Items Similar to Large Color California Abstract Expressionist Copolymer Vinyl Painting Ron Davis
Want more images or videos?
Request additional images or videos from the seller
1 of 21
Ronald DavisLarge Color California Abstract Expressionist Copolymer Vinyl Painting Ron Davis1983
1983
$45,000
£34,558.06
€39,603.12
CA$63,348.89
A$70,964.75
CHF 36,910.49
MX$865,623.51
NOK 469,919.61
SEK 443,100.70
DKK 295,586.82
About the Item
Ronald Davis (American, b. 1937)
Pitch, 1983
cel-vinyl copolymer on canvas
Hand signed verso and further inscribed with title, date, size and PTG 751
67 x 110 1/2in. Framed 69 x 112in.
Bears remnants of old gallery label to reverse.
Ronald Ron Davis (born 1937) is an American painter whose work is associated with geometric abstraction, abstract illusionism, lyrical abstraction, hard-edge painting, shaped canvas painting, color field painting, and 3D computer graphics. He is a veteran of nearly seventy solo exhibitions and hundreds of group exhibitions.
Born in Santa Monica, California, he was raised in Cheyenne, Wyoming. In 1955–56 he attended the University of Wyoming. In 1959 at the age of 22 he became interested in painting. In 1960–64 he attended the San Francisco Art Institute. Abstract expressionism, the prevailing artistic movement of the time, would have an influence on many of his future works. In 1962 he was a Yale-Norfolk Summer School Grantee. In 1963 his paintings became hard-edged, geometric and optical in style, and by 1964 his works were shown in important museums and galleries. He lived and worked in Los Angeles, 1965–71, and in Malibu, California, 1972–90. Since 1991 he has lived and worked in Arroyo Hondo on the outskirts of Taos, New Mexico.
Ronald Davis from the earliest days of his career had a significant impact on contemporary abstract painting of the mid-1960s. According to art critic Michael Fried: Ron Davis is a young California artist whose new paintings, recently shown at the Tibor de Nagy Gallery in New York, are among the most significant produced anywhere during the past few years, and place him, along with Frank Stella and Walter Darby Bannard, at the forefront of his generation.
He had his first one-person exhibition at the Nicholas Wilder Gallery in Los Angeles in 1965.
Barbara Rose wrote an in depth essay about Davis' paintings of the 1960s in the catalogue accompanying an exhibition of his Dodecagon Series in 1989 in Los Angeles. Among other observations she wrote:
Davis saw a way to use Marcel Duchamp's perspective studies and transparent plane in The Large Glass for pictorial purposes. Instead of glass, he used fiberglass to create a surface that was equally transparent and detached from any illusion of reality. Because his colored pigments are mixed into a fluid resin and harden quickly, multiple layers of color may be applied without becoming muddy. his is essentially an inversion of Old Master layering and glazing except that color is applied behind rather than on top of the surface. Alone among his contemporaries, Davis was equally concerned with traditional problems of painting: space, scale, detail, color relationships and illusions as he was with the California emphasis on hi-tech craft and industrial materials. His work has some connection to the Light and Space art movement related to op art and minimalism. He was a contemporary of Peter Alexander, Larry Bell, Robert Irwin, Ron Cooper, Bruce Nauman, Eric Orr and James Turrell. From 1966 to 1972 Ron Davis created geometric shaped, illusionistic paintings using polyester resins and fiberglass. About Davis' paintings of the late 1960s in an essay accompanying the Ronald Davis retrospective exhibition Forty Years of Abstraction, at the Butler Institute of American Art in 2002, the abstract painter Ronnie Landfield wrote: "the Dodecagons from 1968–69 remain among the most visually stunning, audacious and intellectually interesting bodies of work made by an abstract painter in the last half of the twentieth century."
In 1966 Davis was an instructor at the University of California, Irvine. Also in that year he had his first one-man exhibition at the Tibor de Nagy Gallery in New York City and a solo exhibition at Leo Castelli Gallery in 1968.
His works are held in the collections of the Museum of Modern Art in New York City, (MoMA) the Tate Gallery, London, the Los Angeles County Museum of Art and the Art Institute of Chicago and he has been awarded a National Endowment for the Arts grant. Since the 1990s, he has worked in digital painting and digital art.
- Creator:Ronald Davis (1937, American)
- Creation Year:1983
- Dimensions:Height: 69 in (175.26 cm)Width: 112 in (284.48 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38212724892
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1995
1stDibs seller since 2014
1,788 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Surfside, FL
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllLarge New York School Abstract Expressionist Colorful Mixed Media Painting
By Taro Yamamoto
Located in Surfside, FL
Taro Yamamoto, (American, 1919-1994)
"La Gatta Miso"
Oil or Acrylic/Canvas
32" x 50"
Hand signed lower right, dated 1990,
Titled on the stretcher verso, unframed.
Taro Yamamoto (...
Category
1950s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil, Acrylic
Large Mod Abstract Expressionist Modernist Edward Avedisian Color Field Painting
By Edward Avedisian
Located in Surfside, FL
Edward Avedisian (American, 1936-2007)
Abstract Large Painting
Acrylic on panel heavily textured with a 3D effect.
