Sasson Soffer

Constellation

“The Memory of Warmth” is an original 54 x 47 cm acrylic painting on cardboard by Finnish multidisciplinary artist Emmi Iida, whose work explores the dialogue between emotion, energy...

“Fire Remembered” is an original 54 x 47 cm painting on cardboard by Finnish multidisciplinary artist Emmi Iida, known for her emotionally charged abstractions that merge movement, intuition, and raw texture. The work pulses with elemental energy — vivid reds, deep umbers, and molten oranges rise from the surface like embers caught in motion. Painted in acrylics on cardboard, its composition feels both spontaneous and ceremonial, as if capturing the memory of warmth after transformation. This piece speaks of renewal and the persistence of creative fire — a reminder of the beauty within change and the power of emotion made visible. Its compact scale and strong visual rhythm make it a striking addition to any contemporary collection. About the Artist: Emmi Iida is an internationally exhibiting artist, author, musician and interior architect, working at the intersection of visual art, sound, and design. Her practice is rooted in Nordic minimalism and emotional depth, infused with a global perspective from her years living and creating across Europe and the United States. Her works have been acquired by collectors from New York to Los Angeles, Sydney to Paris, and she is currently represented by MONAT Gallery (Paris, Madrid, Innsbruck) and Van Gogh Art Gallery (Munich, Miami). Upcoming exhibitions include international art fairs and group shows in Europe and the United States in 2025. Abstract Art on Paper...

“Echo in Motion” is an original abstract work on paper by Finnish multidisciplinary artist Emmi Iida, known for her emotionally charged and intuitive compositions that merge gesture, texture, and flow. This 2023 piece captures a moment of raw movement and organic tension — strokes of gray, black, and ochre interlace with fluid drips and translucent washes. The composition feels spontaneous yet deeply intentional, like a visual echo of a fleeting emotion or thought suspended in air. The exposed paper acts as negative space, giving the piece a quiet balance between chaos and stillness. Executed with acrylics and mixed media on fine art paper, “Echo in Motion” reflects Emmi Iida’s continued exploration of energy and emotion through abstraction — a meditation in motion, ideal for collectors drawn to expressive yet minimalist works on paper. About the Artist: Emmi Iida is an internationally exhibiting artist, author, musician and interior architect, working at the intersection of visual art, sound, and design. Her practice is rooted in Nordic minimalism and emotional depth, infused with a global perspective from her years living and creating across Europe and the United States. Her works have been acquired by collectors from New York to Los Angeles, Sydney to Paris, and she is currently represented by MONAT Gallery (Paris, Madrid, Innsbruck) and Van Gogh Art Gallery (Munich, Miami). Upcoming exhibitions include international art fairs and group shows in Europe and the United States in 2025. Abstract Art...

“Signals of Stillness” is an original 54 x 47 cm acrylic painting on cardboard by Finnish multidisciplinary artist Emmi Iida, celebrated for her intuitive mark-making and emotional m...

"FEEL" is an abstract mix media painting on cardboard, measuring 77 x 57 x 3,5 cm, by contemporary Polish artist Monika Widenka. It invites you to feel — beyond what’s visible, in ...

"LOVE" is an abstract mix media painting on cardboard, measuring 77 x 57 x 3,5 cm, by contemporary Polish artist Monika Widenka. LOVE is a painting that subtly conveys the emotions...

Original acrylic on fiberboard painting by the Bulgarian/American artist, Iliyan Ivanov. Signed, and dated verso, 2012. Untitled. This painting is part of the “Memories of Unfinis...

Original acrylic on fiberboard painting by the Bulgarian/American artist, Iliyan Ivanov. Signed, and dated verso, 2012. Untitled. This painting is part of the “Memories of Unfinis...

Dina Gustin Baker studied at the Philadelphia college of Fine Art as well as the Art Students League in New York. This work acrylic on paper is evocative of her colorful palette and ...

Here for your consideration is a great example of the artwork of the well known American artist, Syd Solomon. Signed top left. Titled and dated verso 1978. The painting is oil and acrylic paint on mounted synthetic canvas. Condition is excellent. Overall framed measurements are 44.75 by 24.5 inches. Provenance: A Sarasota, Florida collector. SYD SOLOMON BIOGRAPHY American 1917-2004 Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...