Andrea Stajan-Ferkul

Aged Damask (16”x16”, Abstract, Pattern, Geometric, Beige)

2016

This is a series of four contemporary abstract paintings. The use of Stajan-Ferkul's distinct neutral palette is carried through into her abstract paintings where emphasis is put on ...

Layers of paint build up this neutral palette where emphasis is placed on minimal composition. From a distance, the painting explores colour fields and geometric abstraction. Closer up, it's about subtle textures, intuitive mark-making, playful scribbles and remnants of colour. The blending of these two elements invites the viewer to experience a calm while stimulating, visual response. To view more of Stajan-Ferkul's artwork, scroll down and click into the box: VIEW ALL FROM SELLER. // Andrea Stajan-Ferkul is a Canadian artist whose work conveys a sense of experimentation through the use of paint, fabric collage and abstract mark-making. While not exclusive to fashion, dresses have been a compositional focus throughout her oeuvre. With an emphasis on timelessness, her series of dress paintings shift between realistic representation and interpretive impressions. In contrast, her series of abstract works embrace minimalism, considerate to a restrained palette and composition. Stajan-Ferkul began her career in fashion advertising before shifting her focus to fine art in 2000. Her work has been exhibited widely through galleries and art fairs, and hangs in private and public collections across Canada, US and Europe. A graduate of Sheridan College of Art and Design, Stajan-Ferkul's paintings can be found in numerous public and private collections, her work has been published in magazines and book covers, and prints are distributed internationally. In 2009, Stajan-Ferkul was invited to exhibit her work in Ottawa’s Rideau Hall, hosted by (then) Governor General of Canada, Michaëlle Jean. keywords: abstract, minimal art...

This highly detailed artwork seemlessly blends acrylic, pencil and colour pencils in a loose style, maintaining a delicate balance between expressiveness and refinement. The distressed texture contributes to a patina-like surface, created through layers of paint and mixed media. The pale blue damask...

This abstract painting on canvas puts emphasis on pattern and composition. High contrasting, geometric sequences keep the eye engaged. The rows of mixed patterns create a soft sense ...

This abstract painting on canvas puts emphasis on pattern and composition. High contrasting, geometric sequences keep the eye engaged. Rows of mixed patterns create a rhythmic compos...

In this delicate small work, the combination of paint, pastel and collage build up an impressionistic scene with the focus remaining on strong composition. Pink and black against a v...

"Hey Did We Scratch?" - Abstract Expressionist Composition Detailed and layered composition by Leroy W. Parker (American, 1941). This piece is divided into a checkerboard, with a variety of overlaid patterns and textures. There are several types of handmade paper applied to the canvas, likely made by Parker himself. Signed "Leroy Wheeler Parker" in the lower right corner. "#1" and an up arrow are written on verso. Tag on verso with artist info, title, media, and date. No frame, but the edges of the canvas are painted for a frame-less display. Leroy W. Parker (American, b. 1941) is an artist from Oklahoma who now resides in Lafayette, California. Parker earned his BFA in painting from the California College of Arts and Crafts in 1966, and then went on to earn his MFA in 1968 from the same institution. He is a Professor of Art at San Jose State University. He has taught classes in fine arts, life drawing, ceramics, paper making (which he instituted in 1984), and sculpture since 1969. Parker has also served on the State Art Commission for sculptural grants. One of his pieces is held in the San Jose Museum of Art. Selected Exhibitions: Drawings and Paintings - ACCI Gallery, Berkeley, CA - 1974 “Artistry in Clay” - Forge Patio Art Gallery, Lafayette, CA - 1980 “A Most Elegant Show” - Sunshine Art Gallery, Fair Oaks, CA - 1982 “Flora” - Harcourts Contemporary, San Francisco, CA - 1983 Idea Gallery, Sacramento, CA - 1985 “Multi-Media Man” - Sacramento Center for Textile Arts, Sacramento, CA - 1994 “The Art of the Family” - Works Gallery, San Jose, CA - 1999 Artist’s Statement: I was born in Eagletown, Oklahoma to Southern Baptist parents, and my father was a preacher. We were two boys and six girls in the family. The most mundane things were magical and special to me. I liked to draw, color, make things, and plant things. I loved the woods and the earth, and watching storms with thunder and lightning. We moved from Oklahoma when I was 11. In the late 1950s, I attended Oakland Technical High School where I met artist Sam Richardson...

Hadley Radt’s abstract geometric paintings explore the connection between systems in our environment and how they relate to her own impulse to construct order. The structures she dev...

Hadley Radt’s abstract geometric paintings explore the connection between systems in our environment and how they relate to her own impulse to construct order. The structures she dev...

Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype. Gold leaf, treated in a varie...

Abstracted imagined architectural elements - straw containers - is this early and important mainly acrylic painting with mixed media: ink, gouache, colored pencils on paper, from 199...

Hadley Radt’s abstract geometric paintings explore the connection between systems in our environment and how they relate to her own impulse to construct order. The structures she dev...