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Pierre Morquin"Djinn quintupled" abstract acrylic on canvas 207x148cm 20232023
2023
$6,081.66
$7,602.0720% Off
£4,536.02
£5,670.0320% Off
€5,200
€6,50020% Off
CA$8,338.69
CA$10,423.3620% Off
A$9,367.57
A$11,709.4720% Off
CHF 4,985.32
CHF 6,231.6420% Off
MX$115,833.64
MX$144,792.0520% Off
NOK 60,746.63
NOK 75,933.2920% Off
SEK 58,733.27
SEK 73,416.5920% Off
DKK 39,562.88
DKK 49,453.6020% Off
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About the Item
In this abstract painting, Pierre Morquin explores the notion of the afterlife. The five geometric shapes occupying the center of the canvas evoke djinns, supernatural creatures from Arab mythology. They are painted in bright, luminous colors, suggesting an atmosphere of joy and mystery.
The geometric shapes are arranged to create an effect of movement and dynamism. They seem to swirl and merge into one another, as if to represent the soul's passage between the two worlds. The warm, intense colors help create an atmosphere of wonder and spirituality.
The viewer is invited to immerse himself in this dreamlike vision and let his imagination run wild. The painting is a call to reflect on life after death, the mystery of existence and the nature of the soul.
Djinn quintuplé is a powerful, moving painting that invites the viewer on an inner journey. It's an original, unique work that deserves to be discovered.
- Creator:Pierre Morquin (French)
- Creation Year:2023
- Dimensions:Height: 58.27 in (148 cm)Width: 81.5 in (207 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Saint Pol de Léon, FR
- Reference Number:1stDibs: LU1501213137662
Using different techniques (acrylic, spray, oil pastels, charcoals) and supports (coated canvas or not, assembled wood) I trace my path between abstract expressionism, a decisive Aboriginal inspiration, modern influences, urban and my youth in Africa. It is a set of contemporary painters who, through Hélène Frankenthaler, Cy Twombly, Basquiat, Kikuo Saito to Oscar Murillo, Joe Bradley, Ida Ekblad, André Butzer..., inspires me. When I paint I make incursions into my reason, my knowledge and then I let myself be carried away by shapes, colors and emotion. The painting then comes of itself, a form by leading to another, a color by calling another until an imbalance of tasks and traits speaks to me and finally satisfies (but momentarily...) the hope that creation has generated in me.
As the idea is and remains intuitive, the artist is not aware in abstracto of the intention and purpose of his work: it is not a concept, but an idea that guides him: so he cannot give any explanation of his way of doing things: he works, as we say unconsciously, actually instinctively.”
Schopenhauer, The World as Will and Representation
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