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Richard Hennessy1979 Large Colorful Abstract Oil Painting "Nightlife" Jazz Inspired Art1979
1979
About the Item
Richard Hennessy, 1972. Born in Rochester, NY, in 1941, Hennessy began as a gifted concert pianist studying at the Eastman School of Music from 1954-1959. He went on to study art history at the Institute of Fine Arts, New York University, from 1963-66, after which he began his career as a fine artist. His early paintings were quickly admired and supported by Henry Geldzahler, curator of Modern Art at the Metropolitan Museum of Art. His first exhibition was in 1969 at Olivier Bernier Inc. NYC, followed in 1970 by a show at the Tibor De Nagy Gallery, also in NYC. Over the years he has shown in San Francisco, Indiana, Arizona, Florida, and at other prominent NYC galleries including Robert Miller, Hamilton, John Good and a retrospective at NYU’s Grey Gallery. Aaron Copeland, America’s foremost composer, and John Ashberry, America’s premier poet, were early champions of his work. He is in NYC collections of the Brooklyn, Metropolitan, Guggenheim and Whitney Museums, as well as the Copland Manor house in Cortland NY, the Philadelphia Museum of Art, the Albright Knox Art Gallery in Buffalo and many others. He has been the recipient of grants from the Pollock Krasner Foundation and the Ann & Erlo Van Waveron Foundations. Art critic Roberta Smith called his work “ironic, lyrical abstraction.” Critic Christopher Scott: “Hennessy has, unlike many modern artists, not ignored the history of art, and his works are enriched by the paintings, sculptures, buildings, decorative arts, photographs, films, music and literature that he immersed himself in. He has harnessed the power of his talent and intelligence for artistic purposes leading to virtuoso maximalist. He has applied this intelligence with the same adventurousness of spirit visible in the early abstractions of Hans Hofmann and Willem de Kooning, spontaneous yet precise.” HIs work would go well in a 1980's Memphis Milano interior. He showed at MoMA with
Lynda Benglis, Jonathan Borofsky, Billy Copley, Eric Fischl, Deborah Kass, Elizabeth Murray, Yoko Ono, Sean Scully In 1982.
SELECT GROUP EXHIBITIONS
2014 GEOFFREY YOUNG GALLERY GT. BARRINGTON, MA ELEMENTS OF STYLE
2007 VILLE DE REIMS GLOBAL BOOKS: LES LIVRES D'ARTISTE DE GERVAIS JASSAUD
2006 SNUG HARBOR CULTURAL CENTER STATEN ISLAND, NY ABSTRACT LANDSCAPES
2000 THE HECKSCHER MUSEUM OF ART HUNTINGTON, NY AARON COPLAND USA
1997 ESPACE CULTUREL DE TINQUEUX FRANCE LA TENTATION DU LIVRE
1992 COLUMBIA UNIVERSITY NEW YORK THE ARTIST, THE WRITER AND THE BOOK DESIGN (ARTISTS'S BOOKS FROM COLLECTIF GÉNÉRATION)
1992 MARGULIES/TAPLIN GALLERY MIAMI GROUP SHOW
1991 NINA FREUDENHEIM GALLERY RICHARD HENNESSY AND JEFFREY WASSERMAN
1991 FRENCH CULTURAL SERVICES NEW YORK
1991 ANDRE EMMERICH GALLERY NEW YORK ABSTRACT PAINTING: THE 90'S
1990 MARTA CERVERA GALLERY NEW YORK THE PAINTER AND HIS OCCASION, CURATED BY ALAN JONES
1988 NINA FREUDENHEIM GALLERY BUFFALO FIVE PAINTERS
1986 TIBOR DE NAGY GALLERY NEW YORK GALLERY AND INVITED ARTISTS
1985 STEPHEN WIRTZ GALLERY SAN FRANCISCO WORK ON PAPER
1985 EDWARD THORP GALLERY NEW YORK ABSTRACT PAINTINGS
1985 ONE PENN PLAZA NEW YORK LUXE CALME ET VOLUPTE, CURATED BY JOHN YAU
1984 UNIVERSITY OF TEXAS AUSTIN NEW AMERICAN PAINTING
1983 QUEENS MUSEUM NEW YORK TWENTIETH CENTURY ART FROM THE METROPOLITAN MUSEUM, RECENT ACQUISITIONS
1983 HAMILTON GALLERY NEW YORK NEW BIOMORPHISM AND AUTOMATISM
1982 MUSEUM OF FINE ART HOUSTON JOAN MIRO IN AMERICA
1982 P.S. 1 NEW YORK CRITICAL PERSPECTIVES
