Robert O'Meara

Abstract Composition in Chartreuse

21st Century

Robert O'Meara (American, XX-XXI), Abstract Composition in Green, Oil on Board, with blue details, apparently unsigned, unframed. 10" H x 14" W. Provenance: From a 333 East 75th Stre...

Robert O'Meara (American, XX-XXI), Abstract Composition in Green, Oil on Board, with yellow and red details, apparently unsigned, unframed. 10" H x 14" W. Provenance: From a 333 East...

Robert O'Meara (American, 1957-2024), Abstract Composition in purple and lime green, Oil on Canvas, signed to verso, unframed. 36" H x 36" W. Provenance: From a 333 East 75th Street ...

Robert O'Meara (American, XX-XXI), Abstract and Grid Composition, Oil on Canvas, yellow abstraction overlaid over graphite grid, signed to verso, unframed. 20" H x 31" W x .75" D. Pr...

Chartreuse Over Cerelean (Abstract painting) Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper ...

Chartreuse Over Cerelean (Abstract painting) Beeswax, resin and pigment on archival paper mounted on archival board matted - Unframed. This work is from a series of works on paper...

The large abstract painting "LAKE ONTARIO" by Jeffrey Kurland, with acrylic paint on canvas measuring 60" tall by 78" across, is new work from the summer ...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Lime Green and yellows Acrylic on 3 panels Each panel is 24 x 24 x 2 inches can be oriented vertically or horizontally Overall measurement for horizontal install with 1-2 inch recommended spacing, 24 x 76 x 2 inches horizontally We are amazed by Ginny Fox's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...