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Robert van BolderickLe sacre du printemps, Painting, Oil on Canvas2018
2018
$8,750
£6,577.69
€7,625.63
CA$12,216.36
A$13,682.97
CHF 7,119.70
MX$166,178.73
NOK 90,259.77
SEK 85,166.81
DKK 56,898.04
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About the Item
Robert creates paintings notable for their texture, and sculptural presence with layers of impasto paint. His richness of palette and his use of strong colors that he put on linen canvas, creates a compelling work of mixed media art by which the viewer feels endlessly absorbed. Part of a series of paintings I play with elusive notions of memories and dreams, placing remnants of personal notes, poems and photos amongst writing and recognisable images from recent and past events. This plethora of imagery takes on new meaning and symbolism when combined on one canvas. I use mixed technique to my practice to breathe life and vibrancy into collaged surfaces with acrylic, oil, ink, charcoal and tempera. These fragmented images and texts emerge hazily from the paintings, giving you flashes of meaning but not divulging too much. My paintings are eclectic and symbolic and is about finding a balance in this patterned and rhythmic combination of collage and paint. The colours in the paintings are inspired by nature and the light shifts in the sky. My work is an interpretation of the differences between history and memory. How we are changing the memories every time we go back to them, and how we recognize images and remember events, and how other people’s memories are different from your own. Memory refers to the way in which individuals and societies choose to remember or forget certain moments and events in their history. With the use of collage and paint I’m interested in creating a compelling work of abstract art with recognisable elements that engages the viewer, is endlessly absorbing and promotes a meaningful dialogue, putting the viewer in an atmosphere of dreaming and remembering. Where the images be decorative, but also give an interest to move closer to see more details. I want the viewers to recognize personal memories in my paintings. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signature Location: Front and back :: Canvas :: Portrait :: Original :: Framed: No
- Creator:Robert van Bolderick (1968, Swedish)
- Creation Year:2018
- Dimensions:Height: 74 in (187.96 cm)Width: 46 in (116.84 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Yardley, PA
- Reference Number:Seller: 1026271stDibs: LU80216037042
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Despite studying at the École nationale supérieure des beaux-arts de Paris (workshop of Charles Guerin, pupil of Gustave Moreau), Duvillier nevertheless asserted himself to be self-taught.
1939-1945: Five years of captivity. Duvillier was deported to Ukraine and then to Poland for several escape attempts and for acts of resistance.
1945: moves to Paris.
1952: A decisive meeting with Charles Estienne , an influential critic who tried to reconcile gestural abstraction and surrealist automatism. This integrates him into the group of painters of the new school in Paris which he shows at the gallery of Babylon. This is how Duvillier got to know Jean Degottex, Jean Messagier, Hans Hartung, Charles Lapicque and Serge Poliakoff. He was very much supported by the critic to whom great intellectual complicity links him.
1954-1955: René Duvillier, invited to Brittany by Charles Estienne , discovers the sea: "I found the movement and the gesture, it was a dreadful shock" explains the painter. Duvillier painted a series of polychrome canvases (black, purple, blue) on the sea as well as the series of "Seahorses", colored inks on paper. He was part of the New Ecole de Paris along with Nicolas de Staël, André Lanskoy, Pierre Soulages, and Jean René Bazaine.
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René Duvillier joined the Ecole des Beaux-Arts of Paris in 1935. After five years of captivity and an exhibition at the Stalag in Krakow, he joined the Nouvelle École de Paris. Under the guidance of the art critic Charles Estienne, it gathered painters from Surrealism and gesture or lyric abstraction that finally won the art scene in 1955. André Breton exhibited him and Benjamin Péret exalted his pictorial work, in which the brush movement brings to life natural elements, sea striking rocks and giving them almost supernatural attributes (1955).
Select exhibitions
2010 - Ivre de peinture, Galerie Alain Margaron, Paris
2009 - René Duvillier, Galerie L'Or du Temps, Paris
2008 - Vous êtes le feu dans l'eau, Galerie Alain Margaron, Nice
2003 - Accrochage d'oeuvres de René Duvillier, Galerie Larock-Granoff, Paris
2003 - Ici - Ailleurs, Galerie Doris Benno, Saint-Paul-De-Vence
1999 - À l'Ouest du Monde, FIAC, Paris
1993 - Le ciel de la mer, Galerie Larock-Granoff, Paris
1987 - Peintures 1955-1983, Galerie Mostini, Paris
1986 - Galerie du Manoir, La Chaux de Fonds, Suisse
1971 - Ensemble de Peinture, Palais des Expositions, Genève
1970 - Têtes Chercheuses, Galerie Le Lutrin, Lyon
1965 - Benrath et Duvillier, Galerie Argos, Nantes
1964 - Galerie Byron, New York
1961 - La Mer des Vents, Galerie Smith, Bruxelles
1943 - La Genése, Stalag de Cracovie, Kobierzyn
Select Group Exhibitions
2017 - Ailleurs est ici, École des Filles, Huelgoat
2017 - Le geste et la matière une abstraction "autre" Paris, 1945-1965, Fondation Clément/Centre Pompidou, Martinique
2011 - L'Aventure de l'Art Abstrait, Musée des Beaux-Arts de Brest, Brest
2008 - Les Nuagistes, Collégiale Saint-André, Chartres
2002 - Art ou Nature ?, Musée du Luxembourg, Luxembourg
1999 - Actualité des collections du XXe siècle 1996-1999, musée des Beaux-Arts, Lyon
1999 - L'Intimité des dessins, Galerie Alain Margaron, Paris
1997 - Un combat pour l'Art Moderne, Hommage à René Déroudille., Musée des Beaux-Arts de Lyon, Lyon
1995 - Nantes et le surréalisme, Musée des beaux-arts de Nantes, Nantes
1991 - André Breton, La beauté convulsive, Centre George Pompidou, Paris
1990 - André Breton, Musée national, Madrid
1989 - I Surrealisti, Palazzo Reale, Milan
1987 - Le Visionnaire, Galerie du Manoir, La Chaux de Fonds, Suisse
1986 - Blanc/Noir/Blanc, Centre Culturel de Landerneau et Musée des Jacobins, Morlaix
1984 - Autour de Michel Ragon, Paris Art Center, Paris
1981 - Paris-Paris 1937-1957, Centre Georges Pompidou, Paris
1980 - Bilan de l'art contemporain, Palais des Congrès, Québec
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