1982 MUSEUM OF FINE ART FORT WAYNE, IN PAINTERLY ABSTRACTION: FOUR VIEWS OF THE EIGHTIES
1982 GREY ART GALLERY, NYU NEW YORK SETS AND COSTUMES FOR THE RIDICULOUS THEATRICAL COMPANY
1982 UNIVERSITY OF OKLAHOMA, NORMAN NORMAN, OK POINTS OF VIEW 1982
1981 TIBOR DE NAGY GALLERY NEW YORK THE BROKEN SURFACE
1981 HAMILTON GALLERY NEW YORK RAFAEL FERRER, RON GORCHOV, RICHARD HENNESSY
1980 HAMILTON GALLERY NEW YORK PLUS FOUR
1980 GALLERY 70 MILWAUKEE, THE CONTINUING TRADITION OF AMERICAN ABSTRACTION
1973 ROBERT ELKON GALLERY NEW YORK GROUP EXHIBITION
1967 MARTHA JACKSON GALLERY NEW YORK YOUNG ARTISTS THEIR WORK A SHOW
Selected Public Collections:
ALBRIGHT KNOX ART GALLERY, BUFFALO, NEW YORK
BROOKLYN MUSEUM, BROOKLYN, NEW YORK
CARNEGIE MUSEUM, PITTSBURGH, PENNSYLVANIA
METROPOLITAN MUSEUM OF ART, NEW YORK
MOMA/P.S.1, STAIRWELL MURAL
NEW YORK UNIVERSITY, NEW YORK
PHILADELPHIA MUSEUM OF ART, PENNSYLVANIA
SAN FRANCISCO MUSEUM OF MODERN ART
SOLOMON R. GUGGENHEIM MUSEUM, NEW YORK
THE WADSWORTH ATHENEUM, HARTFORD, CONNECTICUT
WHITNEY MUSEUM OF AMERICAN ART, NEW YORK
- Creator:Richard Hennessy (1941 -, American)
- Creation Year:1979
- Dimensions:Height: 48 in (121.92 cm)Width: 43 in (109.22 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38215469722
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By Richard Hennessy
Located in Surfside, FL
Richard Hennessy, 1972. Born in Rochester, NY, in 1941, Hennessy began as a gifted concert pianist studying at the Eastman School of Music from 1954-1959. He went on to study art history at the Institute of Fine Arts, New York University, from 1963-66, after which he began his career as a fine artist. His early paintings were quickly admired and supported by Henry Geldzahler, curator of Modern Art at the Metropolitan Museum of Art. His first exhibition was in 1969 at Olivier Bernier Inc. NYC, followed in 1970 by a show at the Tibor De Nagy Gallery, also in NYC. Over the years he has shown in San Francisco, Indiana, Arizona, Florida, and at other prominent NYC galleries including Robert Miller, Hamilton, John Good and a retrospective at NYU’s Grey Gallery...
Category
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Materials
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Large German Neo Figuarist Abstract Expressionist Oil Painting Werner Liebmann
Located in Surfside, FL
WERNER LIEBMANN (German b. 1951)
"Elf Köpfe Bei Nacht,"
Oil on canvas, signed L/R, "Liebmann;"
29 1/4'' x 35 1/2'', framed 31'' x 37''.
Werner Liebmann (born 1951) is a German painter and graphic artist .
Werner Liebmann was born in Königsthal in Thuringia. Born in Königsthal from 1969 to 1973 he studied chemistry at the Martin Luther University in Halle (Saale) . From 1973 to 1976 he worked as a project engineer. He was active as a chemist until he opted for an artistic career and studied painting at the University of Art and Design in Halle. A master student of Bernhard Heisig, he graduated at the College of Fine Arts Leipzig.
Since then, he has been a freelance artist, as well as a professor at the College of Fine Arts in Dresden and currently at the Art school Berlin – Weissensee. His works were represented at numerous group exhibitions and solo exhibitions in Halle, Hamburg, Berlin, Düsseldorf and further cities, mostly in Germany. Influenced by the Neo Figuraist artists of the Junge Wilde painters. In 1978, the Junge Wilde painting style arose in the German-speaking world in
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Large Colorful 1983 Neo Expressionist Roberto Juarez Oil Painting Tron Family
By Roberto Juarez
Located in Surfside, FL
Roberto Juarez, (American, 1952- )
Tron Family.
