Sheldon Berlyn

Large Abstract Expressionist Gestural Oil painting Sheldon Berlyn Red White Blue

2005

David Rankin is a New York-based, British-born Australian post-war and contemporary artist known for his expressionistic abstract paintings. His work can be categorized by his use of...

Budd Hopkins, American (1931-2011) 'City Sun II', 1969 Oil painting on canvas. Hand signed and dated lower left. Verso: Artist, title, and year in pencil on stretcher. Dimensions: 36" H x 52" w. Frame: 37.25" h x 53.25" w. Budd Hopkins was one of the leading proponents of the "hard-edge" abstract minimalist school of painting in the 1950s and 1960s, Budd Hopkins (born 1931) created works that show the strong influence of Jackson Pollock and other leading painters of the Abstract Expressionism movement. Hopkins' paintings are now in numerous major collections, including the San Francisco Museum of Art, the Guggenheim Museum in New York, and the Hirshhorn Collection in Washington, DC. Recently, he has also been recognized for his research into the matter of UFOs and one of his books, "The Intruders", printed by Random House, was on the New York Times best-seller list and was the basis for a television show on CBS. Born in 1931, he is a graduate of Linsly Military Institute (now Linsly School) in 1949 and Oberlin College in 1953. He first displayed artistic abilities when, as a child recovering from a long-term illness, he began to create sculptures of ships made out of modeling clay. But it wasn't until he arrive at Oberlin that he made a serious study of art. Later, Hopkins included abstracted figures in his sculptural pieces. While moving away from Abstract Expressionism, Hopkins retained in his work the use of intense colors and hard-edged forms. His works of the 1980s, including Temples and Guardians, featured these "sentinels" who were, according to Hopkins, "participating in a frozen ritual, fixed – absolutely – within a privileged space..." Though Hopkins denied any connection, some critics viewed these ritualistic pieces as an extension of Hopkins' fascination with alien beings. Hopkins viewed his sculpted guardians not as human per se, but as magical, fierce, noble robots of the unconscious. He settled in New York after obtaining his degree and has had a residence there ever since. He and his wife, April Kingsley, and their daughter, Grace, divide their time between their home at Cape Cod, Mass., and that in New York City. In his work, he travels widely. He has exhibited in England, Finland, Italy and Switzerland. In 1963, Hopkins was selected by the Columbia Broadcasting System as one of the 15 painters featured in the network's first television special on American art. In 1958, Art News picked him as one of 12 Americans for exhibition in Spoleto, Italy, in the "Festival of Two Worlds." His brilliance has won him a number of fellowships and awards. In 1972, the West Virginia Arts and Humanities Council awarded him its Commission Prize. In 1976, he received the John Simon Guggenheim Fellowship for Painting and in '79 he received a fellowship from the National Endowment of the Arts. He also won a special project grant from the New York State Council on the Arts in 1982. He was friends with Robert Ryman and many of the other 10th street avant garde artists. He was an original member of March Gallery which showed Alice Baber, Elaine de Kooning, Mark di Suvero, Lester Johnson, Matsumi Kanemitsu. His work was handled by Poindexter Gallery. (a major gallery founded in 1955 in New York City by Elinor Poindexter. The gallery specialized in sculpture, abstract, and figurative art and featured the works of such artists as Richard Diebenkorn, Jules Olitski, Nell Blaine, Al Held, Willem de Kooning, Franz Kline, Earl Kerkam, Milton Resnick and Robert De Niro, among others. His art has been featured in the Metropolitan Museum of Art, Museum of Modern Art, Bronx Museum of Art, Brooklyn Museum, Whitney Museum, Corcoran Gallery, Guggenheim Museum, Queens Museum in New York, and the Public Library of New York. He was included in Young America 1960: Thirty American Painters Under Thirty-Six buy Lloyd Goodrich at the Whitney Museum of American Art in NYC. Artists included: Sonia Gechtoff, Edward Giobbi, Ron Gorchov, James Harvey, Budd Hopkins, Wolf Kahn, Alex Katz, Robert Natkin, Rudy Pozzatti, Dean Richardson, Frank Roth, William Wiley, and Noriko Yamamoto...

