Ram Kumar

Abstract, Drawing, Pen & Ink on Paper by Modern Indian Artist "In Stock"

1968

Sunil Das - Penographic II - 17 x 13 inches (unframed size) Penographic Series. Single Edition 1 / 1 (each). ( Unframed & Delivered ) Sunil Das (1939-2015) was a Master Modern India...

Sunil Das - Penographic III - 17 x 13 inches (unframed size) Penographic Series. Single Edition 1 / 1 (each). ( Unframed & Delivered ) Sunil Das (1939-2015) was a Master Modern Indi...

Sunil Das - Penographic I - 17 x 13 inches (unframed size) Penographic Series. Single Edition 1 / 1 (each). ( Unframed & Delivered ) Sunil Das (1939-2015) was a Master Modern Indian...

Amitabh Sengupta - Untitled - 22.5 x 30.5 inches (unframed size) Mixed Media on Board, 2015 Inclusive of shipment in roll form. Style : In Amitabh SenGupta's works TIME is depicted ...

Amitabh Sengupta - Untitled - 22.5 x 30.5 inches (unframed size) Mixed Media on Board, 2015 Inclusive of shipment in roll form. Style : In Amitabh SenGupta's works TIME is depicted ...

Jogen Chowdhury - Untitled - 12 x 16 inches (unframed size) Ink on Paper, 2022 Signed in Bengali Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well. In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist and his work : Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background : His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education : 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience : 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions : 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi. 1979: The Sao Paolo Biennale. 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale. 1989: ‘Festival of India’, in Geneva. 2002: Saffron...

13.1.16 (Abstract Drawing) Pen and inkjet on paper - Unframed. Richard Caldicott drawings have a minimal esthetic, an architectural character, created with only one or two lines. P...

19.6.17 (Abstract drawing) Pen and inkjet on paper - Unframed. Richard Caldicott drawings have a minimal esthetic, an architectural character, created with only one or two lines. P...

13.1.16 (Abstract Drawing) Pen and inkjet on paper - Unframed. Richard Caldicott drawings have a minimal esthetic, an architectural character, created with only one or two lines. P...

Pen and inkjet on paper - Unframed. Richard Caldicott drawings have a minimal esthetic, an architectural character, created with only one or two lines. Pastel tones, softened colors...

"Laser Beams from Star Cities" Felt Tip Pen Drawing on Canvas by Contemporary British Artist. This unique original depicts an imagined abstract interpretation of a distant planet in ...

Abstract geometric drawing by early Houston. TX artist Robert Preusser. The work features bursts of lines and colors that create movement throughout the composition. Signed and date...