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Pierre Morquin"Invasion" abstract acrylic on canvas 146x114cm 20222022
2022
About the Item
"Invasion" est une peinture abstraite dynamique et colorée qui évoque un sentiment de mouvement, d'énergie et de violence.
In his painting "Invasion", Pierre Morquin plunges us into an abstract universe bursting with colour. A multitude of shapes and motifs blend together in a complex, dynamic composition. Vivid, saturated colours such as red, yellow and blue create an intense, explosive atmosphere.
The canvas evokes a sense of movement and energy. The forms seem to move and transform before our eyes. It's as if you're in the middle of a battle or an explosion.
The title of the painting, 'Invasion', is in keeping with this impression of chaos and violence. The artist seems to want us to feel the strength and power of creation.
"Invasion" is a dynamic, colourful abstract painting that evokes a feeling.
- Creator:Pierre Morquin (French)
- Creation Year:2022
- Dimensions:Height: 57.49 in (146 cm)Width: 44.89 in (114 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Saint Pol de Léon, FR
- Reference Number:1stDibs: LU1501211257532
Using different techniques (acrylic, spray, oil pastels, charcoals) and supports (coated canvas or not, assembled wood) I trace my path between abstract expressionism, a decisive Aboriginal inspiration, modern influences, urban and my youth in Africa. It is a set of contemporary painters who, through Hélène Frankenthaler, Cy Twombly, Basquiat, Kikuo Saito to Oscar Murillo, Joe Bradley, Ida Ekblad, André Butzer..., inspires me. When I paint I make incursions into my reason, my knowledge and then I let myself be carried away by shapes, colors and emotion. The painting then comes of itself, a form by leading to another, a color by calling another until an imbalance of tasks and traits speaks to me and finally satisfies (but momentarily...) the hope that creation has generated in me.
As the idea is and remains intuitive, the artist is not aware in abstracto of the intention and purpose of his work: it is not a concept, but an idea that guides him: so he cannot give any explanation of his way of doing things: he works, as we say unconsciously, actually instinctively.”
Schopenhauer, The World as Will and Representation
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