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russia and moved to the United States in 1922 where he spent most of his adult life. A classically trained portrait and landscape artist, Carton also worked as a drafter, newspaper illustrator, muralist, theater set designer, photographer, and fabric designer and spent most of his mature life as an art educator. Carton showed in and continues to be shown in many solo and group exhibitions. His work is included in numerous museums and private collections throughout the world. Norman Carton was born in the Dnieper Ukraine territory of the Russian Empire in 1908. Escaping the turbulence of civil war massacres, he settled in Philadelphia in 1922 after years of constant flight. While attending the Pennsylvania Museum School of Industrial Art, Carton worked as a newspaper artist for the Philadelphia Record from 1928 to 1930 in the company of other illustrator/artists who had founded the Ashcan School, the beginnings of modern American art. From 1930 to 1935, he studied at the Pennsylvania Academy of Fine Arts under Henry McCarter, who was a pupil of Toulouse-Lautrec, Puvis de Chavanne, and Thomas Eakins. Arthur Carles, especially with his sense of color, and the architect John Harbison also provided tutelage and inspiration. Following his time at the Pennsylvania Academy of Fine Arts, Carton studied at the Barnes Foundation from 1935 to 1936 where he was influenced by an intellectual climate led by visiting lecturers John Dewey and Bertrand Russell as well as daily access to Albert C. Barnes and his art collection. Carton was awarded the Cresson Traveling Scholarship in 1934 which allowed him to travel through Europe and study in Paris. There he expanded his artistic horizons with influences stemming from Henri Matisse, Pablo Picasso, Chaim Soutine, and Wassily Kandinsky. While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer. From 1939 to 1942, the Works Progress Administration (WPA) Federal Art Project employed Carton as a muralist and easel artist. He collaborated with architect George Howe. The WPA commissioned Carton to paint major murals at the Helen Fleischer Vocational School for Girls in Philadelphia, the Officers’ Club at Camp Meade Army Base in Maryland, and in the city of Hidalgo, Mexico. Throughout the 1940s, Carton exhibited and won prizes for his semi-abstract Expressionist and Surrealist paintings. He socialized with and was inspired by Émile Gauguin and Fernand Leger. During World War II, Carton was a naval structural designer and draftsman at the Cramps Shipbuilding Corporation in Camden, New Jersey. Here, he created non-objective sculpture with metal. After the war, Carton co-founded a fabric design plant in Philadelphia. He produced hand-printed fabrics for interiors and fashion that were featured in Harper’s Bazaar, Vogue and Women’s Wear Daily. Original fabric designs were commissioned by notable clients including Lord & Taylor, Gimbels, and Nina Ricci. Some of these designs are at the Metropolitan Museum of Art. Carton traded his partnership in the fabric design company in 1949 to focus full-time on painting. Carton had his first solo exhibition in 1949 at the Philadelphia Art Alliance. This show was followed closely by solo exhibitions at the Laurel Gallery (New York City) and Dubin Gallery (Philadelphia). At this time, his exhibited work was Abstract impressionism. In addition to painting, he taught classes at the Philadelphia Museum of Art and was the Founder and first President of the Philadelphia chapter of Artist’s Equity Association. The Philadelphia Museum of Art and the organization of the National Museums of France commissioned Carton to travel to Europe, mainly France, in 1950 for a color photography study of continental masterpieces. He was granted access to study the restoration of the Mona Lisa and was one of the very few to be given permission to remove the painting from its frame. During his three year stay in Paris, he had solo exhibits at La Sorbonne and Gallery Rene Breteau and was in 15 group shows in Paris salons including Les Sur Independants, Salon d’Automne, and Realities Nouvelles. He also exhibited at the Musee d’Art Juif where he won the Prix d’Art. The Cercle Paul Valery twice sponsored Carton to present lectures at the Sorbonne. He conducted seminars at the Louvre for the Cercle Esthetique Internationale and taught classes in and directed stage and costume design for the Theatre de Recherche at the Paris Opera. Among his Paris artist colleagues were Chana Orloff, Earl Kerkam, Sam Francis, Claire Falkenstein, Lawrence...

