts in curriculum.
1965-1979 Art Instructor, Glendale College. Figure Study and Landscape Painting.
1966 Art Instructor, Glendale YWCA. Encaustic techniques.
1960s Art Instructor, West Los Angeles College. Experimental mixed media class. (in 1960s, exact dates unknown)
GUEST LECTURES
The Church of Truth, Pasadena, several in 1980s
Kaiser Permanente, severeal presentations
National Society of Arts and Letters, Pasadena Chapter, 1977
Altadena Public Library, 1975
Pasadena Public Library, ca 1968
Glendale Art Association, 1965
Television interview and exhibition, The Chucko Show, 1964
Pan Pacific Auditorium, Home Decorators Show, 1963
PUBLICATIONS
Clusters, Winter 2002, San Gabriel Valley Poetry Quarterly 14
Creative Writing Handbook, self published, 1998
Dreaming: Inside Out: a practical dream workbook, self published, 1996
SCHOLARSHIPS
London County Council Scholarship Awards:
1947-1950 Major County Award and 1945-1947 Major County award
1943-1945 Senior County Award; 1939-1943 Junior County Award
Courtesy of the Artist's website.
- Creator:Pearl Took (1928 - 2012, American)
- Creation Year:1968
- Dimensions:Height: 18 in (45.72 cm)Width: 23.63 in (60.03 cm)Depth: 0.13 in (3.31 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:paper mounted on board; unframed. shows well.
- Gallery Location:Santa Cruz, CA
- Reference Number:1stDibs: LU3442418373
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1982
1stDibs seller since 2013
626 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Santa Cruz, CA
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- 'Abstract in Coral and Ivory', New York School, Whitney Museum, WPA, Action OilBy Victor ThallLocated in Santa Cruz, CASigned lower right, 'Thall V' for Victor Thall (American, 1902-1983) and painted circa 1950. A mid-century, abstract oil comprising a centrally placed and expansive star-shaped form accompanied by jagged, linear elements and superimposed on a background of ivory and midnight-blue; a dynamic and elegant New York School work showcasing the artist's characteristic, energetic and painterly brushwork. Born in New York in 1902, Victor Thall first attended the Art Students League in New York City where he studied under Arthur B. Davies, George Bellows, John Sloan and Robert Henri. He furthered his studies at the Pennsylvania Academy of Fine Arts before leaving for Paris, in 1924, to attend the Ecole des Beaux Arts and the Academie Julien. He remained in France for six formative years before returning to the United States in the early 1930's. Back in New York, he became friendly with Willem de Kooning and Arshile Gorky and was both influenced and inspired by the ferment of ideas that developed around the New York School during the late 1940's and early 1950's. Thall was also an active participant in the WPA New Deal Art Project of New York City between 1935 and 1939 and returned to the Art Students League as a teacher from 1947-9. He exhibited widely and with success including at the Whitney Museum Annuals of 1949 and 1950 and the Leicester Gallery, London, in 1961. Victor Thall's paintings are held in numerous private and public collections including the permanent collections of the Brooklyn Museum and the Newark Museum and the artist is listed in all relevant reference works including Who Was Who in American Art. Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 3, p. 3273; Falk, Peter Hastings , ed. The Annual and Biennial Exhibition Record of the Whitney Museum of Art 1918-1989. (New York): Sound View Press, 1991; Levick, L.E., "A Guide to the Art Galleries," New York Journal American, May 23, 1964. Review of one-man show at Southampton Gallery; 1950 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1950; Coates, Robert M., "The Art Galleries: Paul Klee, The Whitney Annual, and John Marin, The New Yorker, December 31, 1949, pp. 42-43; 1949 Annual Exhibition of Contemporary American Painting. New York: Whitney; Museum of American Art, 1949; Lansford, Alonzo, "Thall at Binet," The Art Digest' December 15, 1947, ill; Upton, Melville, "George Binet Gallery," Sun, December 13, 1947; Devree, Howard, "Victor Thall at the Binet Gallery," New York Times, December 10, 1947; "Victor Thall at Binet Gallery," Art News, December 1947, p. 59; Oil Paintings by Victor Thall, New York: George Binet Gallery, 1947; et al. Select Exhibitions: 1968 DePoliolo Gallery, Palm Springs 1965 Studio Gallery, Naples, Florida 1964 L’lnstitute Francais d’Haiti 1964 Summit Gallery, New York City 1964 Southampton Gallery, New York City 1963 Guildhall Gallery, Chicago 1961 Leicester Gallery, London 1950 Whitney Museum , New York City 1949 Whitney Museum, New York City 1947 Binet Gallery, New York City 1946 Chinese...Category
