Susan Woldman

Windmills

2019

For many years I focused mainly as a sculptor, building large three dimensional wall sculptures and taller than life statues. This is why I paint on wood, because with wood there e...

I have journeyed through black and white, expanding my visual grip of form, light and reflection. Now the seeds I’ve planted along the way are blossoming into flowers. This is my m...

For many years I focused mainly as a sculptor, building large three dimensional wall sculptures and taller than life statues. This is why I paint on wood, because with wood there e...

I have journeyed through black and white, expanding my visual grip of form, light and reflection. Now the seeds I’ve planted along the way are blossoming into flowers. This is my most recent series and I am allowing my art to guide me. Each painting takes me to the next, within which I seem to stretch into something new. What had been more abstract is now blooming and I love the addition of flowers and all the endless directions this can lead me to. Just as a flower bud holds the full picture of its bloom, so too do these paintings hold a fuller...

SQUARE UP Series: "I love working in squares because they naturally evoke a sense of balance. Whatever tension is created in the image itself, a square resolves with its ‘even’ sides...

DIPTYCH Series: "The DIPTYCH Collection is my way of building something and going big. Of interest to me is being able to see it’s a diptych instead of one big canvass. A horizon lin...

Pyre VII 2017 India ink and acrylic paint on charred birch plywood 32" x 24" x 1.25" Pyre VII is part of a series of charred panels Watson completed in 2017 at the Arts, Letters and Numbers Residency in Averill Park, NY. The pieces incorporate local materials, rice, and fire to create charred photographic images on plywood that explore themes related to being, substance and imperceptibility. The imagery references the practice of cremation on a funerary pyre in which the corpse is prepared and burned over a construction of combustible materials. Within the work, rather than destroying the body, the fire produces an afterimage that remains indefinitely. Each day Watson would scavenge the site collecting natural objects, such as sticks, small rocks, and other detritus. He laid these objects on the surface of the plywood with raw rice. The surface was then charred using a propane torch. After the objects and rice were removed an image of them remained, like a photogram. In some panels, He incorporated a homemade black rice ink or various paints to tint the surface before and after burning. Rice is a recurring theme in Watson’s work. It alludes to an uncontained body in the process of decay, returning to the earth to become a source of sustenance for new life. It also imagines the soul extending beyond its fleshly container. The act of burning attempts to capture the space between life, death, and rebirth— freezing it in a state of transformation. The sticks, stones, and rice become remnants of life and markers of space and time. They are more than mere grains and detritus. They become the body as a trace of what was and a reflection of what will be. Michael Watson...

Materials: acrylic painted paper on Birch panel Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her wor...

Materials: acrylic painted paper on Birch panel Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her wor...

Materials: acrylic painted paper on Birch panel Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her wor...

Materials: acrylic painted paper on Birch panel Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her wor...

Materials: acrylic painted paper on Birch panel Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her wor...