Robert Yasuda

Luminous, sea green, multi-panel painting on carved wood

2022

Golnaz Fathi Untitled, 2021 Mixed media on canvas 66.93 x 55.12 in. 170 x 140 cm GF150 Golnaz Fathi (b. 1972) is part of a thriving generation of Iranian artists who grew up during ...

Golnaz Fathi Untitled, 2021 Mixed media on canvas 51.18 x 74.8 in. 130 x 190 cm GF133 Golnaz Fathi (b. 1972) is part of a thriving generation of Iranian artists who grew up during t...

Ricardo Mazal Diamond 8, 2021 Oil on linen 86.5 x 94.5 inches 219.7 x 240 cm RM477 Ricardo Mazal, one of Mexico’s most prominent contemporary artists, is known for his lush abstract...

Ricardo Mazal Diamond 4, 2021 Oil on linen 56 x 60 inches 142 x 152.4 cm RM461 Ricardo Mazal, one of Mexico’s most prominent contemporary artists, is known for his lush abstract oil...

Acrylic on canvas stretched over handbuilt wood and Sintra armature. Dimensions listed for piece as shown. Dimensions are variable depending on hanging formation. Color palette: orange, green, purple, gray and white. Wall sculpture / Sculptural painting / 3D painting / Neo-geo / Geometric art / Abstract art / Biomorphic art...

Bold abstract composition by RH Barnard (American, 20th Century). The backdrop of this piece is composed of rectangular sections of brown, red, blue, and tan. In the center of the composition, there is a black object...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

Acrylic on 3-D stretched canvas with wood armature. Dimensions listed for piece as shown. Dimensions are variable depending on hanging formation. Wall sculpture, black, orange, red a...