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Susan Cantricksbc 194 (Abstract painting)2015
2015
About the Item
sbc 194 (Abstract painting)
Acrylic on Polyester - Unframed
Like sbc 169 and 204, this painting applies acrylic to a polyester canvas, an extremely smooth surface that Cantrick finds particularly well-adapted for precise rendering and unique textural effects.
The diptych format is somewhat unusual in Cantrick’s output, providing a spatial break that provokes one of several hiccups in the continuity of space, perspective, and scale.
Please note that this artwork is made of 2 pieces that would need to be connected before hanging. Equipment and instructions provided.
Susan Cantrick is an American abstract painter whose primary interest is in painting as a structured visual response to sub-linguistic thinking. Her paintings are analogs of her pre-verbal perception that aim to be as articulate as possible, crystallizing the vitality and complexity of emergent cognition. She lives and works in Paris, France
- Creator:
- Creation Year:2015
- Dimensions:Height: 39.38 in (100 cm)Width: 70.87 in (180 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:First hand item, delivered directly from the artist's studio.
- Gallery Location:London, GB
- Reference Number:1stDibs: LU65938586692
Susan Cantrick
Susan Cantrick is an American abstract painter whose primary interest is in painting as a structured visual response to sub-linguistic thinking. Her paintings are analogs of her pre-verbal perception that aim to be as articulate as possible, crystallizing the vitality and complexity of emergent cognition. She lives and works in Paris, France. Cantrick’s essentially modernist painterly techniques, merging the gestural with the hard-edged, are mediated by post-modern digital interventions. Her hybrid practice favors a stylistic eclecticism that can belie its coherent underpinnings. The various processes she explores in her work combine elements of structure and freedom. For the last 10 years, she has been painting from digital studies that are generated from photo-fragments of her previous work. The results resemble what she characterizes as “a gamut of genealogies,” paintings that share a common visual ancestry with their predecessors.
Cantrick recently embarked on the challenge of returning to previously unfinished works, proceeding with new compositions imposed on the already inhabited space. Her various approaches investigate painting as a state of mind, process, and object, revealing a connection to ideas about context and the renewal of identity. Alongside her painting practice, Cantrick creates small-format collages mounted on paper and panels that are often composed of alternate applications of paint and ink-jet printed imagery. Beyond a love of color and the sensuality of paint, Cantrick’s process is driven and defined by her convictions about painting as a form of visual thinking rather than narration, illustration, or critique. As a painter, she thinks in terms of materializing the moment of her perceptual experience when thoughts begin to cohere but before they formulate themselves into language. Though she has occasionally used literature or photos from her environment as points of departure, specific external stimuli are rarely referenced. At the same time, she is aware of how the body and landscape have influenced her preoccupation with how to manipulate flat pictorial space and how best to show its ambiguities and exploit its complexities.
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By Susan Cantrick
Located in London, GB
sbc 194 (Abstract painting)
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