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Philip WoffordDutch, large Abstract Expressionist painting, from the Andre Emmerich gallery1975
1975
About the Item
PHILIP WOFFORD
Dutch (Andre Emmerich Gallery), 1975
Acrylic on Canvas painting
73 inches x 73 inches x 2 inches
Hand signed, titled and dated on the verso
This is a unique painting
Framed included: stretched to the artist's original vintage wood frame
Abstract Expressionist painter Philip Wofford was a longtime professor of art at Bennington College, teaching alongside Motherwell, Frankenthaler, Noland. This work bears the original Andre Emmerich Gallery label, visible but torn.
Philip Wofford Biography:
Philip Wofford (b. 1935, Van Buren, AZ) was born in Van Buren, Arizona in 1935. He received his BFA from the University of Arkansas in 1957 and his Masters Degree from the University of California, Berkeley in 1958.
His work has been exhibited at several prominent institutions, including the Museum of Modern Art, The Whitney Museum of American Art, New York; the San Francisco Museum of Art; the Houston Museum of Contemporary Art; The Fogg Museum, Harvard University, Cambridge; and Yale University, New Haven.
Wofford's work is represented in the collections of the Whitney Museum of American Art, New York; the Carnegie Museum of Art, Pittsburgh; the RISD Museum, Providence; the the Weatherspoon Art Museum, Greensboro; and the Hood Museum of Art, Dartmouth, Hanover, among others.
Philip Wofford was a prominent member of the Lyrical Abstraction movement of the 1960s and 70s. His works have been celebrated for their visually primal energy and for exploring themes of duality and conflict.
Wofford paints on an impressive scale, with bright forms set against a white background. These forms overlap and twist around one another, creating an illusionist space that oscillates between flat and dimensional. His marks are intuitive, yet maintain an overall form much like those found in the works of Jean Pousette-Dark and Willem de Kooning.
- Creator:Philip Wofford (1935, American)
- Creation Year:1975
- Dimensions:Height: 73 in (185.42 cm)Width: 73 in (185.42 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:very good vintage condition; there may be some craquelure visible up close but otherwise good.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745213567942
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From Wiki:
Jack Wolfe (14 January 1924 – 18 November 2007) was a 20th-century American painter most known for his abstract art, portraiture, and political paintings. Jack Wolfe was born in Omaha, Nebraska on January 14, 1924, to Blanche and Everett L. Wolfe. Soon after his birth, his family moved to Brockton, MA. At 18, Wolfe had an interest in commercial illustration, which he pursued at the Rhode Island School of Design (RISD). However, upon matriculating at RISD in 1942, he developed an interest in fine art and painting inspired by an exhibition of modern French art. He described this change of direction, explaining that, "One day, for the first time, I saw an exhibition of modern French art. It was like being struck by lightning." He became particularly interested in the work of a number of European modernists, including Rouault, Cézanne, Braque, Modigliani, and Picasso.[1] Following his time at RISD, he pursued a Master’s in Fine Arts degree at the Museum of Fine Arts School in Boston, MA. At the Museum School, Wolfe studied under the renowned Expressionist Karl Zerbe, a German-born artist who was the Museum School's most influential and vital teacher until 1953.[2] After graduating from the Museum School, Wolfe was represented by the Margaret Brown Gallery in Boston, which also represented many other cutting edge Moderns that defied the more conservative tastes of New England collectors at the time, including György Kepes, Congur Metcalf, and Alexander Calder.[3]
Career and Museum Representation
Jack Wolfe's painting "Robin's Rock" 1962, 72" x 72"
Jack Wolfe's artwork received early recognition from a number of organizations and was consistently featured in influential exhibitions, including the 1955 Carnegie International at the Carnegie Institute in Pittsburgh, PA, the American Federation of Art's traveling exhibition New Talent in the USA in 1956-57, the Whitney Museum’s Young America exhibition in 1957,[4] the Boston Institute of Contemporary Art's Selection exhibition in 1957,[5] and both the Whitney Museum’s 1958 Annual exhibition and its Forty Artists Under Forty show in 1962-63.[6] In 1959, his widely acclaimed Portrait of Abraham Lincoln toured Europe in a show circulated by the Institute of Contemporary Art, Boston. In addition, his painting Crucifixion was chosen by the United States Information Agency to be exhibited across Europe, including being shown at the Salzburg Biennial in Austria in 1958.[7] Crucifixion was also exhibited at the Whitney Museum and subsequently displayed in the National Cathedral in Washington, DC, in 1958.[8] In 1966-67, his work was selected for Art for Embassies by the U.S. State Department.[9] He received the first annual Margaret Brown Memorial Award for high achievement by a New England Artist from the Institute of Contemporary Art, Boston, in 1958.[10]
With his future as one of the great artists of his time laid out neatly before him, Wolfe moved to New York in the early 1950s, which was then the postwar epicenter of the art world and in the midst of experiencing the first real revolution in American Art, now known as Abstract Expressionism.[11] However, almost immediately upon his arrival, he became disenfranchised with the overtly commercial nature of the art scene there, spurning fame and security in an unwillingness to bend his creative vision to the expectations of others.[12] After four short months, he left New York, returned to Massachusetts where he bought property in Stoughton, cleared the land, and built both his home and studio with his own two hands. He would go on to live and paint there, extensively exhibiting and garnering constant critical acclaim.[13]
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