1983. Signed, dated & titled.
Oil and oil stick on canvas.
Provenance: Robert Miller Gallery, NY., Mira Godard Gallery, Toronto, Ontario, CA
Roberto Juarez (born 1952) is an American visual artist known for his paintings, murals, and mixed-media works.
Born in Chicago, (parents of both Mexican and Puerto Rican Latino heritage) Juarez received his B.F.A. at the San Francisco Art Institute (1977) and pursued graduate studies in Television and Film at the University of California, Los Angeles. Juarez frequently employs painterly floral motifs, which are inspired by the traditions of Hispanic, Latin American and non-Western painting. Roberto Juarez has been a significant presence in the art worlds of New York, Miami, Colorado, and beyond since the early 1980s. In 1978, Juarez completed his graduate thesis for UCLA in Paris and decided not to return to L.A. Juarez relocated to New York City, where in 1981, Ellen Stewart offered Juarez a former garage owned by La MaMa Experimental Theatre Club as an artist studio. The space, which had no water or electricity, was offered to Juarez rent-free, provided that he clean and maintain it. He was active in the Neo Expressionist era of the the late 1980's along with Julian Schnabel and David Salle.
Throughout the 80s and 90s Juarez painted the branching forms of trees and flowers. While living in Miami in the 90s, Juarez began to incorporate peat moss, rice paper, and other natural materials in his canvases. Since 2000, and his move from Miami back to New York, Juarez's imagery turned more abstract, typically featuring geometric forms and systems. In a review from this period, art critic Grace Glueck noted that his works feature “a contrast between the softness of the grounds – blends of transparent and opaque materials in muted colors – and their strong geometric-organic motifs." In his use of elements of nature to portray an idyllic unity, Juarez looks back to such early-20th-century painters as Franz Marc and Henri Matisse.
He has done prints with Shark’s Ink Studios in Lyons and Anderson Ranch Arts Center as well as Tamarind Institute.
Roberto Juarez is a visual artist who has been active in the areas of painting, printmaking, drawing, and large-scale public commissions throughout his career.
His work has been exhibited throughout the United States and Mexico, and is included in major museum collections such as the Brooklyn Museum, the Metropolitan Museum of Art, El Museo del Barrio, the Denver Art Museum, the Kemper Museum of Contemporary Art, the Los Angeles County Museum of Art, Pérez Art Museum Miami, the Newark Museum, and the Speed Art Museum. He has completed public art projects and murals for the Miami International Airport, Grand Central Terminal, the Miami-Dade County Courthouse, Whitman College, and the University of Michigan College of Engineering.
Juarez won the Prix de Rome in 1997 and was a Guggenheim Fellow in 2001-2002.
Select Solo Exhibitions
Boulder Museum of Contemporary Art, Boulder, CO
La MaMa Galleria, New York, NY
Pace Prints New York, NY
Charles Cowles Gallery, New York, NY
Kemper Museum of Contemporary Art, Kansas City, KS
Museum of Contemporary Art, North Miami, FL, Bonnie Clearwater, Curator and Author
Robert Miller Gallery, New York, NY
Fredric Snitzer Gallery, Miami, FL
Galeria Ramis Barquet, Monterrey, Mexico
Richard Green Gallery, Santa Monica, CA
Stephen Wirtz Gallery, San Francisco, CA
Andre Emmerich Gallery, Zurich
Mira Godard Gallery, Toronto, Canada
San Francisco Art Institute, San Francisco, CA
Select Group Exhibitions
2018 May China 2018, China National Academy of Painting, Beijing, China
2017 Love Among the Ruins, 56 Bleecker Gallery and Late 80's New York, Howl! Arts Incorporated, New York, NY
2015 Inside the Episode: curated by Jack Pierson, Launch F18 Gallery, New York, NY
2015 MTA Arts Design Illustrates the City, The Museum of American Illustration at The Society of Illustrators, New York
2015 The Annual; National Academy Museum, New York, NY
2008 One of a Kind; Monoprints & Monotypes, Spencertown Academy Art Center, Spencertown, New York
2001 Roberto Juarez and Julio Galan...
Category
1980s Neo-Expressionist Abstract Paintings
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Vibrant Abstract Rhino Horn Figurative Expressionist Painting
By Jay Milder
Located in Surfside, FL
Genre: Modern
Subject: Abstract
Medium: Oil
Surface: Canvas
Country: United States
Dimensions: 26" x 26" x 3/4"
Dimensions w/Frame: 26 1/2" x 26 3/4"
Jay Milder (born 1934) is an American artist and a figurative expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s Ark, and the Jewish mystical...
