Rana Rochat

Untitled NZ 256

2017

Mary Marley's “Preface That” is a 12 X 12 X 2 inch encaustic painting with touches of red, blue and teal on a visually textured background that is part of her “Transient” series. Th...

In this large abstract encaustic (pigmented beeswax) monotype on Japanese kikura paper, bands of rich and vibrant colors in bright orange, periwinkle blue, deep cobalt and mossy gree...

Marti Somers Rice Bowl (an Asian inspired image with chopsticks and a bowl of rice) with fish. hand written poem verso. 24 X 24 inches A California artist, Somers received her BFA at the University of Hawaii. She returned to California and worked as a graphic designer at Stanford University and was a principal at Artefact Design in Palo Alto. But ultimately turned to painting. She opened Studio Believe in San Carlos and co-founded Somersault Studios, a non-profit publishing venture to benefit the arts of Northern California. Somers’ sensibility is both poetic and suggestive. Her scrapbook-like merger of natural images (both painted and collage) and writing, rendered in tactile, fragrant wax-based encaustic paint, is seductive and convincing. Rich compilations of vintage images, words, colors, and textures. Flowers, trees, and leaves share the space in each picture with animals, fragments of patterned paper, layers of thin oil paint over thick, glazes that partially obscure one layer and provide a new layer to work with. Stylized flowers, butterflies and birds appear prominently within Somers’ heavily textured, ‘antiqued’ bands of color and pattern. Robert Rauschenberg meets Odilon Redon in her assemblage juxtapositions of dreamy words and images. She has exhibited her work at Caldwell Snyder...

Marti Somers Surrealist dream imagery with fish 24 X 24 inches A California artist, Somers received her BFA at the University of Hawaii. She returned to California and worked as a graphic designer at Stanford University and was a principal at Artefact Design in Palo Alto. But ultimately turned to painting. She opened Studio Believe in San Carlos and co-founded Somersault Studios, a non-profit publishing venture to benefit the arts of Northern California. Somers’ sensibility is both poetic and suggestive. Her scrapbook-like merger of natural images (both painted and collage) and writing, rendered in tactile, fragrant wax-based encaustic paint, is seductive and convincing. Rich compilations of vintage images, words, colors, and textures. Flowers, trees, and leaves share the space in each picture with animals, fragments of patterned paper, layers of thin oil paint over thick, glazes that partially obscure one layer and provide a new layer to work with. Stylized flowers, butterflies and birds appear prominently within Somers’ heavily textured, ‘antiqued’ bands of color and pattern. Robert Rauschenberg meets Odilon Redon in her assemblage juxtapositions of dreamy words and images. She has exhibited her work at Caldwell Snyder...

Silk Road 261 is an aqua green and pale yellow encaustic (pigmented beeswax) painting on birch panel with an aqua edge. Signed, dated and titled on verso. Joanne Mattera’s paintings...

This is a vibrant teal blue and light green encaustic (pigmented beeswax) painting on birch panel is accented with luminous lime green details along the edge. Signed, dated and title...