Tamara Gonda

Just Floating On

2015

Artist Commentary: Bright and whimsical, this painting illustrates my typical upward view with bright color and in a more illustrative format. Keywords: Cityscape, skyscrapers, city...

Artist Commentary: The style and feel of a street is established by the design and dominating objects. Sometimes it is the landmark buildings or sculptures. In this painting, it is trolley cable and supporting posts...

Artist Commentary: The symbol of many corporate, government, and charitable entities are their headquarters buildings. Keywords: headquarters, hq, sky, corporate, corporations, gove...

Artist Commentary: The night. The quiet. Swaying palm trees in the cool breeze of this tropical town is calming and relaxing. Keywords: Cityscape, palm tree, city, upward view

"Day in the City" is a 48x48 acrylic painting on canvas by artist Richell Castellon. Featured is a rainy day in New York City cityscape. Pedestrians stroll the streets through cross ...

Diptych of 'Sea Of Elusion' is based on the beautiful orange sunsets in the Isle Of White, the warm gentle glow of the reflective water. The colours offer sheer ore also tranquility ...

Natalie Bird, artist with Wychwood Art. Natalie lives in South West London near Wimbledon and paints in mixed media, watercolour and oil. She has always drawn and painted since child...

Adele Riley is a British contemporary land and seascape artist working primarily in acrylic and acrylic inks. Her artistic process usually begins with a loose idea of what she wants to create. She strives to capture the emotional content of the subject, letting the inks create a type of chaos by doing what they naturally want to do. ‘This is an exciting part of the process,’ says Adele, ‘As it always reveals something magical, letting me know what I should do or how I should react next.’ Adele is fascinated by light and colour, believing people connect to colour just as much as to the subject matter. People are drawn to different energies in different colours, and she loves to play with this theory in her work. She often starts her paintings ‘plein air’, sometimes in local forests or on the beaches of Cornwall and Devon, but her passion is to paint intuitively, recalling the light, atmosphere, sounds and feel of a scene. ‘My aim is to capture the essence of a place rather than produce a literal interpretation. I want to create a personal and emotional narrative between my work and the viewer.’ ‘With light there is always colour. I constantly chase light...