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Sylvia CareweLarge Colorful Modernist Pastel Abstract Expressionist Painting Sylvia Carewe
$3,600
£2,758.96
€3,170.94
CA$5,056.38
A$5,659.02
CHF 2,962.29
MX$68,746.82
NOK 37,613.61
SEK 35,494.86
DKK 23,660.83
About the Item
Framed 33 X 45.5 image is 29 X 41.5
Hand signed lower left
Signed and titled verso
Sylvia Carewe (1906-1981) was an American woman artist, painter, writer and poet.
Born in New York City to Russian immigrant parents, Louis and Esther Kerewsky, she changed her surname to "Carewe" in 1930. Carewe attended Columbia University and studied further with Yasuo Kuniyoshi at Atelier 17 in New York, with Hans Hoffman in New York and Provincetown, Massachusetts, and at the New School for Social Research.
During World War II Carewe worked as an advertising copywriter and artist for agencies in New York. She became a prolific abstract artist in a range of media, including tapestry designs for the Aubusson tapestry carpet company in France, felt banners, collage reliefs, and what she termed "blown paintings," which were assemblages (predominantly of children's toy components) overlaid with spray paint. One of the most common subjects in her semi abstract paintings was New York City at night. She also worked in traditional artistic media, including watercolors, oils, lithographs and pastels. In October 1944, she married Marvin Small (formerly Smalheiser, executive for Carter's Little Liver Pills). They had one child, John Marvin, in June 1947.
Carewe had her first one-woman show in Poughkeepsie in 1947, after which she opened in New York City at the ACA Gallery in 1948. She had some twenty other American solo shows and her works hung in many exhibits across the United States as well as in France, Belgium and the Netherlands. Her works are represented in the permanent collections of the Whitney Museum, Musée de l'Arte Moderne, Paris, Brandeis University, the Butler Art Institute, Howard University, the Tel Aviv Museum and the National Museum in Djakarta, Indonesia. Her work has been described by French critics as "violent, colorful art, in hard contrasts, not exempt from cold lyricism." ["Les Girls," Time, 11 Nov 1957] Carewe was nearly as productive as a writer, producing both poetry and short stories. She corresponded with Milton Avery, Sally Avery, David Burliuk, Chaim Gross, and Abraham Walkowitz. She was photographed by Arnold Newman.
She was a founding member of The American Society of Tapestry Designers.
Carewe had three solo exhibitions at ACA Gallery (1948, 1950, 1953), the first as a result of winning an annual competition. During these early years, her paintings were very boldly colored, figurative abstractions executed in a primitive style, which mostly captured the locales from her frequent travels. Carewe was largely self-taught and had brief instruction with Hans Hofmann and Yasuo Kuniyoshi. Between January 1953 and May 1954, she worked at Atelier 17 and made several etchings, which she showed at The Three Arts in March 1954. Dorothy Dehner and Irene Rice Pereira were close friends of Carewe’s at this time, and it is possible that one of them may have introduced her to Atelier 17 (Stanley William Hayter). Two rare impressions of Carewe’s early etchings, likely created at Atelier 17, evidence her experimentation with printmaking techniques. In the first, Ebb and Flow (1953), Carewe dribbled stop-out varnish abstractly onto the plate and completed it by etching a spiral design into the white circle and lines into the crescent shape. This work was a forerunner to a tapestry design, La Firmament, that Carewe would create in the late 1950s and early 1960s with Braquenie & Cie, the renown weaver in Aubusson, France. The second, At Anchor (1954), features a very primitive, nocturnal composition of several boats and buoys rocking on the waves—a frequent motif of Carewe’s work through several media.
