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Suzanna Hart-BroughtonCrimson Labyrinth1983
1983
About the Item
Artist: Suzanna Hart-Broughton – American (ca.1935-)
Title: Crimson Labyrinth
Year: 1983
Medium: Oil and/or acrylic and collage on canvas
Sight size: 30 x 36 inches.
Framed size: 30.25 x 36.25 inches
Signature: Signed lower right, reverse
Condition: Very good
Frame: Framed in original frame
This painting is composed of oil/and or acrylic paint with collage on canvas. The painting's collage elements have a strong symbolic/mythological reference in keeping with Hart-Broughton's extensive study of Carl Jung.
The painting is signed lower right. It is in very good condition. It is in a simple metal frame.
Suzanna Hart-Broughton is a California artist who was based in San Francisco for many years. Her art is deeply influenced by her years of study of the works of Carl Jung. That influence is clearly apparent in this work.
Suzanna Hart-Broughton was the wife of the well-known poet and filmmaker, James Broughton.
- Creator:Suzanna Hart-Broughton (1935)
- Creation Year:1983
- Dimensions:Height: 30.25 in (76.84 cm)Width: 36.25 in (92.08 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Period:
- Condition:The painting is in very good condition.
- Gallery Location:San Francisco, CA
- Reference Number:Seller: PM01222021-11stDibs: LU66637407292
About the Seller
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Artist: Julius Njau – Tanzanian (1961- )
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This colorful painting of figures is by the well-known Tanzanian artist Julius Njau. It is in very good condition and signed “Julius N” and dated 1987 in the lower right. The frame is simple unfinished wood. It has a few small scratches
Tanzanian artist Julius Njau was born in 1961 Marangu, Moshi in Tanzania. He attended the Primary School Kilimanja. In 1972, a serious fracture of the leg caused him to spend two years in hospital where he began to paint and his career as an artist commenced. Julius was encouraged by a Finnish radiology specialist who supplied him with material and purchased his works. She also organized his first exhibition in Finland in 1983. The first works of Njau are very representative, inspired by the nature and the traditional aspects of his country. In 1984 his technique changed and his style transformed. Julius Njau paintings are characterised by the interaction of primary colors and the mixture of forms. Julius Njau's artworks works are part of the collection of Osaka Prefecture and Toyama Museum of Modern Art in Japan. They are also in the Frankfurt Museum of Ethnology (fur Volkerkunde), in the ZAK Gallery (Zeitgenossische afrikanische Kunst), Furth in Germany, in the Amos Anderson Helsinki Gallery, Finland, and in the 5th British Museum in England. In 2002, Julius Njau received a Nagoya City Hall Award and in 2003 the Grand Prize at the Toyama Prefecture International Competition at the "Sukiyaki Encounter the World" Poster Design Festival. Julius Njau is President and a founding member of the Marafiki group.
EXHIBITIONS
1983 'Julius Njau One Man Show' Amos Anderson Museum, Helsinki, Finland
1984 'Group Exhibition' Gallery of Denmark
1985 'Julius Njau One Man Show' Danish Volunteer Training Centre, Tanzania
1985 'Julius Njau One Man Show' Tynset, Norway
1985 'Julius Njau One Man Show' Gallery of Sweden
1986 'Julius Njau One Man Show' Danish Volunteer Training Centre, Tanzania
1987 'Julius Njau One Man Show' Gallery Watatu, Nairobi, Kenya
1988 'Julius Njau One Man Show' Vogue Gallery, Nairobi, Kenya
1988 'Julius Njau One Man Show' Centre culturel francais, Nairobi, Kenya
1989 'Julius Njau One Man Show' National Museum of Kenya, Nairobi, Kenya
1990 'Into the Nineties' Gallery Watatu, Nairobi, Kenya
1990 'Portraits of Kenya' Gallery Watatu, Nairobi, Kenya
1991 'Gallery Artists' Gallery Watatu, Nairobi, Kenya
1991 'The Custodian's View' Gallery Watatu, Nairobi, Kenya
1991 'Julius Njau One Man Show' Nairobi Safari Club, Kenya
1991 'Julius Njau One Man Show' Nagoya City Network Centre, Nagoya, Japan
1991 'Julius Njau One Man Show' National Museum of Kenya, Nairobi, Kenya
1991 'Julius Njau One Man Show' The German Culture Centers, Goethe Institut, Nairobi, Kenya
1992 'Julius Njau One Man Show' International Gallery, Madrid, Spain
1992 'Through the Artists' Eyes' Gallery Watatu, Nairobi, Kenya
1992 'Rafiki wa zamani' Gallery Watatu, Nairobi, Kenya
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Joe Doyle established himself as a painter during the movement toward new abstraction in San Francisco in the mid-seventies. Stylistically his work evolved from photo-realist renderings of aircraft which exaggerated differences in focus of background and foreground" By 1975 his imagery shifted to arrangements of flat, geometric forms and tubular squiggles in a trompe l'oeil manner that created the illusion of a multi-layered, three dimensional space. By the late 1970s Doyle, along with James Havard, Jack Reilly, George D. Green, and others, had attained national prominence working this style now referred to as Abstract Illusionism. Doyle and others were included in 'Reality of Illusion' a large touring exhibition of primarily American illusionist artists organized by the University of Southern California and The Denver Art Museum.
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