Dimensions: 48"h x 75"w
Circa late 1970s, early 1980s
Provenance: ...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Acrylic, Wood Panel
Large Mod Abstract Expressionist Modernist Edward Avedisian Color Field Painting
By Edward Avedisian
Located in Surfside, FL
Edward Avedisian (American, 1936-2007)
Abstract Large Painting
Acrylic on panel heavily textured with a 3D effect.
Dimensions: 48"h x 75"w
Circa late 1970s, early 1980s
Provenance: ...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Acrylic, Wood Panel
Large Mod Abstract Expressionist Modernist Edward Avedisian Color Field Painting
By Edward Avedisian
Located in Surfside, FL
Edward Avedisian (American, 1936-2007)
Abstract Large Painting
Acrylic on panel heavily textured with a 3D effect.
Dimensions: 48"h x 75"w
Circa late 1970s, early 1980s
Provenance: ...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Acrylic, Wood Panel
Untitled Dynamic Colorful Abstract Expressionist Oil Painting, Israeli-American
Located in Surfside, FL
Nachume Miller (1949–1998) was a German born Israeli artist who immigrated to New York City in 1973, where he made a name for himself in the American Modern Art scene. Miller immigrated to New York to study at the School of Visual Arts, where he would later become a professor of painting and drawing. He was quickly identified as a star on the rise and at the age of 29, was included in the Guggenheim Museum’s “Young American Artists,” Exxon National Exhibition. A decade later he was granted a solo show at the Museum of Modern Art, where his work is now part of the permanent collection. Though his career was cut short by his untimely death in 1998, Nachume exhibited at some of the most prominent galleries in New York and around the world.
Miller's parents were both Holocaust survivors. His father was a captain in the front lines of the Russian Army during World War II and his mother was a Lithuanian who had once been held captive in a concentration camp. Both escaped the Nazis, re-united and fled to Israel. Nahum was born during their voyage, in Frankfurt, Germany, on January 28, 1949. He grew up in the town of Holon, Israel, where he was inspired by his father who spent most of his post-war days carving elaborate wood sculptures of Cubist human forms. Nachum, on the contrary, excelled in painting.
By the age of 16, Miller was painting elaborate surreal dream lands referencing religion, politics and the history of Modern Art. His earlier works show similarities to Hieronymus Bosch, Salvador Dali and Francisco Goya. Miller was enlisted in the Israeli Army where he worked as one of Ariel Sharon's personal assistants and also fought in the 1973 Yom Kippur War. He went to New York in 1966 to study at the School of Visual Arts, and joined the faculty in 1977 to teach painting and drawing. He was enlisted in the Israeli Army and fought in the 1973 Yom Kippur War. That same year, he received a scholarship from the Israeli-American Cultural Foundation. He married his girlfriend Ruth and moved to New York to study at the School of Visual Arts. In 1977, he joined the faculty to teach painting and drawing.
Over the next two decades, Nachume was prolific in the range of media, styles, and references he incorporated into his art. His paintings and three-dimensional works pay homage to artists throughout history, from the classical Greeks to Robert Rauschenberg. He prioritized craft over concept and was a disciplined painter, never neglecting workmanship in favor of a trend. His work is marked with curiosity, sincerity and intensity.
Cara McCarty, an assistant curator in the department of architecture and design, organized the current show. It reveals Mr. Miller as someone who finds common ground with both Turner and Jackson Pollock - with the former's Romantic re-creations of storms at sea and with the latter's search for content in abstract gesture.
Selected One-Person Exhibitions
1976: "Drawing Show", Bertha Urdang Gallery, New York
1981: "Figures", A&M Artwork, New York
1988: Exit Art, New York; "Projects: Nachume Miller", Museum of Modern Art, New York
1989: E.M. Donahue Gallery, New York
1990: "Nachume Miller: Views", E.M. Donahue Gallery, New York
1993: "Sensual Painting", E.M. Donahue Gallery, New York
1994: The Genia Schreiber University Art Gallery, Tel Aviv University
Selected Group Exhibitions
1968: "10+ For and Against", Tel Aviv
Aviva Uri, Michael Druks, Nahum Miller, Izzika Gaon, Izzika Raffi Lavie.
1970: "10+ In a Circle", Tel Aviv
Moshe Gershuni, Buky Schwartz, Igael Tumarkin, Reuven Kadim (Berman),
1972: "Symbols and Imagination", Artists' Pavilion, Tel Aviv; "July '72", Gallery 220, Tel-Aviv
1975: "The Work of Nine Graduates of the School of Visual Arts", New York; 112 Greene Street Gallery, New York; "Group Indiscriminate", 112 Green Street Gallery, New York
1976: "8 Israeli Artists", Bertha Urdang Gallery, New York
1978: "Young American Artists", Exxon National Exhibition, Guggenheim Museum, New York
1979: The Kadishman Connection Israel Museum, Jerusalem
Menashe Kadishman, Larry Abramson, Yaacov Agam, Nachum Miller, Jacob El Hanani,Samuel Bak, Koki Doktori...
