Scott Woodard

“Minimal 5” Red, White, and Black Geometric Abstract Wooden Sculpture

2011

White, red, and black experimental abstract sculptural painting. The work was intentionally removed from the stretchers to make a wave effect on the surface. The piece is signed, titled, and dated by artist Chris Bexar who is a Houston, Texas artist. The work is not framed. Artist Biography: Chris Bexar is an award-winning Houston artist, working predominantly in digital photography for 26 years. In our digital environment, there is a fractal relationship between tiny structures and enormous structures. Everything looks the same. Blow up the components of a PC, and they look like the Houston skyline...

Red and black experimental abstract sculptural painting. The work was intentionally removed from the stretchers to make a wave effect to the surface. The piece is signed, titled, and dated by artist Chris Bexar who is a Houston, Texas artist. The work is not framed. Artist Biography: Chris Bexar is an award-winning Houston artist, working predominantly in digital photography for 26 years. In our digital environment, there is a fractal relationship between tiny structures and enormous structures. Everything looks the same. Blow up the components of a PC, and they look like the Houston skyline...

Large red custom-made geometric sculpture by Scott Avidon. This angular sculpture was fabricated and made for Reeves Art and Design and is a new contemporary piece that is now in the...

Contemporary minimalist lead on wood wall sculpture by Steve Murphy (Stephen Murphy). Signed by the artist at the back (long edge). Artist Statement: I am dealing with the classic e...

Center is a unique contemporary modern sculpture painting by Dutch artist Michiel Jansen. This wall relief is made from dozens of indivually cut strips ...

Medium: Charred and dyed basswood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visu...

ZT 210307 is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Hewrman Coppus. The relief is made from meticulously hand cut, bend and glued cardboard paper ...

Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires that the prettiness of an initial surface is made ugly, or there’s a conscious choice to avoid balance in the composition. Hers is a largely intuitive process, the materials entice her. Inspiration from the world that we don't call “art” is where she finds her muse: a wall, a landscape, a window shade transfused with light, a stretch of sand and shadow. Most influential are predecessors like Burri, Vicente, Tapies, Motherwell, Rauschenberg, medieval cloisonné, Vermeer, Breughel, and many, many more. A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC government; and several years as a lawyer at a large NYC law firm. “I was brought up going to galleries and museums, a sometimes reluctant attendant to my parents’ passion for looking and for collecting. My own expressive energy must have simmered internally for years, occasionally emerging in photography, in quilt-making, in other tentative explorations, and certainly in providing opportunity and materials for my children to create. Not until those children were nearly grown did I come unequivocally to the need to make art myself.” In late 2006 Diane began making collages that started her on her current path; in late 2007 she left her consulting job to focus on her artwork full-time. She has studied with Bruce Dorfman at the Art Students League in New York, and has had solo exhibits at the Alexey von Schlippe...