Carewe continued to create prints through the late 1950s, expanding the complexity of her designs and also trying her hand at lithograph printing, though she turned her focus increasingly to nocturnal paintings and drawings of city lights, and, more importantly, tapestry design. Encouraged by Katia Granoff, who represented the artist’s work in Paris, Carewe was one of the earliest modern artists—and one of the first women—to adopt the historic art form, a precursor to the explosion of modern tapestry manufacture during the 1960s and 1970s. She worked under the sponsorship of the French cultural attaché and created original cartons for her tapestry designs, which were produced with Braquenié & Cie. Represented by French & Company in New York, Carewe’s tapestries were well received, and JFK and Jacqueline Kennedy purchased one for their apartment at the Carlyle Hotel. She was included in the seminal 1973 exhibition "Women choose Women" along Pat Adams, Pearl Amsel, Heléne Aylon, Alice Baber, Nell Blaine, Vija Celmins, Perle Fine, Audrey Flack, Mary Frank, Sonia Gechtoff, Dorothy Gillespie, Yvonne Jacquette, Buffie Johnson, Joyce Kozloff, Joan Mitchell, Alice Neel, Betty Parsons, Faith Ringgold, Joan Snyder, Nancy Spero and Pat Steir. In addition to the visual arts, Carewe was a prolific poet and writer of short stories. Her work was collected by Charles and Ray Eames and is in the permanent collection of the Metropolitan Museum of Art in New York City, the Museum of Modern Art (MoMA) and the Whitney Museum, and she received several awards from the French Government.
- Creator:Sylvia Carewe (1914 - 1981, American)
- Dimensions:Height: 33 in (83.82 cm)Width: 44.5 in (113.03 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:good. needs new frame.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38210576172
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1988: Exit Art, New York; "Projects: Nachume Miller", Museum of Modern Art, New York
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Education
Hunter College, New York, M.A.
New York University, New York, B.S.
Awards
2006 Adolf Gottlieb Foundation Grant in Painting
2003 Prize in Painting, Florence BiennaleInternazionale, Florence, Italy
2001 Pollock Krasner Foundation Grant in Painting
1986 Prix de Rome, American Academy in Rome
Pollock Krasner Foundation Grant in Painting
1983 National Endowment for the Arts, Fellowship in Painting
1980 New York State Council on the Arts, Grant for Painting
1979 National Endowment for the Arts, Fellowship in Painting
1976 Grant in Painting, Rhode Island State Council on the Arts
1975 New York State Council on the Arts, Grant for Painting
1974 Grant in Painting, Rhode Island State Council on the Arts
1972 Artist of the Year, Aldrich Foundation
Select Solo Exhibitions
2015 Black and White Into Color, National Arts Club, New York
2013 Sideshow Gallery, Williamsburg, NY
2005 Chris Winfield Gallery, Carmel, CA
2004 Klaus Steinmetz Arte Contemporaneo, San Rafael de Escazu, Costa Rica
2002 Feria de Arte International Arcale, Salamanca, España
2001 Andre Zarre Gallery, New York
2000 Retrospective: Museo Las Americas, San Juan, Puerto Rico
1998 A Retrospective: Museo Voluntariado De Las Casas Reales, Casa de Bastidas,
Santo Domingo, Dominican Republic
1990 1985 Graham Modern , New York City, NY
1989 1986 Ruth Bachofen Gallery, Santa Monica, CA
1986 William Halsey Gallery, Simon Center for the Arts, College of Charleston, Charleston, SC
1983 Lincoln Center Gallery, Lincoln Center, New York City, NY
Dart Gallery, Chicago, IL
Gloria Luria Gallery, Bay Harbor Island, FL
1982 Nina Freudenheim Gallery, Buffalo, N
1980 Willard Gallery, New York
1979 The Clocktower: Institute for Art and Urban Resources, New York City, NY
1977 Galerie Veith Turske, Cologne Art Fair, Cologne, Germany
1974 Fischbach Gallery, New York City, NY
1973 Corcoran Gallery of Art, Washington, DC
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2019 Art On Paper, March 2019, New York, NY
2018 Sideshow Gallery, The Greatest Show On Earth, Williamsburg, NY
2015 Outside The Lines/Modernist Drawings, National Arts Club, NY
2014 "National Arbor Day Show", National Arts Club, New York, NY
ArtHamptons Fair, July 10-13, East Hampton, NY
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2012 Art Southampton, International and Contemporary Modern Art Fair, Hollis Taggart
2010 Janet Kurnatowsky Gallery, New York
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2002 Gallery Uno 'Spazio Su Misura, Milan, Italy
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