Category
1990s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Large Colorful Modernist Pastel Abstract Expressionist Painting Sylvia Carewe
Located in Surfside, FL
Framed 33 X 45.5 image is 29 X 41.5
Hand signed lower left
Signed and titled verso
Sylvia Carewe (1906-1981) was an American woman artist, painter, writer and poet.
Born in New York City to Russian immigrant parents, Louis and Esther Kerewsky, she changed her surname to "Carewe" in 1930. Carewe attended Columbia University and studied further with Yasuo Kuniyoshi at Atelier 17 in New York, with Hans Hoffman in New York and Provincetown, Massachusetts, and at the New School for Social Research.
During World War II Carewe worked as an advertising copywriter and artist for agencies in New York. She became a prolific abstract artist in a range of media, including tapestry designs for the Aubusson tapestry carpet company in France, felt banners, collage reliefs, and what she termed "blown paintings," which were assemblages (predominantly of children's toy components) overlaid with spray paint. One of the most common subjects in her semi abstract paintings was New York City at night. She also worked in traditional artistic media, including watercolors, oils, lithographs and pastels. In October 1944, she married Marvin Small (formerly Smalheiser, executive for Carter's Little Liver Pills). They had one child, John Marvin, in June 1947.
Carewe had her first one-woman show in Poughkeepsie in 1947, after which she opened in New York City at the ACA Gallery in 1948. She had some twenty other American solo shows and her works hung in many exhibits across the United States as well as in France, Belgium and the Netherlands. Her works are represented in the permanent collections of the Whitney Museum, Musée de l'Arte Moderne, Paris, Brandeis University, the Butler Art Institute, Howard University, the Tel Aviv Museum and the National Museum in Djakarta, Indonesia. Her work has been described by French critics as "violent, colorful art, in hard contrasts, not exempt from cold lyricism." ["Les Girls...
Category
Mid-20th Century Abstract Expressionist Abstract Paintings
Materials
Paper, Oil Pastel
You May Also Like
Large Colorful Abstract Painting by Olympian Al Oerter
By Al Oerter
Located in Long Island City, NY
This painting was created by Olympic discus thrower Al Oerter for charity for the 1980 Olympics. This and other paintings he made would spark his love for painting, he would continue making art for the rest of his life. He later founded the organization Art of the Olympians, which showcased artwork by Olympians old and new. The charity produced this video about Al Oerter's painting and we can see possibly this very painting...
Category
1980s Abstract Abstract Paintings
Materials
Canvas, Acrylic
Colorways Continued - Bright, Multicolored, Abstract Painting
Located in West Hollywood, CA
In Robert Standish’s piece “Colorways Continued,” viewers are met with a mesmerizing array of colors that cascade and intertwine like a kaleidoscope. The vibrant hues blend seamlessl...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Acrylic
L. S. F. vibrant abstract expressionist painting by Cleveland School artist
By Richard Andres
Located in Beachwood, OH
Richard Andres
American, 1927-2013
L. S. F., 1980
acrylic and ink on paper mounted on canvas
signed lower right, dated and titled verso
48 x 65 inches
48.75 x 65.75 inches, framed
R...
Category
1980s Abstract Expressionist Abstract Paintings
Materials
Ink, Acrylic
Large Mid Century Modern Texas Artist Abstract Expressionist Action Painting
By Duanye Hatchett
Located in Buffalo, NY
An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L.
Duayne Hatchett was a visual artist whose work...
Category
1990s Abstract Abstract Paintings
Materials
Canvas, Acrylic
$10,200 Sale Price
20% Off
Large Colorful Abstract Painting by Jenik Cook
By Jenik Cook
Located in Long Island City, NY
An acrylic painting by Jenik Cook from 2012. An abstract expressionist style painting in colorful contrasting hues using the splatter painting method. Signed in lower left corner, in...
Category
21st Century and Contemporary Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
"Symbiosis" Contemporary Large Scale Abstract Painting 60"x48"
By Debra Drexler
Located in New York, NY
60"x 48" acrylic on canvas, signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler.
Turquoise and violet raspberry colored forms reminiscent of Matisse cut outs, curl in a textural ground of brushed and poured paint. Drexler's process of composed shapes and fields of color are created with brushwork, poured glazes and and textural depth. This immersive and expressive painting is created with vibrant colors, which react beautifully with each other to create a rhythm of forms that is meditative and contemplative.
Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic...
Category
2010s Abstract Abstract Paintings
Materials
Canvas, Acrylic
More Ways To Browse
Davis Gray
Abstract Expressionism Mid Century Painting
California Bear Art
Larry Gray Painting
1960s Hard Edge Painting
Mid Century Hard Edge Painting
Alexander Grant
Nicholas Robert
Taos Moderns Paintings
Robert Fried
Peter Cooper
Tibor Nagy
Stella Michaels
James Turrell Light Art
Ron Davis
Peter Orr
Midcentury Modern Art Geometric Painting
Rectangle Painting