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Pierre Morquin"Unfinished" abstract acrylic on canvas 162x130cm 20222022
2022
$3,340.02
$4,175.0220% Off
£2,435.98
£3,044.9820% Off
€2,800
€3,50020% Off
CA$4,579.84
CA$5,724.8020% Off
A$5,113.53
A$6,391.9120% Off
CHF 2,683.01
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MX$63,109.99
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NOK 33,725.83
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About the Item
In his painting "Unfinished", Pierre Morquin invites us to contemplate an abstract canvas with bright, contrasting colours. The geometric shapes, with their blurred contours, seem to melt into one another, creating a sense of energy and movement.
The artist himself describes his painting as "a canvas that speaks of moving barriers, of energy that escapes, of inner things that cannot be contained". In this way, he evokes the idea of potentiality, of what could happen, what remains in suspense.
Unfinished" is not easily interpreted. Viewers are free to see in it what they want, to project their own emotions and thoughts. They may see it as a representation of nature, of the elements, of life itself. They may also see it as a metaphor for the human soul, its strengths and weaknesses, its aspirations and fears.
Whatever the case, 'Unfinished' is a powerful and enigmatic work that invites reflection. It is an invitation to explore our own imaginations and give free rein to our creativity.
An abstract painting in bright, contrasting colours, evoking potentiality, movement and energy.
- Creator:Pierre Morquin (French)
- Creation Year:2022
- Dimensions:Height: 63.78 in (162 cm)Width: 51.19 in (130 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Saint Pol de Léon, FR
- Reference Number:1stDibs: LU1501211345992
Using different techniques (acrylic, spray, oil pastels, charcoals) and supports (coated canvas or not, assembled wood) I trace my path between abstract expressionism, a decisive Aboriginal inspiration, modern influences, urban and my youth in Africa. It is a set of contemporary painters who, through Hélène Frankenthaler, Cy Twombly, Basquiat, Kikuo Saito to Oscar Murillo, Joe Bradley, Ida Ekblad, André Butzer..., inspires me. When I paint I make incursions into my reason, my knowledge and then I let myself be carried away by shapes, colors and emotion. The painting then comes of itself, a form by leading to another, a color by calling another until an imbalance of tasks and traits speaks to me and finally satisfies (but momentarily...) the hope that creation has generated in me.
As the idea is and remains intuitive, the artist is not aware in abstracto of the intention and purpose of his work: it is not a concept, but an idea that guides him: so he cannot give any explanation of his way of doing things: he works, as we say unconsciously, actually instinctively.”
Schopenhauer, The World as Will and Representation
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