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Pierre CoquetAbstract Composition – Original Oil on Board – 18.9 x 18.9 in
$2,955.45
£2,225.15
€2,500
CA$4,078.96
A$4,569.34
CHF 2,376.62
MX$55,736.52
NOK 30,257.59
SEK 28,530.75
DKK 19,032.50
About the Item
"A textured symphony of dark tones and vibrant accents, revealing the rhythmic depth of French mid-century abstraction."
Pierre Coquet (1926–2021)
Abstract Composition
Oil on board, 48 x 48 x 2 cm (18.9 x 18.9 x 0.8 in)
Framed in a black-painted wooden floating frame: 53 x 53 x 3.5 cm (20.9 x 20.9 x 1.4 in)
This powerful abstract painting by French artist Pierre Coquet is composed of thick brushstrokes applied in dense, diagonal vertical streaks across the canvas. The richly textured surface features a bold palette dominated by dark gray, brown, and slate blue, energized by vibrant accents of off-white, pale yellow, orange, brick red, and pale pink. The repeated short, curved shapes build a rhythmic, layered composition without obvious symmetry, emphasizing a lively, tactile presence. Signed "P. Coquet" at the bottom right, the artwork is framed in an elegant black-painted floating frame.
Deeply influenced by Nicolas de Staël and Lanskoy, Coquet developed a unique approach to lyrical abstraction, where texture, balance, and emotional resonance unite seamlessly.
An ideal acquisition for collectors seeking textured, evocative abstraction with a true French mid-century spirit.
Provenance: Artist’s studio (stamped and numbered verso – A304)
Condition: Excellent
Includes certificate of authenticity
- Creator:Pierre Coquet (1926 - 2021, French)
- Dimensions:Height: 18.9 in (48 cm)Width: 18.9 in (48 cm)Depth: 0.79 in (2 cm)
- More Editions & Sizes:Original workPrice: $2,955
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Montfort l’Amaury, FR
- Reference Number:1stDibs: LU1806216111382
Pierre was very sensitive to abstract paintings. He did a lot of abstract works melting colors and shapes in different atmosphere and style. Nevertheless he could come back to figuration and again to abstraction with no precise period of time. Abstract paintings by Pierre Coquet represent a large part of his production.
The constant search for balance between shapes and colors as well as his passion for Nicolas de Staël, André Lanskoy, Alfred Mannessier… takes him on different paths from what we know of him.
His way of painting is strong and thoughtful, the lines stretch out and the harmonious touches, applied with sobriety, reveal a great sense of color.
Provenance : Workshop of the artist (stamped and numbered on the back)
Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France.
He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin. He won a prize in 1945 and joined a movement that wanted to be outside of any school whose name ends with “ism”, (like impressionism, cubism…) between figuration and the renaissance of Abstract Art, bringing together young generations under thirty and eager not to submit to any technique. The “Sanzism” (literally without « ism ») will bring together, among others, painters: James Bansac, Roger Bravard, André Chaix, Jean Mélinand, Paul Clair, André Cottavoz, Pierre Doye, Jean Fusaro, Jacques Truphémus, André Lauran, Edouard Mouriquand, Pierre Palué, Paul Philibert-Charrin, Antoine Sanner and Françoise Juvin. The latter will become his wife in 1948.
In 1949, he participated in an exhibition in Geneva, at the Musée de l'Athénée, entitled "Eleven French painters" with Jacques Truphémus and Jean Fusaro. Françoise and Pierre moved to Paris in 1950. There he met Alexandre Garbell, who encouraged him and whom he attended classes in his academy on Boulevard de Clichy. Working as an art teacher at the Corvisart school in Paris he painted a lot beside this activity. His main subjects are “assemblages of objects” which evoke the memory of Giorgio Morandi, the roofs of Paris, still lifes, characters in situation, and abstraction. This sincere and modest man, turned inward in a climate of deep meditation, likes to express his feeling that “all painters encounter the same difficulties in wanting to express unspeakable emotions with painting. Everything is possible, at the condition it is true ” use to say Pierre.
I have known Pierre for a long time and organized several exhibition with their paintings. I am now taking care of the whole workshop providing beautifiul figurative and abstract works, paintings and many drawings with various sizes. Pierre was always working in his workshop, everyday, he needed it, painting was something vital to him.
Paintings by Pierre Coquet are kept in the Museum Paul Dini in Villefranche. This well know museum has often exhibited works by the group « Sanzistes ».
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He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin. He won a prize in 1945 and joined a movement that wanted to be outside of any school whose name ends with “ism”, (like impressionism, cubism…) between figuration and the renaissance of Abstract Art, bringing together young generations under thirty and eager not to submit to any technique. The “Sanzism” (literally without « ism ») will bring together, among others, painters: James Bansac, Roger Bravard, André Chaix, Jean Mélinand, Paul Clair, André Cottavoz, Pierre Doye, Jean Fusaro, Jacques Truphémus, André Lauran, Edouard Mouriquand, Pierre Palué, Paul Philibert-Charrin, Antoine Sanner and Françoise Juvin. The latter will become his wife in 1948.
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His main subjects are “assemblages of objects” which evoke the memory of Giorgio Morandi, the roofs of Paris, still lifes, characters in situation, and abstraction. This sincere and modest man, turned inward in a climate of deep meditation, likes to express his feeling that “all painters encounter the same difficulties in wanting to express unspeakable emotions with painting. Everything is possible, at the condition it is true ” use to say Pierre.
I have known Pierre for a long time and organized several exhibition with their paintings. I am now taking care of the whole workshop providing beautifiul figurative and abstract works, paintings and many drawings with various sizes. Pierre was always working in his workshop, everyday, he needed it, painting was something vital to him.
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Pierre was very sensitive to abstract paintings. He did a lot of abstract works melting colors and shapes in different atmosphere and style. Nevertheless he could come back to figuration and again to abstraction with no precise period of time.
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The constant search for balance between shapes and colors as well as his passion for Nicolas de Staël, André Lanskoy, Alfred Mannessier… takes him on different paths from what we know of him.
His way of painting is strong and thoughtful, the lines stretch out and the harmonious touches, applied with sobriety, reveal a great sense of color.
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