1950s Abstract Expressionist Abstract Paintings
MaterialsPaper, Oil, Cardboard
- 'Abstract in Lilac and Blue', Whitney Museum, New York School, WPABy Victor ThallLocated in Santa Cruz, CASigned lower left, 'Thall V' for Victor Thall (American, 1902-1983) and painted circa 1950. A mid-century, American abstract oil comprising complex, contiguous and superimposed, linear and ovoid forms painted with an energetic and painterly brush in primary and secondary colors in both pure and pastel tints. Born in New York in 1902, Victor Thall first attended the Art Students League in New York City where he studied under Arthur B. Davies, George Bellows, John Sloan and Robert Henri. He furthered his studies at the Pennsylvania Academy of Fine Arts before leaving for Paris, in 1924, to attend the Ecole des Beaux Arts and the Academie Julien. He remained in France for six formative years before returning to the United States in the early 1930's. Back in New York, he became friendly with Willem de Kooning and Arshile Gorky and was both influenced and inspired by the ferment of ideas that developed around the New York School during the late 1940's and early 1950's. Thall was also an active participant in the WPA New Deal Art Project of New York City between 1935 and 1939 and returned to the Art Students League as a teacher from 1947-9. He exhibited widely and with success including at the Whitney Museum Annuals of 1949 and 1950 and the Leicester Gallery, London, in 1961. Victor Thall's paintings are held in numerous private and public collections including the permanent collections of the Brooklyn Museum and the Newark Museum and the artist is listed in all relevant reference works including Who Was Who in American Art. Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 3, p. 3273; Falk, Peter Hastings , ed. The Annual and Biennial Exhibition Record of the Whitney Museum of Art 1918-1989. (New York): Sound View Press, 1991; Levick, L.E., "A Guide to the Art Galleries," New York Journal American, May 23, 1964. Review of one-man show at Southampton Gallery; 1950 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1950; Coates, Robert M., "The Art Galleries: Paul Klee, The Whitney Annual, and John Marin, The New Yorker, December 31, 1949, pp. 42-43; 1949 Annual Exhibition of Contemporary American Painting. New York: Whitney; Museum of American Art, 1949; Lansford, Alonzo, "Thall at Binet," The Art Digest' December 15, 1947, ill; Upton, Melville, "George Binet Gallery," Sun, December 13, 1947; Devree, Howard, "Victor Thall at the Binet Gallery," New York Times, December 10, 1947; "Victor Thall at Binet Gallery," Art News, December 1947, p. 59; Oil Paintings by Victor Thall, New York: George Binet Gallery, 1947; et al. Select Exhibitions: 1968 DePoliolo Gallery, Palm Springs 1965 Studio Gallery, Naples, Florida 1964 L’lnstitute Francais d’Haiti 1964 Summit Gallery, New York City 1964 Southampton Gallery, New York City 1963 Guildhall Gallery, Chicago 1961 Leicester Gallery, London 1950 Whitney Museum , New York City 1949 Whitney Museum, New York City 1947 Binet Gallery, New York City 1946 Chinese...Category
1950s Abstract Expressionist Abstract Paintings
MaterialsCardboard, Paper, Oil
- 'Biomorphic Abstract', NYMoMA, Paris, XXXII Venice Biennale, MALI, Lima, PeruBy Emilio Rodríguez LarraínLocated in Santa Cruz, CASigned, lower right, 'E.R. Larrain' for Emilio Rodríguez Larraín (Peruvian, 1928-2015), and inscribed 'Roma, Nov 1963, Enero 1964'. (Rome, Nov 1963-January 1964). Verso titled, "L'Homme C'est Sujet à Errer" (Man Tends to Wander), and bearing the artist's self-portrait in india ink and wash. Exhibited: XXXII Venice Biennale, 1964. (original exhibition label verso) Previously with Staempfli Galleries, New York. This painting is registered in the Archives of American Art as 'Staempfli Gallery, inventory #775'. A monumental and historically distinguished work by this groundbreaking Peruvian Modernist who drew inspiration from Peruvian indigenous and pre-colonial culture. The