Sergei Inkatov

Golden Chrysanthemum - Colorful Textured Original Oil Painting

2021

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

Harriet Thorpe "Fire Bird" Original Abstract Oil Painting c.1960s Excellent vintage abstract painting by California artist Harriet Thorpe. Created wit...

A violet impasto stroke of color is positioned next to a raspberry violet form in this contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. The shapes create a layers of cut-out colors with cool blues, peach orange and yellows. Debra Drexler maintains studios in both New York and Oahu, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

Maggie LaPorte Banks The Hummingbird Original Abstract Painting Acrylic, Collage, and Pigment on Canvas Canvas Size: H 63cm x W 63cm Please note that in situ images are purely an ind...

This large exceptional abstract was painted by American artist Richard Lytle (born 1935). Lytle was born in Albany, New York, studied at the Cooper Union School of Art and the Yale University School of Art, where he received a BFA and MFA. He was included in the Museum of Modern Art’s Sixteen Americans exhibition in 1959. He began teaching in 1960 at Yale, which began a forty year career as a teacher, professor, and dean. He has had numerous one-man and group exhibitions, and he received the Augustus Saint...