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Pierre Morquin"Urbain assembly" abstract acrylic on canvas 89x116cm 20212021
2021
About the Item
In this abstract painting, Pierre Morquin invites us to take a stroll through a city in motion. Colorful geometric shapes intermingle, creating a dynamic, vibrant whole. Bright colors like red, yellow and blue evoke the vitality and energy of the city. Geometric shapes, such as triangles, rectangles and circles, suggest buildings, streets and avenues.
The painting is in constant evolution, as the viewer's gaze moves. Shapes transform, colors blend and perspectives change. The artist invites us to explore the painting, to discover it in different ways.
"Urban Assembly" is a stimulating work that invites us to reflect on our urban environment. It reminds us that the city is a place of life, movement and change.
Summary
An abstract canvas with vivid colors and geometric shapes that evokes the vitality and energy of a city in motion.
- Creator:Pierre Morquin (French)
- Creation Year:2021
- Dimensions:Height: 35.04 in (89 cm)Width: 45.67 in (116 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Saint Pol de Léon, FR
- Reference Number:1stDibs: LU1501210329732
Using different techniques (acrylic, spray, oil pastels, charcoals) and supports (coated canvas or not, assembled wood) I trace my path between abstract expressionism, a decisive Aboriginal inspiration, modern influences, urban and my youth in Africa. It is a set of contemporary painters who, through Hélène Frankenthaler, Cy Twombly, Basquiat, Kikuo Saito to Oscar Murillo, Joe Bradley, Ida Ekblad, André Butzer..., inspires me. When I paint I make incursions into my reason, my knowledge and then I let myself be carried away by shapes, colors and emotion. The painting then comes of itself, a form by leading to another, a color by calling another until an imbalance of tasks and traits speaks to me and finally satisfies (but momentarily...) the hope that creation has generated in me.
As the idea is and remains intuitive, the artist is not aware in abstracto of the intention and purpose of his work: it is not a concept, but an idea that guides him: so he cannot give any explanation of his way of doing things: he works, as we say unconsciously, actually instinctively.”
Schopenhauer, The World as Will and Representation
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