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Rhino Horn Artist "Space Dream, 1973" Figurative Expressionist Abstract
By Jay Milder
Located in Surfside, FL
Jay Milder (born 1934) is an American artist and a figurative expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s Ark, and the Jewish mystical beliefs of the Kabbalah, are recurring themes in Milder’s paintings which are presented as archetypal images that recur in the basic karma, make-up and need of human nature. Internationally exhibited, Milder is included in the collections of many national and international museums.
He has been the subject of two, recent retrospectives in Brazil in 2007 at the National Museum Brasilia and, in 2006, at the Museum of Modern Art, in Rio de Janeiro. He is renowned in Sao Paulo, one of the major international centers for street and public art, as a seminal influence on graffiti artists. Jay Milder was born in Omaha, Nebraska, in 1934. His grandparents, who came from the Ukraine, were descendants of the Hasidic mystic, Rabbi Nachman. As he listened to family stories his interest in spiritualism and mysticism increased, and became an important influence on his philosophy of life and art. Later, when he arrived in New York, he was drawn to the Theosophical Society and the teaching of Helena Blavatsky.
In 1954 Milder visited Europe where he studied painting with André L’Hote, and sculpture with Ossip Zadkine. He spent much time studying at the Louvre Museum, and at the studio of Stanley Hayter. During his Paris years the paintings of the Jewish painter Chaim Soutine, primarily influenced him. Milder returned to the United States in 1956, and he began studying painting at the Chicago Art Institute. He exhibited with the Momentum Group, an alliance of artists who were particularly dedicated to the progression of figurative art and its global origins.
In 1957, Milder spent the summer in Mexico for a summer where he exhibited in Puebla. That year he received the Mexican Government’s Honor Award for artists.
In the summer of 1958, Milder studied with Hans Hofmann in Provincetown, Massachusetts. He exhibited his work at the Sun Gallery, with his contemporaries, including Mary Frank, Red Grooms, Bob Thompson, Lester Johnson, Emilio Cruz and Alex Katz, among others. During this period his painting began to incorporate iconography of birds, animals, humans and animal/human hybrids. In 1958, Milder, Bob Thompson and Red Grooms, founded the City Gallery in the Chelsea section of New York City. The gallery moved downtown and became the Delancey Street Museum and an early site for ‘Happenings’,which Milder participated in.
He showed his first major series called Subway Runners in 1960 at the Martha Jackson Gallery in New York City. Milder began a group of smaller paintings, entitled “Messiah Series”, in the late 1960s. These were fully expressionistic earth toned pictures, and he completed around 250 paintings in the series, based on biblical themes from the Old Testament. When 40 of these paintings were shown in a traveling exhibition premiering at the Richard Green Gallery in New York City, in 1987, art critic Donald Kuspit wrote in ArtForum Magazine: “after Nolde’s biblical pictures, these are the best and most integral group of biblical pictures in the 20th century.”
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The artist Richard Hennessy creates pictorial space as a complex and contradictory entity. The colorful ground uses alternately concave and convex forms and negative space to indicate overlapping geometric shapes. Signed and titled on verso by the artist.
Richard Hennessy, 1972. Born in Rochester, NY, in 1941, Hennessy began as a gifted concert pianist studying at the Eastman School of Music from 1954-1959. He went on to study art history at the Institute of Fine Arts, New York University, from 1963-66, after which he began his career as a fine artist. His early paintings were quickly admired and supported by Henry Geldzahler, curator of Modern Art at the Metropolitan Museum of Art. His first exhibition was in 1969 at Olivier Bernier Inc. NYC, followed in 1970 by a show at the Tibor De Nagy Gallery, also in NYC. Over the years he has shown in San Francisco, Indiana, Arizona, Florida, and at other prominent NYC galleries...
Category
1970s Neo-Expressionist Abstract Paintings
Materials
Canvas, Oil
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