SOPHIE DUMONT

delicatesse, white monochrome, abstract, french artist, oil and collage, library

2023

Sophie Dumont's "Jeu de Matières" delivers a captivating visual experience by skillfully combining oil and collage on canvas. With dimensions of 81 x 60 cm or 31.89 x 23.62 inches, t...

"Nightfall" by Sophie Dumont is part of a daring artistic exploration, immersing the viewer in a mysterious realm where darkness becomes the canvas upon which inner light dances. Thi...

Abstraction of linen drying in the sun treated with oil and a palette knife with the addition of fabric. The palette, in muted tones, suggests more than it imposes a similar construc...

This captivating artwork transports us to an abstract vision of the coast, passionately crafted by the artist using oil on linen canvas. It's a seascape, caught between sky and sea, ...

Sophie DUMONT's abstract is not a concept, it is an approach where each canvas is built around graphics put into perspective by color. Geometric abstraction of an artist's studio in...

Sophie DUMONT's abstract is not a concept, it is an approach where each canvas is built around graphics put into perspective by color. Geometric abstraction of an artist's studio in...

Johnnie Winona Ross Deep Creek Seeps 10, 2007 Oil paint on acrylic base burnished on Belgian linen Signed twice, dated and titled on the verso; also bears the original Stephen Haller Gallery label\ Canvas is stretched against wooden backing but no outer frame This work was originally sold by the Stephen Haller Gallery which hosted several critically acclaimed, sell-out shows of New Mexico resident Johniie Winona Ross, whose exquisite Minimalist aesthetic really took hold with collectors. The debt to famous New Mexico resident and Minimalist goddess Agnes Martin is obvious, but Winona Ross has a disctinctive style and technique of his own. The process of creating this work was laborious: Ross typically applies as many as 90-100 layers of paint to each canvas, then scrapes the surface with a straight-edged razor to reveal the many layers (and their chronology), and finally burnishing the surface with a Pueblo pottery stone to achieve a soft gloss. Maureen Mullarkey of Studio Matters wrote in 2010: THE LOVELINESS OF JOHNNIE WINONA ROSS' paintings elude translation into either reproduction or verbal description. In 2011, ArtDaily published this announcement from Stephen Haller, publicizing a later exhibition: "Washington Post critic Stephen Parks characterized Ross’s work in this way: “From a distance his canvases appear to be simple, minimal constructions of horizontal stripes with hints of vertical color in the background. Up close the paintings are seen to be extraordinarily beautiful and complex objects that induce a humming meditative state.” Ross grounds his work in the inspiration of the desert of the American Southwest, and borrows techniques from ancient Native American sources, melding them with a distinctly sophisticated and utterly contemporary vision. His use of the Native American technique of burnishing pigment and minerals with a potter’s stone to create a hard surface with a visually warm sheen creates an effect reminiscent of the softening of marble steps...

Untitled 03, 2017 White adhesive and white oil paint on canvas (Signed on reverse) 17 23/32 H x 13 25/32 W in 45 H x 35 W cm The work 'Untitled 03' was part of the exhibition “Subst...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...

Bernhard Zimmer produces deeply layered, subtly textured abstract paintings that contain diametrically opposed elements—order and chaos, abstraction and representation, boldness and ...