Nachume Miller (1949–1998) was a German born Israeli artist who immigrated to New York City in 1973, where he made a name for himself in the American Modern Art scene. Miller immigrated to New York to study at the School of Visual Arts, where he would later become a professor of painting and drawing. He was quickly identified as a star on the rise and at the age of 29, was included in the Guggenheim Museum’s “Young American Artists,” Exxon National Exhibition. A decade later he was granted a solo show at the Museum of Modern Art, where his work is now part of the permanent collection. Though his career was cut short by his untimely death in 1998, Nachume exhibited at some of the most prominent galleries in New York and around the world. Miller's parents were both Holocaust survivors. His father was a captain in the front lines of the Russian Army during World War II and his mother was a Lithuanian who had once been held captive in a concentration camp. Both escaped the Nazis, re-united and fled to Israel. Nahum was born during their voyage, in Frankfurt, Germany, on January 28, 1949. He grew up in the town of Holon, Israel, where he was inspired by his father who spent most of his post-war days carving elaborate wood sculptures of Cubist human forms. Nachum, on the contrary, excelled in painting. By the age of 16, Miller was painting elaborate surreal dream lands referencing religion, politics and the history of Modern Art. His earlier works show similarities to Hieronymus Bosch, Salvador Dali and Francisco Goya. Miller was enlisted in the Israeli Army where he worked as one of Ariel Sharon's personal assistants and also fought in the 1973 Yom Kippur War. He went to New York in 1966 to study at the School of Visual Arts, and joined the faculty in 1977 to teach painting and drawing. He was enlisted in the Israeli Army and fought in the 1973 Yom Kippur War. That same year, he received a scholarship from the Israeli-American Cultural Foundation. He married his girlfriend Ruth and moved to New York to study at the School of Visual Arts. In 1977, he joined the faculty to teach painting and drawing. Over the next two decades, Nachume was prolific in the range of media, styles, and references he incorporated into his art. His paintings and three-dimensional works pay homage to artists throughout history, from the classical Greeks to Robert Rauschenberg. He prioritized craft over concept and was a disciplined painter, never neglecting workmanship in favor of a trend. His work is marked with curiosity, sincerity and intensity. Cara McCarty, an assistant curator in the department of architecture and design, organized the current show. It reveals Mr. Miller as someone who finds common ground with both Turner and Jackson Pollock - with the former's Romantic re-creations of storms at sea and with the latter's search for content in abstract gesture. Selected One-Person Exhibitions 1976: "Drawing Show", Bertha Urdang Gallery, New York 1981: "Figures", A&M Artwork, New York 1988: Exit Art, New York; "Projects: Nachume Miller", Museum of Modern Art, New York 1989: E.M. Donahue Gallery, New York 1990: "Nachume Miller: Views", E.M. Donahue Gallery, New York 1993: "Sensual Painting", E.M. Donahue Gallery, New York 1994: The Genia Schreiber University Art Gallery, Tel Aviv University Selected Group Exhibitions 1968: "10+ For and Against", Tel Aviv Aviva Uri, Michael Druks, Nahum Miller, Izzika Gaon, Izzika Raffi Lavie. 1970: "10+ In a Circle", Tel Aviv Moshe Gershuni, Buky Schwartz, Igael Tumarkin, Reuven Kadim (Berman), 1972: "Symbols and Imagination", Artists' Pavilion, Tel Aviv; "July '72", Gallery 220, Tel-Aviv 1975: "The Work of Nine Graduates of the School of Visual Arts", New York; 112 Greene Street Gallery, New York; "Group Indiscriminate", 112 Green Street Gallery, New York 1976: "8 Israeli Artists", Bertha Urdang Gallery, New York 1978: "Young American Artists", Exxon National Exhibition, Guggenheim Museum, New York 1979: The Kadishman Connection Israel Museum, Jerusalem Menashe Kadishman, Larry Abramson, Yaacov Agam, Nachum Miller, Jacob El Hanani,Samuel Bak, Koki Doktori...

A fine Mid Century vertical abstract expressionist oil painting by Panamanian artist Antonio Alvarado (b. 1938). Antonio studied under the figurative ...

A fine abstract in brown tones by American artist David Lund (b. 1925). David Lund’s illustrious painting career spans over 65 years. Born in New York, the...

This large exceptional abstract was painted by American artist Richard Lytle (born 1935). Lytle was born in Albany, New York, studied at the Cooper Union School of Art and the Yale University School of Art, where he received a BFA and MFA. He was included in the Museum of Modern Art’s Sixteen Americans exhibition in 1959. He began teaching in 1960 at Yale, which began a forty year career as a teacher, professor, and dean. He has had numerous one-man and group exhibitions, and he received the Augustus Saint...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In "Hear The Birds Sing" by Sylvia Paul, the artist invites vi...