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Pierre Morquin"Unpredictable djinn" abstract acrylic, spray, charcoal, 162x130cm 20232023
2023
About the Item
With "Djinn imprévisible", Pierre Morquin plunges us into a dreamlike, phantasmagorical universe. Bright colors and abstract shapes create an atmosphere of mystery and suspense. The painting evokes a strange, unknown world, where the laws of physics don't seem to apply.
The composition is dynamic and fluid. Shapes merge into one another, creating an effect of movement and depth. Vivid, contrasting colors reinforce the sense of energy and excitement.
The painting's title, "Djinn imprévisible", suggests that the work represents a supernatural being, mysterious and elusive. The djinn is a character from Arab mythology, often depicted as a powerful, capricious spirit. In Morquin's painting, the djinn is embodied by an abstract form, which seems both menacing and fascinating.
Morquin's work is an invitation to contemplation and reflection. It invites us to question the nature of reality and life after death.
Pierre Morquin invites us on a journey into a dreamlike, phantasmagorical universe, to meet an unpredictable djinn.
- Creator:Pierre Morquin (French)
- Creation Year:2023
- Dimensions:Height: 63.78 in (162 cm)Width: 51.19 in (130 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Saint Pol de Léon, FR
- Reference Number:1stDibs: LU1501212802142
Using different techniques (acrylic, spray, oil pastels, charcoals) and supports (coated canvas or not, assembled wood) I trace my path between abstract expressionism, a decisive Aboriginal inspiration, modern influences, urban and my youth in Africa. It is a set of contemporary painters who, through Hélène Frankenthaler, Cy Twombly, Basquiat, Kikuo Saito to Oscar Murillo, Joe Bradley, Ida Ekblad, André Butzer..., inspires me. When I paint I make incursions into my reason, my knowledge and then I let myself be carried away by shapes, colors and emotion. The painting then comes of itself, a form by leading to another, a color by calling another until an imbalance of tasks and traits speaks to me and finally satisfies (but momentarily...) the hope that creation has generated in me.
As the idea is and remains intuitive, the artist is not aware in abstracto of the intention and purpose of his work: it is not a concept, but an idea that guides him: so he cannot give any explanation of his way of doing things: he works, as we say unconsciously, actually instinctively.”
Schopenhauer, The World as Will and Representation
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