paintings of Emilio Rodríguez Larraín are held in the permanent collections of museums worldwide including the Musée de la Ville de Paris, Peru's Museo de Arte de Lima and the Museum of Modern Art in New York. This painting was selected by the Peruvian Government for exhibition at the XXXII Venice Biennale in 1964 and is the largest single recorded work by the artist. Emilio Rodríguez Larraín received his Bachelors of Architecture in 1949 from Peru's Universidad Nacional de Ingeniería and held his first solo exhibition in Lima after visiting Europe in 1950. In 1951, he returned to Europe in the company of the artists Alfredo Ruiz Rosas and Joaquín Roca Rey...Category
1960s Abstract Abstract Drawings and Watercolors
MaterialsFiberboard, Laid Paper, Oil
- 'Still Life', Bay Area Abstraction, Metropolitan Museum, SFMOMA, LACMA, AbstractBy Douglas McclellanLocated in Santa Cruz, CASigned lower right, 'DMc', for Douglas McCellan (American, 1921-2016) and painted circa 1975. Additionally signed, verso, titled, 'Still Life' and bearing old rental reference label....Category
1970s Abstract Abstract Paintings
MaterialsPaper, Acrylic Polymer, Oil, Board
- 'Abstract in Seafoam and Coral', Salon d'Automne, Académie Chaumière, MoMABy Albert AbramovitzLocated in Santa Cruz, CAOil and paper assemblage abstracted seascape comprised of layers of cut and torn paper with printed patterns, images, and text, overlapped by dynamic fields of sea-foam green, coral,...Category
1960s Abstract Mixed Media
MaterialsPaper, Oil, Board
- 'Abstract in Coral and Jade', Painters Eleven, Ontario, Canadian Modernist OilBy Hortense Mattice GordonLocated in Santa Cruz, CASigned lower left, 'Hortense M. Gordon' for Hortense Crompton Mattice Gordon (Canadian, 1886-1961) and dated 1949. Previously with: Dominion Gallery of Montreal (stamp, verso). Phot...Category
1940s Abstract Abstract Paintings
MaterialsOil, Board
You May Also Like
- UntitledLocated in Barcelona, ESIncludes a Certificate of AuthenticityCategory
1980s Abstract Abstract Paintings
MaterialsCardboard, Paper, Oil
- Entrando en la cuevaLocated in Barcelona, ESIncludes a Certificate of AuthenticityCategory
1980s Abstract Abstract Paintings
MaterialsPaper, Oil, Cardboard
- Abstract Landscape "Storm" Oil Painting British Artist David LeverettBy David LeverettLocated in Surfside, FLDavid Leverett (British, B. 1938) Storm. signed lower right. Provenance: Merrill Chase Galleries, Chicago 22" x 29.5" Frame: 28.25" x 35.5" DAVID LEVERETT British, born 1938 Known for his abstracts in acrylic as well as for his collages, David Leverett studied at Nottingham College of Art, 1957-61, and at the Royal Academy Schools from 1961-64. David Leverett was working as a designer and scenic design assistant before painting and teaching from 1965. In 1966 he had the first of a series of shows at the Redfern Gallery, London. David Leverett has taught widely in England and abroad and he was a Visiting Artist at the Royal Academy Schools, the Royal College of Art and at Hornsey College of Art, London. David Leverett has participated in many significant exhibitions including: 1966, Young Contemporaries 1967, John Moores Liverpool Exhibition 1968, Britain Painting and Sculpture, Whitechapel Art Gallery...Category
20th Century Abstract Landscape Paintings
MaterialsPaper, Oil, Board
- "Unfinished Story", Contemporary Expressionist Modern Self-PortraitBy Alexander GoreLocated in Soquel, CAEvocative and expressive contemporary self portrait titled "Unfinished Story" by Alexander Gore (Russian, b. 1958), 2010. Signed upper left edge. Unframed. Image, 15"H x 11"W. Ale...Category
21st Century and Contemporary Abstract Expressionist Figurative Paintings
MaterialsOil, Paper, Cardboard
- "Two for Francis" Mixed Media Figural Abstract Oil PaintingBy Marianne KolbLocated in Surfside, FLMarianne Kolb (born 1958 in Bern) is a self-taught Swiss painter currently living in the United States. She is known for her emotionally-charged figurative paintings that address the human condition. Kolb paints directly onto canvas with her hands, placing her figures in isolation on a monochromatic...Category
Early 2000s Abstract Impressionist Abstract Paintings
MaterialsOil, Board, Paper, Varnish
- Después del desiertoLocated in Barcelona, ESIncludes a Certificate of AuthenticityCategory
1980s Abstract Abstract Paintings
MaterialsPaper, Oil, Cardboard